In this poem, "Nanwu" and "Beipi" are opposite, and these two background images contain a spatial metaphor. If the quiet and tranquil "Beipi" is a quiet place far away from the hustle and bustle of the floating world, then "Nanmo" is a vanity fair with prosperous material desires. "Nanmo" is prosperous, and "Beipi" is secluded; "South without" lively, "North skin" empty; Even if the apricot flowers in Beipi are scattered all over the place, they can still remain pure in a clear wave; The apricot blossoms in Nanmo either experience all kinds of fun and let them climb; Either wither the road, be trampled by others, grind it into dust and be covered with filth.
If the apricot blossom in Nanwu is an allusion to a powerful minister, the apricot blossom in Beipi is a symbol of the poet's strong Geng Jie and narcissistic self-personality.
A "vertical" and a "unique" closely echoed, surging and clear, and hit the floor clearly demonstrated his political stance and life ethics.