The poem of "Four Spirits" is based on Tang poetry, but in fact it is to learn the poetic style of Jia Dao and Yao He in the late Tang Dynasty, especially Yao He's martial arts style. The poetic style is austere and obscure, with narrow locality, but there are also natural and delicate works. "Four Spirits" corrects the roughness of Jiangxi School with a fresh and convenient style, and does not use allusions in poetry, which breaks the bad habit of using capital books as poetry in Song Dynasty, and it is refreshing to read. Because the poems of "Four Spirits" tend to dilute the realm of peace, lightness and coldness, and often reveal the feelings of mountain people from famous families. "Four Spirits" is devoted to the pentatonic rhythm in poetry, and its melody praises mountains and rivers, expresses the interest of Xiao Ye's escape, and pursues a plain and simple rhyme. They chose more natural landscapes as the objects of expression, and began to focus on the lakes and mountains in the south of the Yangtze River. They chose those colorful beautiful scenery from a changeable perspective to form a fresh and lively artistic conception. Although the number of their seven wonders is small, they are all very distinctive, novel and dexterous, beautiful and natural, and more elegant than the five laws. When Jiangxi Poetry School prevailed in the Southern Song Dynasty, "Four Spirits", a work dedicated to natural scenery and personal feelings, really gave people a refreshing feeling and became unique after the "Zhongxing Four Masters" in the Southern Song Dynasty.
See the textbook P 1 17 for the answer analysis.
Knowledge points of this topic: Yongjia Siling,