As for the literal meaning of "Jiaxu", we can roughly understand it like this:
In the morning, large tracts of reeds are crowded together, and the crystal dew in the morning condenses into clear frost. The girl I like in my heart is standing on the other side of the river, which fascinates me and goes upstream to find her. The road was so dangerous and narrow that I followed the current to find her, but she seemed to be in the middle of the water all the time.
Waiting for the sun to rise, the temperature is a little warm and mild, the reeds are a little blue, and the dew on the leaves has not dissipated, stubbornly leaving traces. The girl I like in my heart is standing on the high side of the river, which makes me dream. I go upstream to find her. The road was so difficult to walk and climb. I followed the current to find her, but she seemed to be on an island in the water all the time.
The slowly climbing sun further raises the temperature. At this time, reeds have different shapes and various aesthetic feelings. Dewdrops have begun to dissipate, leaving white traces like tears. The girl I like in my heart stands on the river bank, which makes me feel melancholy and sad. I went upstream to find her. The road was so bumpy and tortuous that I followed the current to find her, but she seemed to have been on the sandbar in the water.
For a long time, "Jia Jian" was a symbol endowed with love poems, but I think this poem is about love and other things. It covers all kinds of unattainable life situations in the world, such as the sadness that lovers are hard to find and confidants are hard to find, the ups and downs of official career, the troubles of unsuccessful career, the disillusionment of ideals, the disappointment of bleak future, the impermanence of life, the sadness of spiritual loss and so on.
1), about love, bright and sad.
Just like Dai Wangshu's Rain Lane, with a little sadness and sadness, Jia Jian is slowly unfolding in this kind of poetry. There are some sad melodies and sad people between the lines, who are constantly confused in the process of continuous progress and constantly clear and firm their pursuit from constant confusion. Therefore, we see his repeated pursuit in the struggle and wandering.
There is a classic line in Wong Kar-wai's "Ashes of Time": A person's biggest trouble is a bad memory. Maybe it's not appropriate to use it here, but it has another kind of bedding and rendering. Imagine how much love and persistence that man will have. After repeated requests, he will continue his next pursuit. This pursuit may not be unforgettable, but it will also be unforgettable for future generations. Not to mention him. Invisibly, the image of a persistent infatuated boy jumps from the paper, and a beautiful but sad love jumps from the paper. There is nothing abrupt and deliberately false. Everything is so natural and logical.
I have read many such poems, such as Picking Wei, Mulberry on the Stranger, Peacock Flying Southeast and so on. , or pure gorgeous, or illusory, or too picky, and Jia Jian can really achieve "joy without lewdness, sadness without injury."
Jiaxu can be said to interpret such a love for us. She is hazy, confused, sentimental, persistent, and has some distressing processes, but as far as the description of love is concerned, she skillfully compares the hardships of the pursuit process, the hazy beauty of Iraqis and the changes in the author's heart with the changes of time and the thousand-year form.
2
In fact, Zhuangzi's "freedom" means absolute freedom without any dependence, bondage and fetters. That is, the difference between "equal" and "unequal". The so-called "want" means to rely on and rely on something, which means that the realization of certain desires and demands of people is limited by certain subjective and objective conditions; The so-called "governing by doing nothing" means that people's thoughts and behaviors are not restricted by any conditions. Zhuangzi believes that "waiting" is the fundamental reason why life cannot be free. Only by getting rid of waiting and reaching no waiting can freedom be realized, that is, carefree travel, which is also the realm of freedom without waiting. How can we get rid of waiting and realize no waiting? Only by completely abandoning "merit", "fame" and "ego" can we be lonely, mentally rush out of the individual, integrate our short life into the infinite universe, soar in the "nothingness", travel all over the world and communicate with heaven and earth alone. What binds people's freedom is not external objective conditions or inevitability, but people's own subjective understanding and their own thoughts, and they don't know the truth of "observing things with Taoism" and "integrating Taoism with law"; If we can be consistent with everything subjectively and forget all external differences, we will be uncomfortable and there will be nothing to treat.
Three are unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "endless life, similar rivers and moons year after year." Personal life is fleeting, but human existence is long-lasting, so "endless" life and "similar year after year" bright moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty. "I don't know who Jiang Yue is waiting for, just watching the Yangtze River deliver water" is closely related to the previous sentence "looks similar". Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.