The Image Meaning of Nian Nujiao Crossing the Dongting Mirror

Image is not a unique category in China's classical literary theory, but also widely used for reference in western literary theory. By analyzing Zhang Xiaoxiang's Niannujiao Guo Dongting from the perspective of cultural aesthetics, we can see the internal agreement between Chinese and western cultures in the cultural connotation formed by historical accumulation. Rooted in different civilizations, the cultural connotation, aesthetic taste and pursuit of images in Chinese and western literary theories are significantly different, showing unique cultural implications that are difficult to tolerate.

The first part of this word is about the scenery of Dongting Lake under the moon, which highlights its clarity. "Dongting grass, near the Mid-Autumn Festival, is even more disgraceful." Grass is another lake connected with Dongting. These lines of scenery, crisp in autumn and clear in jade, are the overall impression of Dongting. The word "Fengcai" is easy to ignore the past, but it is actually worth pondering. The wind has different directions and intensities. Is there a difference in color? Maybe you can say no. But sensitive poets can feel the color of the wind from the changeable situation. Li Bai's "Lushan Ballad": "I climbed to the top. I look around the world, and the great river is gone forever. The yellow cloud was blown away by the wind for hundreds of miles, and a snow peak was surrounded by a vortex with nine times the current. " Then Wan Li and Huang Yun changed the color of the wind. Zhang Xiaoxiang said here that "there is no wind at all", which shows that there are no clouds on the Wan Li in Dongting Lake, and the water waves are quiet, which makes people fascinated by cold and natural reading.