The Characteristics and Intrinsic Implication of the First Eight Poems of Moonlit Night on the Spring River

The poet began to grasp the topic. At the beginning, the topic germinated, and a magnificent picture of a moonlit night was sketched by the river: the river tide was connected with the sea, and the "sea" here was empty. The river tide is boundless, as if connected with the sea, magnificent. Just then, a bright moon came into being with the tide, and the scene was very spectacular. A word "destiny" gives the moon and the tides fresh life. In spring, the river winds around vilen, and there are flowers everywhere. The moonlight falls on the flower trees like a layer of snow. The poet is really a brilliant painter. He touched the strange "flowers" in the moonlight by the river with gentle brushstrokes. At the same time, he skillfully paid enough attention to the topic of "moonlight by the river". The poet's observation of moonlight is extremely subtle: moonlight cleans up colorful things in the world. "White sand is invisible", only the bright moonlight exists. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.