Probably.
Modern literature:
1 may 4th literature
Theoretical construction-Hu Shi, Zhou Zuoren, etc.
Novel: Lu Xun's cry and hesitation; Problem novels: Bing Xin, Wang Tongzhao, etc. Life-oriented realistic novels: Ye Shengtao, local novel writers, etc. Romantic lyric novels: Yu Dafu, Lu Yin, Xu Dishan, etc.
Poetry: Hu Shi's Attempt Collection, Huxiang poet, Bing Xin's poetic style, Guo Moruo's Goddess, Xinyue Society Xu Zhimo, Wen Yiduo, etc.
Prose: 1 Lu Xun's "Morning Flowers and Evening Grass"; "Yusi" school: Zhou Zuoren, etc. Essays by writers of "Literature Research Association": Bing Xin, Zhu Ziqing, etc. Prose of "Creation Society" writers: Yu Dafu, Guo Moruo, etc. "Modern Criticism" Prose: Xu Zhimo, etc.
Drama: Hu Shi's "lifelong event"; Ou Yangyuqian, Hong Shen; Tian Han; Ding Xilin.
Literature in the 1930s
Novels: Mao Dun, Lao She, Ba Jin, Shen Congwen; Beijing school: Fei Ming, etc. Shanghai style: Zhang Ziping, Ye Lingfeng, etc. Left-wing: Jiang Guangci, Northeast Writers Group, etc.
Poetry: China Poetry Society: Cang Kejia, etc. Late Crescent School: Xu Zhimo, etc. Modern poetry school: Dai Wangshu, etc.
Prose and essays: Lu Xun; Lin Yutang; Left-wing prose; Beijing school prose.
Dramas: Cao Yu, Theater Drama and National Defense Drama.
Literature in the 1940s
Novels: Yao, Lu Ling and Luo in Kuomintang-controlled areas; Zhao Shuli, Ding Ling and Zhou Libo in the Liberated Areas: "Isolated Island" and occupied areas such as Zhang Ailing and Qian Zhongshu.
Poetry: Ai Qing; "July Poetry School"; Feng Zhi and "Nine Leaves Poetry School": Folk Song Movement in Liberated Areas.
Prose: mainly reportage and essays.
Drama: street drama, yangko opera; "Theater Drama" in the Home Front.
contemporary era
Seventeen-year literature
Novels: rural theme (Liu Qing's History of Entrepreneurship), revolutionary history theme (Liang Bin's Red Flag Spectrum), potential writing (Lao She's Under the Positive Red Flag), and novels involved in life (Wang Meng's New Youth of Organization Department).
Poetry: Political lyric poems such as Guo Xiaochuan and He Jingzhi.
Prose: Yang Shuo, Qin Mu and Liu.
Drama: Laoshe Teahouse
new period
Novels: Scar literature (Scar by Liu, Head Teacher by Liu), Reflection literature (Activity Becomes Man by Liu), Reform literature (Appointment of Director Joe by Wang Anyi), Educated Youth novels (The Terminal of this Train, My Distant Qingping Bay by Shi Tiesheng), Root-seeking literature (Chess by Acheng) New realism (Fang Fang's landscape, Chi Li's works), new history (Liu Zhenyun, Liu Heng), new women (Lin Bai, Chen Ran), degenerate new women (Wei Hui, Mianmian, Muzimei, etc.). ).
Poetry: Baiyangdian poetry group, the poem of forefinger; Misty poems: North Island, Gu Cheng, Shu Ting; Post-misty poetry (one word-chaos).
Prose: Ba Jin's Random Thoughts; Scholar's prose, Yu, Zhou, etc.
Dramas: Gao Xingjian, Sha, etc.
Modern and contemporary literature, of course, is more than that. Here are only the works of key writers I can think of now, and they are the most important. I didn't write a lot because I was lazy ... I didn't want to type too much ... Please forgive me. ...