Haizi: Although Haizi doesn't like people to regard him as a lyric poet, I'm afraid Haizi himself will admit in dismay that he is really just a lyric poet. Haizi once said that lyric is blood. We will find that Haizi is honest: all his works are red, soaked in blood and produced after burning. This may not be accurate enough, because they are bleeding and burning.
Beidao: The combination of sober speculation and metaphor with symbolic images generated by intuitive thinking is a remarkable artistic feature of Beidao's poetry. The specious epigrams with high generalization power have created the unique artistic power of Kosuke Kitajima's poems.
Shu Ting: Shu Ting's poetic images are vivid and beautiful, and her thinking logic is meticulous and smooth. In this respect, her poems are not "hazy". Poetry, on the other hand, mostly uses metaphors, partial or whole symbols, and rarely expresses itself, so the images expressed are vague.
Bian: Bian's new poems have absorbed the nutrition of China's ancient poems and western modernist poems extensively, and are unique and full of wisdom and philosophy. It is an important representative of "modernist" poetry in China literature in 1930s.
Dai Wangshu is the representative of China's modern symbolism poetry. In the content of poetry, he pays attention to the completeness and clarity of poetry, and does not deliberately carve it in form.