Cao Cao, Cao Zhi, Cao Pi, Jian 'an literati. The new words are modeled after the old themes and tunes of Yuefu, and the language still imitates the simple language of Yuefu. This strong imitation also endows Jian 'an literati poems with strong folk songs. Cao's three poems have a strong lyrical meaning, which promoted the pace of the transformation of literati in Han Dynasty from narrative Yuefu folk songs to lyrical literati poems.
The literati meaning of Ruan Ji's poems about cherishing the bosom is fully reflected in the lyrical elements, which is reflected in the increasingly gorgeous rhetoric and increasing duality in the poems. It is no longer as simple as Jian 'an's poems, but the style is getting lighter and more complicated.
Metaphysical poetry ruled the poetry circle of the Eastern Jin Dynasty for a hundred years. Once again, the distance between poetry and music has been greatly widened, thus moving closer to prose. This attempt failed because it was "unreasonable and tasteless".
Tao Yuanming's poems are full of interest and rationality. Xie lingyun-landscape poems.
Bao Zhao developed seven-character poems in the process of learning Yuefu, and changed the rhyme of each sentence into the rhyme of every other sentence. At the same time, Bao Zhao wrote some short poems with five words and four sentences in the process of learning the folk songs of the Southern Dynasties, which paved the way for the formation of the Five Wonders in the future.
Yu Xin's poetry combines the soft style of the south with the bold style of the north, which makes necessary preparations for the prosperity of Tang poetry.
There were many excellent literary works in Wei, Jin, Southern and Northern Dynasties, and the masterpieces of the above famous poets all belong to this. Knowing the author is more interesting than reading through the works. In fact, in addition to the representative works of these typical figures, there are Wang Xizhi's Preface to the Lanting Pavilion and other representative works.