Listen to the flute on the plug
Gaoshi
Snow-clean horses graze in the daytime, and Qiangdi guards the building in the moonlight.
Excuse me, where did the plum blossom fall? The wind blew all over the mountain overnight.
Wang Zhong's Internal Chapter of Calligraphy says that numbers in poetry can be divided into real numbers and imaginary numbers, and contemporary scholars go on to say that color words in poetry can also be divided into real colors and imaginary colors. Now we can also see that there are "virtual scenes" and "real scenes" in the poems, such as Gao Shi, which is very prominent.
The first two sentences are about the real scene: in the north of the lake field, the ice and snow melt, so it's time to release your horse. In the evening, the soldiers rode back, and the bright moon shone in the sky ... From the beginning, they created a rare peaceful and quiet atmosphere in frontier poems, which had a lot to do with the literariness of "snow is clean" and "herding horses". The news that the earth thawed in spring and the scene of herding horses in the evening reminded people of a passage in Qin Dynasty: "Meng Tian built the Great Wall in the north and guarded the fence. The Huns were more than 700 miles away, and the Hu people dared not go south to herd horses." Then the word "returning from herding horses" seems to have another meaning, that is, Huma returned to the north and the border fire stopped for a while, so "the snow is clean" is also a bit. This beginning sets a cheerful and magnificent tone for the whole poem.
On such a vast and sunny night, I didn't know that the Qiang flute was being played in the garrison building, which was a familiar tune of plum blossom falling. "Where does the plum blossom fall" means that the word "where does the plum blossom fall" is disassembled and embedded in the word "where", which means: where does the plum blossom fall? There are three or four sentences in the poem that are similar to "whose Yu Di flies secretly and scatters into the spring breeze in Los Angeles" (Li Bai's "Smelling the flute in Los Angeles on a Spring Night"), which means that the flute spreads by the wind and permeates Shan Ye overnight, and its realm is very touching.
The beauty of three or four sentences is not limited to this. Disassembling Plum Blossom Falls constitutes a virtual scene, as if the wind blows not the flute but the fallen plum flowers, which are scattered all over the place, and overnight, the color and fragrance spread all over the mountain. Of course, this is an audio-visual writing, but it is an illusion formed by disassembling the title of the song, so it is empty and empty to ask questions. And this kind of virtual scene and the real snow and moonlight scene just blend together, and the reality is intertwined, forming a wonderful and far-reaching scene, which is difficult for any clever painter to draw. At the same time, it also contains synaesthesia, that is, the component of "thinking about shape" by listening to music. When soldiers listen to music, they think of plum blossoms in their hometown (there are no plum blossoms in Alakazam), but they think of the autumn of plum blossoms. Homesickness is also included in the sentence. But this homesickness is not low, which is not only determined by the optimistic and cheerful tone set by the first sentence, but also related to the weather in the prosperous Tang Dynasty. When the poet was in the Geshuhan shogunate, he also wrote "Poem of Climbing the Dragon", saying, "A shallow man can lead his life, but a lone sword can lead Wan Li. I don't think about my hometown, but I never feel intimate. It is precisely because of lofty sentiments that people in the prosperous Tang Dynasty usually have the feeling that poems that can't be written can be painless.