Xin Qiji in the Song Dynasty wrote many poems for "Qinyuanchun", and many of them reflected the militarization of poetic imagery. Now we take "Qinyuanchun·Lingshan Qi'an Fu Time to Build Yan Lake Unfinished" as an example to analyze the militarization of the imagery in it.
When writing about the image of a continuous dense forest, the author wrote: "The old man is idle, the Heavenly Sect is busy, and the principal has a hundred thousand pine trees." Xin Qiji faced this boundless tall, lush forest In the pine forest, I can't help but think about it: these tall pine trees look like heroic and invincible warriors. Thinking about how heroic he is that he "supports ten thousand men with banners in his prime", now that he is old, he should live an idle life, but God will not let him be idle, and wants him to command this army of one hundred thousand long pine trees!
This poem describes the majestic scenery of Lingshan Mountain throughout the poem, but it is different from other works that generally describe landscapes. It rarely describes the specific forms of landscapes, but uses imaginary pens to express freehand brushwork and make the images more vivid. militarization. For example, the mountains are like galloping horses, the pines are like warriors, the dragons and tigers are leaping, and they are full of vitality. They are really a portrayal of the poet's never-ending fighting character. That is to say, Qingshan and I are "slightly similar in emotion and appearance" as he said in his poems. Obviously, when writing this word, the author tried to express the inner spirit through the appearance of the mountain.
A vivid portrayal of landscape imagery is purely about the subjective feelings of people who appreciate the scenery. This feeling is actually closely related to the author's mind and the author's ideological realm. This kind of spiritual state in which you are in me and you are in me is just like what Xin Qiji himself said: "I see how charming the green mountains are, and I expected that the green mountains should be like this when they see me." The lyricist's freehand brushwork, which conveys the spirit of landscapes, is a pioneer in landscape literature and is worthy of imitation by future generations.
Qinyuanchun