2. Despite its shortcomings, it also occupies a considerable position in the history of China literature. It has high artistic achievements and rich artistic connotations in the history of modern and contemporary literature in China. . The seventeen-year literary period also produced many literary works with high artistic achievements, such as Defending Yan 'an, Red Sun and,
3. The characteristics presented are also very distinct, because at the beginning of the founding of the People's Republic of China, people all over the country worshipped China's * * * production party and its leaders, and all of them were active and simple-minded, which was also reflected in literary works to varying degrees, so there were probably three themes at this stage: praise, memory and struggle. Praise the party, praise the leaders, praise socialism and praise the people; Recall the years of war, the years of suffering, and the past life; Oppose imperialism, capitalism, old ideas and old ideas. Therefore, the artistic quality of a few works at this time is not high, and the works mainly reflect the idea that literature carries Tao. The style of works often loses simplicity, and the characters also show some stylized tendencies.
4. 17 Literature in Poetry: A group of poets who were active in 1930s and 1940s (taking Guo Moruo, He Qifang and Xu Chi as examples) were still singing in 1950s, but they could not represent this era. Emotional emptiness makes poetry pale and worthless. In 1950s, he chose his own poet, a young poet who could meet the political requirements of this era. They have received revolutionary education since childhood and have not been "eroded" by bourgeois ideas.
Representatives: Guo Xiaochuan, He Jingzhi, Wen Jie, Mars, Gong Liu, Shao Yanxiang.
Representative works: Ode to New Style by Guo Moruo, Our Greatest Festival by He Qifang, and National Flag by Ai Qing. A series of narrative poems such as Ode to Snow White, Deep Valley, One and Eight, and Strict Love. Some write about love in the revolutionary war, which is a tall and pure inevitable melody, and the feelings similar to Zong Pu's Red Bean are also immersed in it.
He Jingzhi's poetic characteristics are more obvious than Guo Xiaochuan's. After the Yan 'an Forum on Literature and Art, He Jingzhi began to devoutly transform his works and make them popular. These rhyming verses were later compiled into a book "Flowers Bloom in the Morning" (Nanniwan is one of the works) and an opera "White-haired Girl" written by Yi Ding, which made He Jingzhi a leading figure in the new China drama. After rewriting, the first poem "Back to Yan 'an" attracted national attention. The poet's own artistic skills are worthy of recognition, and the strong singing of people who lived in Yan 'an under the background of the times is also an important reason for the success of Back to Yan 'an. Then He Jingzhi established his position in the history of contemporary poetry by singing aloud.
Poems by Wen Jie and others. Wen Jie found a creative way in the crack of "adapting to political needs and attracting readers". He worked as an army reporter in northwest China for many years. In the late forties and early fifties, there were not many "ode to style" works, but he became a well-known young poet 1955. The most representative poems are Love Songs of Turpan and Folk Songs of Guozigou (both included in Tianshan Pastoral). Mars's technique is worthy of recognition, and he is good at describing details. Shao Yanxiang was a representative poet who performed and sang as an architect in 1950s. As a journalist, Shao Yanxiang traveled all over the country to report and write poems.
5. 17 literature is prose: reportage of Wei Wei and others, prose of Yang Shuo and others. Yang Shuo is good at structured articles, which have become sculpted models, and are fundamentally lacking in authenticity. Qin Mu is good at knowledge.
Prose by Deng Tuo and others. Deng Tuo is a scholar, a deputy secretary and an official. At the beginning of the Cultural Revolution, the criticism of "Three Villages" was directed at Deng Tuo, Wu Han and Liao Mosha. In fact, they just wrote a little criticism of trivial problems in society.
6. 17 Literature in Novels: Rural Novels: Zhao Shuli's Novels and Zhao Shuli's Direction. Zhao Shuli, Liu Qing and Hao Ran constitute a clue to the development of rural novels in the past seventeen years.
From 65438 to 0948, Zhao Shuli had a high position in the literary world. Zhao Shuli's Direction is easy to understand in form, and its content is deeply loved by farmers, pursuing popularization. We should not look at life from the standpoint of elite intellectuals, nor should we write about farmers with an open mind. But standing among farmers, writing about life and farmers. The short story "Registration" is to cooperate with the promulgation of the new China Marriage Law, and the novel "Sanliwan" is the first novel reflecting agricultural cooperation.
In the late 1950s, Zhao Shuli's era passed, replaced by Liu Qing and Lee Joon. Liu qinghe and his entrepreneurial history. Liang Shengbao, the leader of the agricultural cooperative movement, has too many advantages to be true. On the contrary, the criticized characters in writers' works are more real. Lee Joon, in the early 1950s, "Don't go that way" (referring to the road of personal wealth) sang a hymn of mutual assistance and cooperation; 1958 The novella Biography of Li Shuangshuang is full of vitality, the development of rural women's liberation and the image of a new socialist.
Haoran's Sunny Days
Theme of revolutionary history
Yang Mo's Song of Youth: Structurally, with the protagonist's fate as the clue, it has a strong autobiographical color.
Liang Bin's novels on revolutionary history, such as The Red Flag: The author wanted to write it as an epic, but it became a revolutionary legend.
7. 17 Drama in Literature: Laoshe Teahouse
Lao She can be said to be the best in the drama of 17, which was written to cooperate with publicity. However, after Lao She understood art and obeyed politics, he strived hard and left many wonderful chapters.
Guo Moruo's Historical Plays of Tian Han: Guo Moruo is good at catering to politics and reality, which makes his poetry creation look like a clown after 1949. But he is familiar with time and truth, avoids reality and seeks innovation from historical plays, which is a road he has opened up. Cai Wenji overturned Cao Cao's conviction. At the same time, as a great writer and scholar, Guo Moruo has feelings for Cai Wenji in thoughts and feelings, which makes his works more touching. Wu Zetian overturned his conviction.
Romantic Tian Han praised the great playwright Guan Hanqing.
Modern dramas such as "Don't forget me" represented the general trend at that time. Mao Zedong once again put forward "Never forget the class struggle", and the movement of "100 million bitter thoughts are sweet" was widely carried out throughout the country. Modern dramas such as Sentinel under Neon Lights and After Harvest appeared. The theme is "warning the younger generation to inherit the revolutionary tradition and maintain the revolutionary nature". "Never Forget" and "Sentinel under Neon Lights" are consistent with Mao Zedong Thought's class concept of occupying every corner of society. Third Sister Liu is based on folklore and adapted from historical dramas "The Fairy Couple" and "Qin Xianglian", which reconciled the political situation of all dramas at that time.