Shan Gui used Shan Gui's inner monologue to create a beautiful, frank and infatuated girl image.
The plot of the whole poem is simple: the heroine and her lover agreed to meet at a place one day, and although the journey was difficult, she arrived happily, but her lover did not arrive as scheduled; When the storm came, she waited for her lover and forgot to go home, but her lover didn't come at last; It was getting late, and when she returned to her residence, she felt sad and sad in the storm and the singing of apes.
Extended data:
Brief introduction of the author
Qu Yuan (340-278 BC), a native of Chu in the Warring States Period and Chu Danyang (now Yichang City, Hubei Province), was a descendant of Qu Xian, the son of Chu Wuwang Xiong Tong.
Qu Yuan is the earliest romantic poet in China, the first great patriotic poet in the history of China literature, and the founder and representative writer of Chu Ci. From 65438 to 0953, Qu Yuan was selected as one of the four cultural celebrities in the world and was widely commemorated.
Creation background
Whether "Shan Gui" in this poem is a goddess or a male god is controversial. According to the records in Guoyu and Zuozhuan, the writers of Chu Ci before the Song and Yuan Dynasties regarded Shan Gui as a "monster of wood and stone" and a "ghost", but regarded him as a male mountain monster. However, painters in Yuan and Ming Dynasties painted a graceful and touching goddess according to the descriptions in their poems.
Gu Chengtian's Notes on Nine Songs in Qing Dynasty first advocated Shan Gui as the "Goddess of Wushan", which was later elaborated by You Guoen and Guo Moruo. The view that "Shan Gui" should be regarded as "female ghost" or "goddess" is widely accepted. The appreciation here is based on this theory, which should be closer to the image of Shan Gui described in the poem.
Baidu Encyclopedia-Shan Gui