1, realistic creation method
2. Simple and natural artistic style
3. Expression of Fu, Bi and Xing.
4. Repetition is mainly composed of four sentences, with occasional miscellaneous words (two to eight characters)
5. Proper use of verbs and adjectives, repetition of words to imitate sound and appearance, and double-tone rhyming to make the tone beautiful.
Literary value
1, the glorious starting point, the creative road to create reality.
2. Determine the position of folk literature in the history of literature.
3. Among them, excellent works have a great influence on later literature in terms of artistic techniques, language and skills.
4. The representative of rites and music culture in Zhou Dynasty was valued and respected by Confucianism.
Chu ci: the characteristics of Chu ci
As a poetic style, Chu Ci has rich imagination. Witchcraft is prevalent in Chu, and witches are often used to play gods and perform some myths and legends to entertain them. All these have cultivated the rich imagination of Chu people, and achieved works with rich imagination, gorgeous language and style such as Li Sao and Nine Songs. Chu ci "all write Chu language, Chu sound, Chu land, named Chu objects [1]", which has a strong local color. The sentences in Chuci are irregular and varied, and the auXiliary words "xi" and "you" are commonly used. Moreover, the structure is generally grand and the length is generally long.
Han Fu: The Han Dynasty was the most prosperous period of this style of Fu, so it was called Han Fu ~
Like Yuan Qu in Tang Poetry and Song Poetry!
Fu is a unique literary form in China. It has the characteristics of both prose and verse, and the most important feature is layout and writing without singing. The formation and development of Fu has gone through a long process. It came into being at the end of the Warring States period and was greatly influenced by the lobbying words and Chu ci of strategists. It reached its peak in the Han Dynasty. Although there is still development after the Han Dynasty, parallel prose fu appeared in the Six Dynasties, legal fu appeared in the Tang Dynasty, and literary fu appeared since the Song Dynasty, with many famous articles, but in terms of overall achievements, it is still the first to promote Han Fu.
Tang Poetry: The system of poems and songs in the Tang Dynasty is diverse, and the whole China classical poetry after the Song Dynasty is not within its scope. Ancient poems in Tang Dynasty can be lyrical, narrative and argumentative. Due to the influence of modern poetry, the ancient poems in Tang Dynasty were either integrated into metrical sentences or deliberately opposed to metrical sentences, which was different from the purity of ancient poems before Jin and Song Dynasties. In the early Tang Dynasty and the Five Dynasties, it still inherited the variant of Qi and Liang Dynasties, which was transformed by Chen Ziang, developed by Zhang Jiuling and Li Bai, and finally flourished in Du Fu. Seven-character unconventional songs and ancient poems are in parallel with the traditional songs which are refined and accurate and tend to be legalized. Yuefu is a special kind of classical poetry. Many Yuefu in the Tang Dynasty broke up in discord, or borrowed old inscriptions to write new ideas, or set up new ones to remember new ones. Li Bai, Du Fu, Yuan Zhen and Bai Juyi achieved the highest results. The Five-Seven Rhythm is a new poetic style in the Tang Dynasty. After Wang Ji and four outstanding figures in the early Tang Dynasty, the Five Laws finally realized the system standardization in Shen Song. The Seven Laws rose late, and the authors were Shen, Song and Du. Through the development of Wang Wei, Gao, Cen and others, Du Fu's realm has been greatly expanded. Since then, the five-seven-character method has developed in parallel. Ten talented people in Dali, Jia Dao, Yao He, Xu Hun, Zhao Wei, etc. They are all famous legal scholars. In the late Tang Dynasty, the beauty of timbre and language skills of Li Shangyin's Seven Rhymes developed to a more mature stage. Metric poems have rhythmic lines, and most writers tend to blow their own horn. There are few excellent works. Du Fu's local arrangement and writing of major themes are neat and beautiful, and his achievements are very high.