I think, I don't thank you for my work, and I'm afraid I will waste my words with others. I have a high reputation in Huangfu Mi, so think about it. Rice is called good, give good a sequence. Zhang Zai's Preface to Du Wei and Liu Kui's Note to Wu Shu said: "Since the Middle Ages, there have been many benefactors, such as Zi Xu, whose name is superior to the former, Ban Gu's words speak louder than his words, and Zhang Heng's has his own meaning." If this fu is put forward, there are several schools, and the fu words are meaningful and temperate. People who are not engaged in nuclear research cannot practice their purpose, and people who are not engaged in natural history cannot unify their differences. The world is salty and expensive, but it is close at hand and I don't want to be heavy. We are different from Sven, so we take Yusi as the guide, Hu as the official proverb, and Cai Yong as the guide. Chen Liuwei-quan also wrote a brief comment on the Four Odes, preface: "Guan Yu's Sandu Fu is a classic with unique materials and a rich collection of books; Words are noble, noble and valuable. There were scholars in the Jin Dynasty, so the illegitimate son of the Prince settled in Huangfu Mi and Xizhou, indulging in music and noble affairs, looking at being gentle and generous, and making a preface for it. The Chinese book was written by Lang Anping and Zhang Zai, the Chinese book was written by Lang Jinan and Liu Kui, and Zhang was able to play exegesis through Confucian classics. Its mountains and rivers, vegetation, birds and beasts, exotic things and curiosities are all based on fine textual research, and its meaning is scattered. Yoga Yu's writing can't be silent. When it comes to the forgetfulness of the second son, "a little understanding" only adds to the trouble and the viewer is embarrassed. " After that, it is natural that the sound is more important than the time, and the text is not contained. Seeing this, Zhang Hua sighed, "Banzhangzhi is also a stream.
Let the reader be willing but unable to write for a long time. "So the family struggles to write, and Luoyang is expensive for paper. When Lu Ji entered Romania, he wanted to give it. Hearing this, he clapped his hands and smiled. He said to his brother Shu Yun, "There is a father here. If you want to write Sandu Fu, you must do it. "And thinking about giving it out, the machine is definitely sighing, thinking about not adding it, so I quit. Jia Mi, the supervisor, please talk about the history of Han Dynasty, retire from Yichun and concentrate on the study of Confucian classics. The King of Qi appointed him as the governor of the archives. He resigned due to illness and refused. And Zhang Fang stormed the capital and lived in Jizhou. A few years old, died of illness.
Zuo Si was born in a poor family. Although he had a high literary talent, he failed repeatedly under the door-door system at that time, so he had to express his ambition and contempt for dignitaries in his poems and praise the hermit's lofty. Zuo Si's piano music is "Zhao Yin", which is included in "Magic Secret Spectrum", and two poems of the same name are quoted in the explanation. In addition, some people think that Autumn Moon in Mao Ting and Thinking of Friends in the Mountains are his works, and these works are permeated with the idea of seclusion. The Old Biography of Zuo Si's Works consists of five volumes, but the survivors have only given two of them, with 14 poems. Sandu Fu and Ode to History are his representative works. Zuo Si's works were included in Records of Three Dynasties, Three Kingdoms and Six Dynasties edited by Qing people and Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties edited by Kai.
According to "Biography of Zuo Si in the Book of Jin", he wrote Sandu Fu in 10, saying that "the mansion is contending for biography, and Luoyang is expensive for it". The completion time of Zuo Si Biezhuan in Sandu Fu, Zuo Si Zhuan in the Book of Jin and Shi Shuo Xin Yu is quite different. According to Fu Xuancong's textual research, Sandu Fu was written before the destruction of Wu in the first year of Taikang (280). In addition, modern Jiang Liangfu thinks it is 29 1 (Chronicle of the Continental Plain), while Liu Wenzhong thinks it is "difficult to determine" (Biography of Zuo Si, a famous writer in China). In Preface, Zuo Si criticized predecessors' prose as "extravagant words without proof, although beautiful", and proposed that prose should be based on its origin. In the process of writing this poem, he asked Zhang Zai, who had been to Sichuan, about Min Qiong. I also want to be a secretary of Lang, so I can read a lot of local chronicles. Therefore, the system of Sandu Fu is grand and the events are extensive. Although he emphasized that the literary thought of seeking truth from credit information was inevitably extreme, it also made Sandu Fu reflect the social life in the Three Kingdoms period to some extent. After the publication of Sandu Fu, Zhang Hua was amazed and sighed: "The class chapter is also a stream. Let readers have more than enough to do, and update for a long time. "
Sandu Fu, prefaced by Huangfu Mi, annotated by Zhang Zai and Liu Kui; Brief introduction of Quan Wei. For a time, very rich people competed to write articles, so that "Luoyang paper is expensive." This is not only because of the rich literary talent of Sandu Fu itself and the re-fu in the literary world at that time, but also because it contains the content that attracted the attention of the ruling and opposition parties at that time: marching into Soochow and unifying the whole country. Although the writing technique and style of this Fu are similar to Ban Gu's Fu for Two Cities and Zhang Heng's Fu for Two Cities, its ideological theme is not the traditional "satirizing one person". Therefore, Sandu Fu occupies an important position in the later great Fu. Zuo Si also has a lyric poem "Baifafu", which is simple in language, humorous in writing and implicit in feelings, which is completely different from Sandufu. It adopts the allegory of the dialogue between hair and people, and sharply criticizes the social reality of "pursuing fame and profit, being expensive is cheap".
The representative works of Zuo Si's poems include eight poems about history, which can be found in Selected Works. "Ode to History" has been a poem since Ban Gu, and the author's meaning is slightly seen in the retelling of objective facts, while Zuo Si's "Ode to History" is a complex historical fact, integrating ancient and modern, and even quoting classics, "praising the ancients and seeing their own temperament" (Shen Deqian's "Ancient Poetry Source"). Zuo Si had a strong sense of statecraft in his early years, and considered himself a talented person, Gao Xiongzhi. "Being a rich and powerful Hunan, he is determined to be a powerful Hu" (No.1), hoping to make a difference. But under the pressure of the gate valve system, he was always incompetent. In the second poem "Ode to History", he said: "Loose in the bottom of the shady valley, leave seedlings on the mountain. With the artistic image of "one inch in diameter and one hundred feet in shadow", the unreasonable phenomenon of "the world is at a high level and the handsome man is at a low level" is deeply exposed; In the seventh song, he recited the bumpy experience of ancient sages and pointed out with deep sorrow: "There are no strange things in the world, but they stay in the grass. "He made a fierce attack on the dark reality of killing talents, and his sharp writing style was rare in the Jin, Southern and Northern Dynasties. The poem "Ode to History" also expounds his attitude and ambition in life by praising the ancients, claiming: "Although it is expensive, it is regarded as dust. Although the humble laugh at themselves, it is as heavy as a thousand miles. "Therefore, Zhong Rong, a critic of the Liang Dynasty, said that Zuo Si's" literary canon is rather precise and allegorical "(poem). Describing Tao Yuanming's Zuo Si Feng Zhi also shows that Zuo Si's poems are vigorous and have a legacy of Jian 'an.
On the occasion of the Ming and Qing Dynasties, Wang Fuzhi once said: "The Three Kingdoms were reduced to the Western Jin Dynasty, with unhealthy writing style and ancient mind. Those who come to our country are in no hurry to return. " (Selected comments on ancient poems) Zhong Rong called Zuo Si's style of chanting epic poems "Zuo Si's style". Zuo Si Li Feng once had an influence on Tao Yuanming. Zuo Si's artistic image of "pine at the bottom of a ravine" was also borrowed by Fan Li in the Southern Dynasty and Wang Bo in the early Tang Dynasty to express his intellectual anguish.
Zuo Si also wrote two poems "Introduction", which were beautifully written. Among them, "there is no need for silk and bamboo, and the mountains and rivers have clear sounds", which is very appreciated by future generations. A poem of a charming girl has simple language and sincere feelings, and the love for her little daughter is vividly on the paper. Tao Yuanming's Responsibility, Du Fu's Northern Expedition and Li Shangyin's Proud Poems were all influenced by it. In addition, he also has a Miscellaneous Poem and two Mourning for Sister. The former is similar in style to epic poems, while the latter is a four-character poem, elegant and dignified.
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