Jill Zhang
Frosty night,
Jiang Feng sleeps in the fire.
Hanshan Temple outside Gusu, [Notes]
1. Qiao Feng: The name of this bridge is outside Suzhou today.
2. Berthing at night: Berthing the boat at the shore at night.
3. Jiang Feng: A maple tree by the river.
4. Fishing fire: lights on fishing boats.
5. Sleepiness: Travellers on board are worried about traveling, so it is difficult to fall asleep.
6. Suzhou: Suzhou.
7. Hanshan Temple: Located in the west of Qiao Feng, it was named after a poet named Hanshan lived here in the early Tang Dynasty.
[Modern Translation]
The moon has set, crows crow and autumn frost is everywhere.
The maple trees by the river are sleeping in sorrow.
The lonely and quiet Hanshan Temple outside Gusu,
At midnight, the passenger ship rang a sweet bell.
[Appreciation]
One autumn night, a passenger ship from afar was moored on the Maple Bridge outside Suzhou. Tomorrow has fallen, crows crow, the sky is covered with frost, maple trees by the river, and a little fishing fire. How desolate it is for him to accompany the wanderer on the boat on a cold autumn night in this water town. In just two sentences, this poem describes what the poet saw, heard and felt, and depicts a picture of a lonely autumn night. But the last two sentences of this poem are more verve. The midnight bell of Hanshan Temple not only sets off the tranquility of the night, but also impacts the poet's lonely heart, making people feel the eternity and loneliness of time and space, resulting in endless reverie about life and history. The artistic conception created by this combination of dynamic and static most typically conveys the charm of China's poetic art, and the midnight bell rings to the passenger ship.
2. Poems describing Qiao Feng Qiao Feng
Author: Chen
Year: Song Dynasty \ Dynasty
Twenty send old books to the countryside, white hair will be happy in class.
I couldn't bear to say goodbye to the pavilion wine. I came to Gusu for more than 200 miles.
On the ancient coast of Qiao Feng, in winter and October, frost and wind cut bones and withered vegetation.
The desire to worship gives more instructions and hands in tears.
I will worship the government next year and Chicheng Mountain will meet me.
The sky is not glorious, and the stars are not clear.
The color disappears for three years, and the liver and blood cry away.
Hidden and unemployed, take care of the elderly, and be a humble official.
Returning to my native Qiao Feng, the scenery is beautiful.
People and mountains are just like yesterday, but there are no changes in teeth and hair.
I want to stay at the water's edge.
I haven't worn it for a day in my life, and taking an inch of money is not entertainment.
When you are poor and uncertain, you are willing to report your life.
3. Qiao Feng's ancient poems "Cold Night", "a night-mooring near maple bridge" and "Jiang Feng fisherman sleeps".
In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship. Note: 1. Qiao Feng: The name of the bridge is located in the west of Nagato, Wuxian County, Jiangsu Province.
2. Uti: Crows crow. Wu, referring to crows, also refers to birds that perch in trees at night.
3. Jiang Feng: A maple tree by the river. 4. Gusu: another name for Suzhou, named after Gusu Mountain in the southwest of the city.
5. Hanshan Temple: A temple one mile west of Qiao Feng. According to legend, in the early Tang Dynasty, two famous monks, Hanshan and Pika, lived here, hence the name.
6. Midnight bell: In the Tang Dynasty, temples had the habit of ringing bells at midnight. Appreciation: The poem begins with a tiny scene and depicts a hazy, quiet, cold and beautiful autumn night picture of Jiangnan water town.
One or two sentences in the poem, although written in autumn night, can still make people feel the colors and shapes of all kinds of autumn objects along the river, as well as the sounds and emotions; Moreover, the meaning of the word before and after is linked with cause and effect, which is inferred. Three or four sentences are a capital pen, which spread the bell of Hanshan Temple a mile away.
What kind of feelings will this transcendental clock with Zen bring to those who stay in a sad night? Poetry is closely linked, the content described is complex and simple, reflecting the feeling of truth and emptiness, and the contrast is very clear. The artistic conception created by poetry also lies in the mystery of the contrast between complexity and reality. On a rainy night, the reply to a friend in the north has not yet expired. Autumn pool night rain rises.
? When * * * cut candles at the west window? But words in the rain at night. ? This is a well-known poem written by Bashu, a poet living in a distant foreign land, to his wife in Chang 'an.
Li Shangyin's love for his wife is sincere. They were married less than 12 years, and their wife died. Even in that 12 year, because the poet was wandering around, he could not get together with his wife often.
As the saying goes, a little parting is better than a wedding. Li Shangyin and his wife are often separated for a long time, so they have a deeper and stronger understanding of their love and acacia.
In his works, he shows the enthusiasm of "spring silkworm spinning silk" and "wax torch turning into ash", showing a unique artistic style. ? This little poem is written clearly, without allusions or comparisons, and goes straight to books, landscapes and words. The affection in the scene, the blending of the scene and the infinite affection in the plain words leave endless room for aftertaste.
? At the beginning of the first sentence, you directly call the other person "Jun" and draw a picture of lovesickness between husband and wife from a unique perspective: Dear wife, you must be anxious to ask me when I will come back, so I tell you now that I don't know when I can go home. The uniqueness of this poem lies in the poet's writing of acacia from a misplaced perspective, that is, the other party may not really write to ask about the date of return, but the poet imagines that his wife is missing and asks about the date of return.
In China's ancient poems, the poems about lovesickness often do not directly describe how they miss each other, but how they miss themselves, thus implicitly expressing the poet's feelings of missing. For example, Du Fu's "Looking at the Moon" shows his missing for his wife by imagining that his wife misses him on a moonlit night.
The phrase "Jun asks if he will return soon" seems dull, but it injects the thoughts of his wife into every word, which is euphemistic, affectionate and intriguing. ? "Late Rain Rising in Autumn Pond" is about the environment in which he lived at that time, that is, the scenery.
The poet described a specific environment in concise language: Bashan, autumn night and heavy rain. The author gives a more specific description of this environment, not only describing the rain in the sky, but also describing the rain accumulated underground.
Through the realistic scenery, people seem to feel such an atmosphere: it is dark all around, it is raining cats and dogs, the pool is full, there is no intimate friend around the author, and it is raining cats and dogs, making people feel lonely and desolate. This intermittent autumn rain makes people upset, the pool is full of feelings, and the nature author's heart is also surging.
Then, the feeling of "autumn pool rising" is more than torrential autumn rain and rising pool water. Obviously, it is the emotional wave of the author's infinite yearning for his wife in sleepless nights. Therefore, there are deep feelings in the scenery, and the environment is written, but it is not just the environment. There is a word "love" between the lines.
In this way, the blending of scenes constitutes an artistic realm. If the first two sentences are written as prospect, then the last two sentences are written as future.
On the night of autumn rain, the poets touched the scene, spread their wings of imagination and expressed their love with rich natural associations. The poet chose two modes here: one is the dynamic scissors, and the other is the confirmation of pronunciation.
"* * * Cut the candle at the west window" depicts a beautiful picture of a beautiful night in detail and infinitely, and the word "* * *" describes the intimate mode. However, the word "He Dang" pushed the beautiful scenery described by the poet into the distance and into the void.
This beautiful scenery turned out to be nothing more than the poet's yearning for it. As for when to return to my gentle hometown, everything is "irregular". This is a cruel thing and a helpless thing.
This sentence is full of emotion, but it does not contain a word "emotion", which is very implicit. ? There is no better way to express your feelings than words. "Keep your word". The poet imagined that husband and wife would get together, talk by candlelight and communicate with each other.
"Refusing to talk" is a retrospective memory. The poet imagines that time at this time, and then he is talking about this time, talking about the feelings of missing when the rain is there at night. In this short four-sentence poem, the word "late rain" appears in two places, which is extremely rare in ordinary ancient poetry. This is because Late Rain gives the poet a very complicated and profound feeling, which is the most concise scenery language and the deepest family language. Writing about scenery and expressing emotions is the artistic conception of blending scenes in the poem.
Used in this poem, it is very subtle, evocative and unique. ? The first two sentences of this poem are about the real situation, which contains the thoughts of parting; The next two sentences are about meeting in the future, including the mood of getting together.
Sorrow is real, but gathering is empty. The purpose of faking the future reunion is to set off the loneliness and nostalgia of the present. The stronger the expectation of reunion, the deeper the present nostalgia will be, and the harder it will be to send it away.
The contrast between the two more profoundly expresses the sadness and deep yearning of reality. ? Image, delicacy, implication and profundity are the artistic features of this poem.