Huang Tingjian's Poem "A History of Meishan Youke on the Partridge" and Its Appreciation

# Poetry Appreciation # Introduction Huang Tingjian (1August 9th, 045-1May 24th, 05), whose real name is Lu Zhi, a Taoist in the valley, was named Fu Weng later. Born in Fenning, Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), he was a writer and calligrapher in the Northern Song Dynasty and the founder of Jiangxi Poetry School. They, Chao and Qin Guan all studied under Su Shi, and they are collectively called "Su Men Four Bachelor". He was as famous as Su Shi before his death and was called "Su Huang" by the world. The following is an impromptu response to Huang Tingjian's "Partridge Sky, History of Hermit with Meishan" brought by KaoNet.

"There will be appreciation, welcome to read.

Partridge Tian has a history of Meishan's seclusion, so the rhyme should be summarized and answered impromptu.

Song Dynasty: Huang Tingjian

* Branch was born in Xiaohan. Don't let the glass dry in life In front of the wind, the flute blows obliquely, and the drunken hairpin hangs upside down.

Live, eat more. Dancing skirts and singing boards are full of joy. Yellow flowers and white hairs are holding hands, and people look at them coldly when they give them.

translate

In the early morning of late autumn, the branches are cold, and life is short. You can drink today and get drunk tomorrow. Playing flute for fun in the oblique wind and drizzle, wearing a hat upside down and picking chrysanthemum hairpin when drunk.

We should take advantage of our good health, strive for more meals and have fun with beautiful women singing and dancing. The yellow flowers on his head set off the white hair, and the proud author will show it to the world in this sparse appearance, so that they can look at it coldly.

To annotate ...

Shi Yingzhi: According to Huang Tingjian's Poems in the Valley, Volume 13, Three Poems on History, Ren Yuan's Note: Shi Yingzhi, a famous foundry worker, is poor and likes to swear, and people aim at killing monks. Kelu, Rong, because of knowing the valley. 

Don't let go: don't make, don't let.

Zan (zān) flower: flower insert. Crown upside down: Wear the crown upside down. This sentence implicitly uses Shan Jian's allusions and shows an informal and romantic attitude towards life. "The World Says Ren Xinyu Dan" "Mountain Lun Ji is Jingzhou, which is prosperous. Man-made Song Day:' When the mountain official got drunk, he made a pool in Levin. At dusk, I came home and knew nothing about it. Fu Neng rode a good horse and faced the fence backwards. "'white fence, headscarf. 

And add meals: "Nineteen Ancient Poems": "Try to add meals without giving up." Li Bai's "Dai Jiaren sends a letter to the ancestors of Weng Shen": "You can't eat food, and books are more delicious." 

Yellow flower: the same as yellow flower, refers to minors. White hair: refers to the elderly. Pull: pull, pull and entangle.

Give: give, let.

Cold eyes: contemptuous eyes.

Creation background

This word was written a few days after the Double Ninth Festival in the second year of Fu Yuan (1099). At that time, Huang Tingjian was demoted to Rongzhou (now Yibin, Sichuan). At this time, he was in exile for four years and was depressed. The word * * * has three rhymes, and this is the second one. The first song has a subtitle: "Tomorrow, I will laugh at myself and present it to history." After that, a settlement was made in due course. This word is a reconciliation of Huang Tingjian's correspondence at the banquet.

Make an appreciative comment

This word is a mutual praise for the history of Huang Gu and the "Meishan hermit" who does not seek fame. Through the image of "A * Fang Restaurant is a crazy laity", the whole poem shows the life experience of the valley coming out of the bumpy official career and expresses his anguish and anger in his chest. The image of a madman depicted in Ci is the image of the author himself and his friend Shi Nianzhi, and also the image of a scholar who is not in harmony with the common customs but is proud of the world.

The first film is a speech to persuade people to drink, and it is also to persuade themselves to seek comfort in wine and seek joy in drunkenness. The first sentence "Han Xiao was born on a branch" is a documentary, pointing out that it was written on the second day of the Double Ninth Festival. Because history should have a harmonious word, and it is only these days to write another one. Chrysanthemum appreciation and drinking have been inseparable for a long time, so "*" is used to naturally transition to "wine glass", which leads to the next sentence "Don't let the wine glass dry in life". It means that wine has its own joy and world, so there should always be wine in the cup and it should grow into the wine. "In front of the wind, the flute blows rain obliquely, and the drunken flowers hang upside down", deliberately writing romantic behavior and drunkenness, indicating that wine has another realm. Blowing a flute through the wind and rain, arranging flowers on your head and turning your hat upside down are all inappropriate wild behaviors. Only when you are drunk can you be so wild.

The next film is an insult and challenge to the secular world. "Live, and eat. The dance skirt is full of joy. " It is still a kind of abnormal psychology, which means that the world is troubled, right and wrong are reversed, and the world is declining and irreversible. I just want to be healthy and happy at the moment, and nothing else. This is a negative statement. It is certain that "yellow flowers and white hairs hold hands and people look at them coldly when they give them". Chrysanthemum is in full bloom in Ao Shuang. It is often used as a metaphor for people getting older and stronger, so it is called "Yellow Flower Festival". The white-haired people here are holding yellow flowers, which are clearly aimed at resisting frost, and they will never go along with it and deliberately show it to the secular people. This is naturally an insult to the secular, and people can't understand and tolerate it.

This word uses concise pen and ink to outline the image of a madman, expresses the resentment in the valley for a long time, and shows the silent resistance to the dark and dirty social reality. The hero's image portrayed in the ci expresses pent-up resentment in a self-entertaining, bohemian and profane way, and makes fun of and fights against the real politics, which embodies the poet's lofty ideal of getting rid of the secular bondage. The hero's broad-minded appearance hides endless bitterness and pain.