The similarities are as follows:
Wang Wei and Tao Yuanming, one was born in the Jin and Song Dynasties, and the other was born in the Tang Dynasty, which was separated by more than 330 years. Mainstream literary historians believe that Wang Wei achieved himself by studying Tao Yuanming's pastoral poems and Xie Lingyun's landscape poems.
After Wang Wei's success, he won the first prize, and the official of Taile City did a steady job, because the actors in the department violated the ban on dancing yellow lions and were demoted to join the army as Jeju Justice. After many twists and turns, I lived in seclusion. Wang Wei's seclusion is different from Tao Yuanming's. One is "rich and secluded" and the other is "poor and secluded".
The differences are as follows:
Although both Wang Wei and Tao Yuanming wrote pastoral poems in five words, their five-word forms are quite different. Tao Yuanming's five-character prose is monotonous, as embarrassing and not rich as Tao Yuanming's home. Formal beauty, such as meter, antithesis and language skills, was created collectively by poets in Qi and Liang Dynasties after Tao Yuanming.
By Wang Wei, the five-character poem had matured. Using the mature five-character style, we can learn from many exquisite images and ingenious ideas of our predecessors, and the writing style is naturally different. Wang Wei writes five-character poems like a float boat, and Tao Yuanming writes five-character poems like a fishing boat.
What kind of people are brought as follows:
Tao Yuanming and Wang Wei are famous pastoral poets in the history of ancient China literature. One is the originator of pastoral poetry in Jin Dynasty, and the other is the representative of pastoral poetry in Tang Dynasty. Although both Tao Yuanming's pastoral poems and Wang Wei's landscape pastoral poems are about rural farmers, they express different pastoral feelings.
Due to social background, life experience, personality cultivation and other reasons, there are similarities in ideological content and artistic characteristics in this respect, but there are also obvious differences. This paper analyzes the similarities and differences of pastoral feelings in Tao's Returning to the Garden and Living in the Country and Wang's Wei Shui Farmhouse.