Tang Dynasty: Guan Xiu
One room in Chai Men is quiet and fragrant with fragrant rice, and after the spring rain, there is a clear sky in Wan Li.
The flowers in the yard are misty and clear, and the children are crying for Oriole in the tree.
Shui Xiang Tang Heipu Sensen, Yuanyang? Just like poultry.
The fields in front of the village are lush with mulberries, and the boundaries between the east and the west are clear and non-aggression.
Women wash cocoons in front of the clear river, and the shepherd boy plays piccolo and bathes and changes clothes in the water.
Shan Weng hospitably asked me to stay, and smiled and said to Xipo that the melon beans should be ripe.
Guan Xiu was a monk in the late Tang Dynasty. This group of poems "Two Poems on the Wall of Shushan House in the Spring Festival Evening" is his masterpiece when he was a guest in the countryside. The creation time is in late spring, and the exact year is unknown.
Xing Shan Bufei advised early ploughing.
Qing Dynasty: Yao Nai
The cuckoo flies to persuade early ploughing, and the hoe flies at the spring eye.
Thousand-layer stone trees travel thousands of miles, and the sound of running water in Shan Ye.
The poem describes what you saw and heard on the mountain trip, with clever conception, appropriate tailoring and "ambition" in the pawn chapter. The language is fresh and elegant, and there are no superfluous words. Tongcheng school advocates "elegance and cleanliness" and opposes "redundancy", which shows this.
Cunju
Song Dynasty: Zhang Shunmin
Running water surrounds the paddy field, and the fence is full of green bamboo; All the elm seeds have been lost, and the hibiscus flowers have become sparse.
As the sun sets, there is no cowboy riding on the back of the cow, only a pair of crows wandering on the village road.
Although the whole poem is written in a group of small scenes, it is very picturesque because the poet himself is a painter.
Jiangcun is that thing.
Tang Dynasty: Si Kongshu
Fishing came back, but I was too lazy to tie the rope and let the fishing boat drift in the wind; At this time, the waning moon is already in the west, but I am sleeping soundly.
Even if the wind blows at night and the boat is blown away by the wind, it just stops on the shallow shore of the reed catkin beach.
This poem is contained in The Complete Works of Tang Poetry (Volume 292). Poetry describes what is in front of Jiangcun, but the poet does not describe the scenery of the village, but reflects a side of Jiangcun life through a small action and psychological activity of fishermen on the river, and writes a true and beautiful artistic conception.
Agricultural families/households
Song Dynasty: Ouyang Xiu
Under the green mulberry trees, Pingchuan was reflected, and Tian Shen shouted with a smile.
Outside the forest, pigeons rest in the spring rain, and the apricot blossoms are numerous on the first day of the house.
One, three and four sentences of this little poem are about scenery, and two sentences are about farmers. Through the description of the scenery, a beautiful pastoral picture is painted.
Man Jiang Hong Shan lives in stone.
Song Dynasty: Xin Qiji
A few light seagulls found a bright green. Where, a pair? Come and take a bath. Read Li Sao's booze carefully and see how good it is to repair bamboo. There are flying springs, daily pearls and 3,000 welcome trees.
Spring rains are raining, and new valleys are planted. Never idle days, sleep yellow calf. Look at the clouds, the wheat ridges and the snow-covered silkworm clusters. If it is enough now, it is enough when it is not enough. With the help of Ye Lao and Shou Shou, the loquat matured.
The lyrical style of this word embodies the characteristics of lightness, leisure and interest, with simple and generous language and desolate and meaningful phonology.