out of stuck
Don Wang Changling
Bright moon in Qin dynasty, bright moon in Han dynasty.
The Long March hasn't come back yet.
But Dragon City will fly in,
Don't teach Huma to climb the Yinshan Mountain.
Translation:
It is also the bright moon and border pass in Qin and Han Dynasties.
The movement lasted for a long time, and Wan Li's husband didn't come back.
If Li Guang, the flying general of Dragon City, were alive today,
Huns are never allowed to go south to herd horses and spend the Yinshan Mountain.
Solution: This is a frontier fortress poem, lamenting the constant war on the border and the lack of good generals in the country. The first sentence of this poem is the most intriguing. It's about the Han Pass, Mingyue Qin here. Great historical changes have taken place, and the fighting has not stopped. Write two sentences about how many men died in battle and how many tragedies were left behind. Three or four sentences have written the people's wishes for thousands of years, hoping to have a "flying dragon" to calm the chaos and stabilize the border defense. The whole poem sings a profound and open-minded theme in plain language, with smooth momentum and one go, which is amazing to sing. Li Panlong of Amin Dynasty once praised it as a masterpiece of Tang Dynasty, which is not too much.
[Notes]
1. Frontier fortress is a common theme for poets in Tang Dynasty to write frontier fortress life poems.
2. Bright Moon in Qin Dynasty and Customs in Han Dynasty: Bright Moon and Customs in Qin and Han Dynasties. This means that the war has never stopped on the long border.
3. but manufacturing: as long as.
4. Flying generals in Dragon City: refers to Li Guang, a famous soldier in the Han Dynasty. The invading Huns were afraid of him and called him "General Fei". This refers to a brave general.
Huma: refers to foreign cavalry invading the mainland.
6. Yinshan Mountain: In today's Inner Mongolia Autonomous Region, ancient times are often used to resist the invasion of Xiongnu.
[Analysis] This is a famous frontier fortress poem, which shows that the poet hopes to be a good general, quell the frontier fortress war as soon as possible and let the people live a stable life.
The poet starts with the scenery, and the first sentence outlines a desolate scene of Leng Yue's filming the border crossing. "The Moon of Qin Dynasty was broken in Han Dynasty" cannot be understood as the Moon of Qin Dynasty was broken in Han Dynasty. Here, Qin, Han, Guan and Yue are used alternately, which is called intertextuality in rhetoric, meaning bright moon in Qin and Han dynasties and Guan in Qin and Han dynasties. The poet hinted that the war here has never stopped since Qin and Han dynasties, highlighting the long time. The second sentence "The Long March has not returned" and "Wan Li" mean that the frontier fortress and the mainland are far from Wan Li. Although it is empty, it highlights the vastness of space. The Return of Man reminds people of the disaster brought by the war and expresses the poet's grief and indignation.
How can we get rid of people's difficulties? The poet pinned his hopes on a brilliant general. "But make Longcheng fly, and don't teach Huma to cross the Yinshan Mountain." As long as Li Guang, the flying general guarding Liuzhou, is still alive, he won't let the Hu people's cavalry cross the Yinshan Mountain. "Dragon City Flying General Army" refers to Li Guang, a famous soldier who was guarding Lulong City by Emperor Wu of the Han Dynasty. He was brave and good at fighting, and defeated Xiongnu many times. "Don't teach" is not allowed, and the word "teach" is pronounced flat; "Huma" here refers to the cavalry invaded by foreign countries. "crossing Yinshan", crossing Yinshan. Yinshan Mountain is a big mountain range in the east-west direction in the north, and it is the natural barrier of the northern border defense in Han Dynasty. The last two sentences are written implicitly and skillfully, which makes people draw the necessary conclusions by comparing the past.
This poem is called the masterpiece of the Tang Dynasty. Tragic but not sad, generous but not shallow, Wang's poem "Out of the Fortress" is two, and this poem is the first.
About the author: Wang Changling (about 698-756) was born in Chang 'an, Jing Zhao (now Xi, Shaanxi). Poets in Tang Dynasty.
TTGTTG
Out of the castle: Yuefu's "Cross Blowing Song"? The old topic of Han Hengchui's song. There are three tunes in Tang Yuefu, that is, before the seizure, after the seizure, on the seizure, and under the seizure, all of which evolved from the seizure tune.
Special edition: out of the Woods
Singer: Yueming Wang.
Language: Mandarin
Company: Jiuzhou Audio & Video
Date: June 28th, 2005
The international recording level is 24Bit-96Khz, and the classic works of the famous composer Yueming Wang, together with many masters of national musical instruments, performed "The Storm beyond the Great Wall" and won the first prize of "National Excellent Literary Audio-visual Products Award".
[0 1] Chilechuan
[02] Qinghai Green
[03] Pull out the plug
[04] Yumenguan
[05] tumbleweed
[06] Desert solitary smoke
[07] Ancient Road and West Wind
[08] thin horse
[09] In Tianya
The moon rises from the mountain of heaven.
wide vision
№ 1, a famous sentence in the Tang Dynasty: But let Longcheng fly in,
Don't teach Huma to cross Yinshan Mountain.
Out of Wang Zhihuan.
The Yellow River is far above the white clouds.
Wan Ren is an isolated city.
Why should a strong brother complain about Liu?
The spring breeze does not pass through Yumen Pass.
Notes on the title or background of a book.
This poem aims to write about Liangzhou, which is surrounded by dangers and difficult to defend. The first sentence of the poem is about the flowing Yellow River, which originates from the clouds, highlights its long history and shows the vast and magnificent scenery of the frontier. The frontier fortress of Liangzhou City is located in a dangerous and isolated state. "Piece" is a common word in Tang poetry, which is usually used with "solitary" (such as "a solitary cloud" and "a solitary sail"). ), which means "one seat" here. Pass three sentences, write and listen. Qiangdi played the song "Folding Willow", calling out her husband's sorrow. In the Tang Dynasty, there was a custom of breaking willow to bid farewell, so I was sad when I saw willow, and even more resentful when I heard the song "Breaking Willow". The spring breeze outside the customs is not strong, and the willows are not green, so you can't fold the willows to express your feelings. Listening to Qu Gengsheng's resentment: "freezing to death", "fighting indefinitely" and "hopeless to go home". However, "complaining" and "worrying" are futile, and there is no need to complain. This generous explanation is euphemistic, profound, implicit and thought-provoking, and it is worthy of being the swan song of frontier fortress poetry.
Translate poetry
The Yellow River originated in the Loess Plateau and among the white clouds. As an isolated city in Mobei, it is backed by the mountains of Wan Ren. If you don't complain, your brother will play a sad song and break the willow. Who doesn't know that the spring breeze has never passed Yumen Pass?
Wang Changling should have done it when he was sent to the Western Regions in his early years, which is an old topic in Yuefu. Wang Changling lived in the heyday of the Tang Dynasty. During this period, the Tang Dynasty won many foreign wars, and the confidence of the whole nation was extremely strong. Therefore, the works of frontier fortress poets can reflect an impassioned upward spirit and strong confidence in defeating the enemy.
At the same time, frequent border wars also make people feel overwhelmed and long for peace, and "Out of the fortress" reflects people's desire for peace. At the same time, Du Fu's Military Vehicle Shop can be used as a reference.
Frontier poems are the product of the times, and also the works that can best reflect the rise and fall of national luck. Poetry critics often praise "the voice of the prosperous Tang Dynasty", and frontier poems are a basic aspect of the content of "the voice of the prosperous Tang Dynasty".
The rise of frontier poems is closely related to the expansion of the poet's life scope. From frontier fortress poems, we can see that the poet's vision is broadened, the artistic conception of poetry is expanded, and the content of poetry is more colorful. Have the desire to make contributions: "Better be a centurion than a scholar" (Yang Jiong); There is a passion for serving the country: "I swear to be famous for serving the country, and I am ashamed to say it" (Zhang said). Many poets have lived in military camps outside the Great Wall for many years, such as Gao Shi, Cen Can and Li Yi. The content of their frontier poems involves almost every aspect of frontier life: it is about the homesickness of soldiers going to war and the hatred of their wives at home; It shows the hardships of life beyond the Great Wall and the cruelty of years of fighting. It reflects the emperor's dissatisfaction with the opening of the border and resentment against the general's greed; There is a saying that people who have lived in the frontier for a long time miss their relatives in their hometown; There are amazing scenery different from the Central Plains here ... When we read these poems, we should be able to distinguish the subtle differences in the ideological content of each poem. Taking Cen Can's frontier poems as an example, it is characterized by the heroic spirit of being generous to serve the country and the optimistic spirit of not being afraid of hardship, which describes the richness and variety of frontier life more. He also wrote some frontier homesick poems, such as "On Meeting the Messenger of the Capital", which was read by later generations: "My hometown has a long way to go east, but I don't want to cry. I will meet you immediately, without paper and pen, and I will bring your news to report peace. " Although things are small, they are affectionate. At the same time, we should also recognize the contradictions in frontier fortress poems: the contradiction between generous obedience and long-term homesickness; The contradiction between patriotic passion and hard life; Hate the contradiction between mediocrity and professionalism and so on.
Wang Changling (? ~ about 756), a poet in the Tang Dynasty. Not much to say. Jingzhao Chang 'an (now Xi 'an, Shaanxi) was born. In the fifteenth year of Kaiyuan (727), he was a scholar and served as secretary of provincial studies. He once made friends with Meng Haoran, and "they shared the same brush and inkstone for many years" (Meng Haoran's "Sending Wang Changling Lingnan"). In the 22nd year of Kaiyuan, Wang Changling was awarded the county commandant of Surabaya (now northeast of Gongxian County, Henan Province). In the twenty-seventh year of Kaiyuan, he was relegated to Lingnan for something. When passing Xiangyang, Meng Haoran sent him a poem ("Send Wang Changling to Lingnan"). After Yueyang, Hunan, I sent Li Bai's poem "Ba Ling Send Li Twelve". The following year, he returned to Chang 'an from the North and South Mountains and was appointed as the county magistrate of Jiangning (now Nanjing, Jiangsu) in the winter of the same year. Known as King Jiangning. After a few years in Jiangning, he was slandered to destroy the country and was demoted to the county magistrate of Longbiao (now Qianyang, Hunan). Li Baiyou's poem "I heard that Wang Changling moved to Longbiao kiln to the left and sent this message" has deep sympathy and nostalgia. An Shi arose, and Wang Changling was demoted to Jiangning and killed by Qiu Xiao, the secretariat of Haozhou.
There are many versions of Wang Changling's native place, except Taiyuan, Jiangning and Jingzhao.
Wang Changling was a famous poet in Tang Dynasty. At that time, he was very famous and was called "the poet king Jiangning". Because the name of the poem was written earlier, I made many friends with the famous poets at that time, and the friendship was very deep. In addition to the above-mentioned friends with Li Bai and Meng Haoran, I also made friends with Gao Shi, Yun,,, Wang Zhihuan, Wang Wei, Chu Guangxi and Chang Jian. He was demoted several times, living in remote Lingnan and Xiangxi, traveling to and from the economically developed Central Plains and Southeast China, to the northwest frontier, and even to the area of Broken Leaves (now Kyrgyzstan). Because of his rich life experience and extensive friends, it is of great benefit to his poetry creation. Wang Changling is good at seven-character quatrains, and he is called the seven-line master by later generations. For example, the poem "Out of the Great Wall" wrote: "The moon passed through Qin, and the Long March people did not return. But make Longcheng fly, and don't teach Huma to cross Yinshan. " Lamenting the incompetence, broad artistic conception, deep feelings and boldness of vision of the garrison commander is indeed a treasure in ancient poetry and is hailed as a masterpiece of the Tang Dynasty. Another example is Joining the Army, which is also a well-known masterpiece. Funeral march and Song of Picking Lotus reflect the unfortunate experiences of ladies-in-waiting, which are delicate and vivid, fresh and beautiful, with a sad style and superior artistic conception, and express the feelings of missing women and the innocence of girls. Farewell work "Lotus Inn and Xin Jian Parting" is also a masterpiece through the ages. Shen Deqian's "Three Hundred Tang Poems" said: "The Dragon Label is a quatrain, full of affection and bitterness, with vague meaning, unpredictable and endless aftertaste."
Cross the border
Maday
The gold belt is tied with a sweater chain, and the horse's head rushes through the snow over Lintao.
Flag-raising night robbery in the account, Hu Bing is short of nod.
This poem "Embankment" not only has the strong poetry and surging momentum of general frontier poems, but also attaches great importance to the exquisiteness of language. It is good at inserting detailed descriptions in magnificent scenes, brewing poetry and sketching images, so it can be full of energy, implicit and implicit, and form a unique artistic style.
"The gold belt chain shirt, the horse's head rushes to Lintao." The word "golden belt chain" is beautiful. Although the word "gold" is a decorative word of "belt", it is not limited to the decoration of "belt". It seems to be writing a shirt, but the purpose is to convey the charm and elegance of soldiers. The word "rush" is not just a simple verb. The author uses this verb to convey the indomitable spirit and inner heroic feelings of the characters, rather than covering up the snow. The two words "Jin" and "Chong" are extremely concise and implicit, and both of them paint a solemn and magnificent color for the radical poetry. When emphasizing the description of the body, one or two sentences are used to reveal the inner beauty of the characters, which makes people feel that the poem is both wonderful and exquisite, without the shortcomings of simplicity, roughness and unobstructed view.
"It's a waste of money to grab orders at night, and Hu Bing lacks a nod." "Roll the flag" so as not to disturb the enemy, so as to rob the camp at night. Because of the wind, we rolled up the flag to see the urgency of the war and the rolling dust in the frontier battlefield. This is not just a description of the scenery. The author is writing the determination and action of the warriors on the battlefield at night with the volume of the battle flag.
Flagging at night is a close battle, but it is actually just lightning before thunder, paving the way for the next sentence. The most heroic and moving scene in the whole poem is "Hu Bing is short of nod". The bloody battle in Hu Bing was fierce. The "lack" of "lack of treasure knife" is well used. Yan's lack of cutting edge, his fierce melee, long fighting time and final victory all came out in this sentence. In the twenty-eight characters of the whole poem, the author brilliantly deals with important issues such as material selection, order and how to use and accumulate strength. The first three sentences, just lead the arm to swing the hammer, to the twenty-sixth word "lack", struggling to blow, filariasis flying.
Reading Yue Fei's "Red River", "Driving a long car, stepping on Helan Mountain", I deeply feel that the rhyme of "lack" is dangerous and dangerous, and the mountain is dangerous and dangerous. The word "lack" in Ma Dai's poems, though not rhyming, is equally surprising. Although the word "chaos" is true and incisive, there is no word "lack" and the author can't carry it. The real details conveyed by this word make poetry reach the realm of "vivid" and make the whole poem fly.
The whole poem is closely structured. The first sentence conveys the charm of the character with handsomeness, the second sentence conveys the painstaking efforts of the character with difficulty, the third sentence expresses the strength of the character with adventure, and the sentence expressed with feat is the most powerful and vivid. At this point, the characters are magnificent and heroic, and the flying of poetry is hard to see. In a word, this poem is unique in art, and it is a masterpiece of the perfect combination of content and form in ancient battle songs.