Look at the rhyme first:
Buried flowers (quoted from A Dream of Red Mansions):
Flowers fade, flowers fly all over the sky, who pity the red incense? Shang Ping, delete fifteen.
The hair is soft and floating in the spring pavilion, and the hair falls and touches the embroidered curtain. Xia Ping, Fourteen Salts (rhyme one, Pingsheng's biography of "Deleting Salt")
The daughter in the boudoir cherishes spring and dusk, and her sadness is full of nowhere to release.
Hoe the flowers out of the embroidered boudoir by hand, and endure stepping on the fallen flowers again and again. On the sound, six rains (rhyme two, the rhyme of "rain")
The pods of willows and elms come from wheat straw, regardless of whether peaches float with Li Fei. Wuwei Shang Ping
Peaches and plums can be delivered next year. Who do you know in the boudoir next year? Shang Ping, four branches (rhyme three, flat voice "micro-branch" pass)
The fragrant nest has been built in March, and Liang Jianyan is too heartless!
Although the flowers can be pecked next year, it is impossible for people to go to the empty nest. Ba Geng (rhyme four, the rhyme of "Geng")
Three hundred and sixty days a year, wind, sword and frost are pressed against each other, and they are in tune, with four natures and thirteen places.
How long can it be bright and fresh? Once wandering, it's hard to find. Chong Diao, Twelve Tin (rhyme five, ambiguous "professional tin" passed)
Flowers are easy to see but hard to find, and the undertaker is bored in front of the steps, plain and true.
Leaning on the hoe alone, I shed tears in the dark, and the branches on it saw blood stains.
The cuckoo was silent at dusk, and the lotus hoe returned to cover the heavy door.
When the blue light shone on the wall, people began to sleep, but the window was not warm. Shang Ping, thirteen yuan.
Blaming slaves is double depression, half pity and half trouble: fairness and truth.
Flow spring suddenly to bother, and to silence. Shang Ping, twelve articles.
Last night, I sent a sad song outside the court, knowing that it was a flower soul and a bird soul? Shang Ping, thirteen yuan (rhyme six, Pingsheng's biography of Zhen Wenyuan)
It is always difficult to leave the soul of a bird, which feels ashamed of itself.
May slaves have wings and fly to the end of the sky with flowers.
After all, where is Xiangshan?
Hide the wind without a trick.
It's better to be clean than trapped in a ditch. Shang Ping, 1 1 You (rhyme 7, rhyme of "You" in Pingzhong)
I am going to die and be buried, but I don't know when Nong will die. Go to the sound, twenty-three Yang (rhyme eight, gambling sound "Yang" rhyme)
The man who buried the flowers is laughing today, but who did he know when he buried them?
Let's see the residual flowers of spring gradually falling, which is the time when beauty dies of old age.
No sad songs for me, I don't know what happened! Shang Ping, four branches (rhyme nine, the rhyme of "branches" in flat tones)
The rhyme foot analysis of the whole poem is as follows: the first, second and fourth sentences "Tian, Xi (the first and next level)" and "Mu (the fourteenth salt and the next level)" are all connected with the tone rhyme "deleting salt", and the sixth and eighth sentences "Chu, Qu (the sixth rain, the last sound)" turn to rhyme. "Xia Ping" is changed to the rhyme of "Geng" in a flat voice, with eighteen sentences of "forced (thirteen, Rusheng), nineteen days (four qualities, Rusheng), twenty miles (twelve tin, Rusheng)", and the rhyme of "Xu Xi" is changed to twenty-two, twenty-four sentences of "people (eleven truths, Rusheng) and twenty-nine" gods ". The fourth and fifth "burial" and the fourth and sixth "mourning" all belong to the rhyme of "Yang" at the age of 23. 47 "eat", 48 "who", 50 "yes" and 52 "know" all belong to four branches, and their phonology is equal.
The whole poem * * * welcomes the rain with salt deletion, and supports the professionalism of Xi Zhenyuan's article with fifteen rhymes, nine rhymes, six rhymes and three rhymes: first, it says "salt deletion" * * *, and the first sentence rhymes; Second, the rhyme of "rain" is * * *, and the first sentence does not rhyme; Three-level "micro-branches" * * four sentences, the first sentence rhymes; The four-word "Geng" rhyme * * *, the first sentence into the rhyme; The five-word "professional tin" * * *, the first sentence rhymes; The six-character "Zhen Wen Yuan" * * *, the first sentence does not rhyme; Seven times, the rhyme of "you" is * * * ten sentences, and the first sentence enters the rhyme; Eight words "Yang" rhyme * *, the first sentence into the rhyme; Nine words "zhi" rhyme * * *, the first sentence into the rhyme. Among them, there are three rhymes and two rhymes; Four rhymes, fourteen rhymes, ten rhymes, two rhymes and six rhymes. It can be concluded that the main features of the poem in rhyme are: 1, basically four sentences and one rhyme, and the first sentence rhymes more when rhyming; 2. Yunping's phonology is roughly alternating, mainly flat phonology; 3. The first two sentences use the rhymes of "Tian" and "Xi" to delete, and then gradually use the long rhyme, and the long rhyme and short rhyme alternate, which is full of rhythm.
According to Mr. Wang Li's exposition in the Law of Chinese Poetry, the original rhyme is still widely used in ancient poetry, which can be divided into flat and ancient style and ambiguous ancient style. Rhyme: two rhymes are connected (accidental rhyme, master-slave rhyme, equal rhyme) with more than three rhymes; It can rhyme: there are two situations. One is to rhyme at will like an ancient poem-ancient style; Second, the distance of rhyme change and the tone of rhyme foot are particular-a new style of ancient style, a typical new style of ancient style must meet three conditions: a. Most of them are flat and smooth; B. four sentences and one rhyme; C. the use of flat rhymes. What we are talking about is actually the fusion of new ancient style, and the rhyming feature of new ancient style is the typical feature of genre.
Therefore, the rhyme of buried flowers generally conforms to the characteristics of genre, and at the same time, it is more flexible, free and multi-rhyming, not avoiding the same rhyme, but using long rhyme; Rhyme is closely combined with the turning point of poetic emotion, which gives people endless aftertaste and receives the best effect of poetic rhyme.
Look at the level:
There is no provision for the leveling of ancient styles, and the leveling of poems in the Han, Wei and Six Dynasties is completely free. After the Tang Dynasty, influenced by the metrical poems, the ancient style began to pay attention to the level tone, and the ancient style poems also had their own characteristics on the level tone: a. The last three words were on the level tone, followed by the level tone, and two were rare, and the ending was still flat tone. That is to say, flat sentences, the third word of five words or the fifth word of seven words are all based on the principle of using flat voice; In lame sentences, the third word of five words or the fifth word of seven words is based on the principle of using sound; B. Judging from the flatness of the whole sentence, the rhythm of most sentences is not flat, but flat, that is to say, the second and fourth words of Wugu are flat, or the second and fourth words are flat; Gucci is flat with the fourth and sixth words.
Back to "flower burial":
Flowers fade, flowers fly all over the sky, and who will pity if the red disappears and the fragrance disappears? Plain, plain, plain.
The hair is soft and floating in the spring pavilion, and the falling wool touches the embroidered curtain. Flat a, flat B. (Legal right)
The daughter in the boudoir cherishes the spring dusk and looks sad. Average, average, average.
Hoe flowers out of embroidered curtains with your hands and endure falling flowers again and again? Pingping, Pingping, b, Pingping, b.
Willow pods come from wheat straw, regardless of peach floating and Li Fei; Pingping Pingping a, Pingping Pingping b.
Peaches and plums can be delivered next year. Who do you know in the boudoir next year? Pingping Pingping B Pingping Pingping (six-level sentence)
The fragrant nest has been built in March, and Liang Jianyan is too heartless! Flat flat flat flat flat flat flat b, flat flat flat flat a.
Although the flowers can be pecked next year, it is impossible for people to go to the empty nest. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
360 days a year, the wind and sword are pressing; Flat and flat, flat and flat (overlapping), flat and flat.
How long can it be bright and fresh? Once wandering, it's hard to find. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
Flowers are easy to see but hard to find, and those who bury them suffocate in front of the steps; Plain, plain, plain.
I hoe flowers alone and shed tears in the dark, only to find blood on the branches above. Pingping Pingping, Pingping B.
The cuckoo was silent at dusk, and the lotus hoe returned to cover the heavy door; Even one, even one, even one.
When the blue light shone on the wall, people began to sleep, but the window was not warm. Flat a, flat B. (Legal right)
Accusing slaves is twice as bad as hurting people? Half pity and half trouble: ping, ping, ping, ping, ping, ping.
Flow spring suddenly to bother, and to silence. Flat and flat (stacked), flat and flat (stacked).
Last night, I sent a sad song outside the court, knowing that it was a flower soul and a bird soul? Pingping Pingping B.
It is always difficult to leave the soul of a bird, which feels ashamed of itself. Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
May slaves have wings and fly to the end of the sky with flowers. Flat and flat, flat and flat, flat and flat (stacked).
After all, where is Xiangshan? Flat and light, flat and light.
Hide the wind without a trick. Flat and light, flat and light. (Legal right)
It's better to be clean than trapped in a ditch. It's flat, flat, flat, flat, flat.
I am going to die and be buried, but I don't know when Nong will die. Flat, flat, flat, flat.
The man who buried the flowers is laughing today, but who did he know when he buried them? Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
Let's see the residual flowers of spring gradually falling, which is the time when beauty dies of old age. Flat and light, flat and light.
No sad songs for me, I don't know what happened! Pingping a, Pingping B.
Fourteen lines of the whole poem meet the requirements of the above four three suffixes, seven lines meet the requirements of overlapping sounds, thirty-two lines enter the law, and three pairs of laws account for the majority, which conforms to the characteristics of the above singing. However, most flowers-burying poems only have regular sentences without legal association, that is to say, if a word enters the law, it will be a remedy. If the sentence is put into the law, and the sentence is not put into the law as a remedy, then the style of ancient poetry is still preserved, so the law and the ancient show their respective strengths and complement each other, and the style beauty of metrical poetry and the simple beauty of the ancient style are adopted, thus showing unique charm.
The whole poem consists of 52 sentences * * *. In terms of the number of words, except the sixteenth sentence "I don't know how to get to the empty nest of Liang" is ten words, and the thirty-ninth and fortieth sentences "Where is Xiangshan?" are three or five words, and the rest are seven words each. Mr. Wang Li divided the ancient style into four words, five words, seven words, five or seven miscellaneous words, three or seven miscellaneous words, three or five seven miscellaneous words and miscellaneous words. Miscellaneous words refer to the change of the number of words in a poem for no reason. In addition to seven words, five words and three words, there are four or six sentences, even more than eight or nine sentences, which can be subdivided into two categories: one. The other is the prose flavor with many words in 468. From this point of view, this poem by Daiyu should be a jumble of words. The change of the number of words seems to be free to choose, but in fact it is quite particular. Where is the long and short, it moves with the poet's emotional flow, making full use of the advantages of uneven lyric style and not messy, adding a kind of changeable beauty.
Based on the above three aspects, Song of Burying Flowers draws lessons from the characteristics of singing in poetry, giving full play to the advantages of singing in lyricism, while Dai Yu's poems emphasize "not hurting the meaning with words" and "the first meaning is important". If the meaning is true, even the words don't need to be modified. ""If there are strange sentences, they may even be true or false. " As its representative, Poem of Burying Flowers naturally does not mean limiting death, but follows the meaning of the text. When you read it carefully, you will feel more fluent and natural, have a strong sense of rhythm, and receive the best effect of poetic genre expression.
Second, the feeling of burying flowers is like being on the edge —— Analysis of the content of Burying Flowers
Song of Burying Flowers was written by Daiyu because she was worried that Jia Zheng would punish Baoyu. As a result, I was rejected by the little girls and wanted to hurt myself. The next day is April 26th. When handing over mango seeds, according to the ancient custom, all kinds of gifts should be arranged to offer sacrifices to the flower god. It is said that it will be summer after mango seeds are planted. After thanking all the flowers, the flower god has to abdicate. Spring flowers have fallen, life experiences have fallen, and a sensitive and vulnerable person like Dai Yu can't help but lament and vent her emotions? This laid the emotional tone of "Burying Flowers"-feeling spring hurts spring, feeling sorry for yourself, feeling miserable and miserable, blaming others and complaining. This time, the reply, entitled "Bury the incense, bury the swallow and cry", actually tells the main content of the whole poem: it begins with burying flowers and ends with feelings.
The whole poem consists of 52 sentences, ***36 1 word, which can be divided into three parts. The first paragraph begins with "flowers are flying all over the sky" and ends with "no one goes to the empty nest in the beam" to express the spring sorrow of the mourners; "1360 days" to "Self-knowledge is the soul of flowers and birds" is the second paragraph, which describes the grief of people who have been buried; In the last paragraph, from "the soul of a bird is always hard to stay" to "the flower falls and people die", the poet starts with the falling flower, making predictions for his tragic fate and writing elegies.
The first four sentences describe a beautiful picture of flowers falling in late spring. Falling flowers are scattered all over the sky, wicker gently blows the waterside pavilion, and catkins gently float into the curtains with the wind, arousing the daughter's yearning for spring in the boudoir. Her sadness was nowhere to be released, so she "hoed the flowers out of the beautiful boudoir with both hands and endured the falling flowers." Walking on the path full of fallen flowers, the poet's thoughts began to drift with the peach blossoms and plum blossoms: the willows and pods were just right, but the peach blossoms and plum blossoms had fallen, and the swallows brutally pecked at the flowers and plants, forming a fragrant nest. The flowers and plants will appear again next year, but the nest has fallen. Flowers and birds are heartless, just circulating in the law of natural change. The environment of "wind, sword and frost pressing each other" is so cruel, how long can flowers be bright and fresh? After all, it's "once wandering, once hard to find", and the flower-burying people's feelings of cherishing flowers are only "leaning on flowers to hoe tears" in the end, and what they have to face alone is the bleak desolation of "the blue light shines on the wall" and "thewindow" How can we teach people not to hurt their spirits? Spring came and went in a hurry, and there was no news at all. Late at night, people can't tell whether it is a flower soul or a bird soul. Flower soul and bird soul have their own homes. I only hope that I can spread my wings like a bird and fly to the end of the sky with flowers. But after all, is there really that ideal heaven? Why don't you let me use my kit to collect you and let that pure land preserve your nobility? After all, you still have an anthomaniac like me to bury, but I don't know what my future will be like. Perhaps in the future, when the spring flowers fall, it is the time when the beauty dies of old age. By then, spring has passed and people have gone, leaving only one sentence "Flowers fall and people die"!
From hurting spring to feeling, from feeling to accusation, from accusation to self-injury, from self-injury to yearning, from yearning to loss, from loss to despair, Daiyu's emotions flow and turn with the poem, but the whole poem is not blindly self-pity. "The willows are fragrant, no matter whether the peaches are floating or Li Fei" embodies the resentment of the cold world and the warmth of human feelings; "In March, the fragrant nest has been built, and Liang Yanyan is too ruthless! Although you can peck flowers and feathers next year, it is not easy for people to go to the empty nest. 360 days a year, the wind and sword are pressing. " It is not only an accusation against the ruthless reality, but also the helplessness of being trapped in it. "May slaves grow wings and fly to the end of the sky with flowers." It is a yearning for freedom and an illusion of happiness. "Die today and bury it, I don't know when Nong will die" is a confused feeling; "If you don't have a trick, a cup of pure land can cover your romantic life. It is better to be clean than to be trapped in a ditch. " It also embodies Daiyu's aloof personality, which would rather die than surrender and never go along with it. And "Look at the gradual decline of spring flowers, that is, the beauty dies of old age, there is no elegy for me, and I don't know if the flowers will die" is another painful prediction of Daiyu's tragic situation. It is precisely because of such a deep and strong emotion that Buried Flowers has the power to feel the earth and the earth.
As a masterpiece of Lin Daiyu, Song of Burying Flowers is a typical alley theme, a typical eyebrow raising language and a typical Daiyu emotion. Daiyu's material selection, language and feelings are not deeply rooted, but closely related to her life experience, fate, personality characteristics and ideological pursuit.
Daiyu lost her mother at an early age. Since entering the Jia family, she has been "careful step by step and always caring" for fear of being laughed at. Although loved by the Jia family, it can't make up for the sadness and loneliness of relying on others. In addition, her father died in Yangzhou City, and Daiyu, who came back from mourning, became an orphan girl who went to Jia's house. The faction was complex and the human feelings were particularly weak. The harsh environment forced her to try her best to protect herself, but the difference in personality made it impossible for her to avoid a "sword" like Baochai with a sleek and sophisticated shield. Like a hedgehog, Daiyu stood up and was covered with spikes, ready to resist foreign attacks. In the final analysis, her meanness, meanness and haggle over every ounce are all for protecting herself, and her deeper and deeper feelings for Baoyu have aggravated her sensitivity, suspicion and sentimentality. It is because of this life experience and personality that Dai Yu will bury flowers, and only Dai Yu will use flowers to release her full sadness.
Daiyu's main way of mourning is poetry. Lin Daiyu, full of poetic temperament and poeticization, is always accompanied by her poetic soul, and always exudes refreshing fragrance from her heart and body at any time. "rogue poet, the devil unconsciously invaded", this is her personal experience. Poetry, for her, is indispensable. She vented her pain and indignation with poetry, expressed her joy and love with poetry, and expressed her determination to protest and resist with poetry. It can be said that without poetry, there is no Lin Daiyu. This also determines that her poems are free and full of emotion. The whole poem "Burying Flowers" is full of Daiyu's poetic sentiment, talent and interest, which embodies her pure moral integrity, independent personality, beautiful and holy soul and endows Daiyu with charming artistic brilliance.
At the same time, the selection of materials, wording and conception of Burying Flowers all draw lessons from the achievements of predecessors. Dai Yu's "flower burial" is so touching that it is not her personal initiative. Tang Yin, one of the four gifted scholars in Wuzhong of Ming Dynasty, who is known as "romantic literary talent, shining on Jiangzuo", once buried peony. According to "Lost of Tang Bohu", "Tangzi is afraid to live in the Peach Blossom Temple, half an acre of porch and a variety of peony flowers. When the flowers are in full bloom, Wen Zhiming and Zhu Zhishan are invited to write poems and float white under them. They wear mourning clothes and sometimes cry loudly. When the flowers fall, I will send the little maids to pick them one by one, fill them with sharp tips, and bury them on the east side of the medicine column to make "Poetry of Falling Flowers". " In the article Liu Ru and Lin Daiyu in the Tang Dynasty, Mr. Yu Pingbo listed the fallen flowers, the song of drinking wine under the flowers and the song of the Peach Blossom Temple in Liu Ru Ji by Tang Bohu, and compared them with two poems of Lin Daiyu in A Dream of Red Mansions, and pointed out Lin Daiyu's "Burying Flowers" and "Peach Blossom Walk".
"Today, another flower is in full bloom. Come and see who it is tomorrow? " (Song of Drinking under Flowers)-Peach and Plum can be shown again next year. Who do you know in the boudoir next year? "("Buried Flowers ")
"360 days a year, ... as cold as a knife." ("Song of the Year")-"360 days a year, the wind and the sword crush people." ("Burying Flowers")
"How many days can the flowers on the branches bloom? How can life be geometry in this world? " Song of Drinking under Flowers)-"When can it be bright and fresh? Once you wander, you can't find it."
Mr. Yu pointed out: "A Dream of Red Mansions is a wonderful book, but it is not a wonderful book seen from the air. He has a reason and a foundation, which is not enough to damage his reputation, but it can form a real greatness. The old saying' rivers and seas don't choose small streams, so they can become big' is translated as the bottom praise of A Dream of Red Mansions. "
Therefore, Burying Flowers is the representative work of all the sad songs of Lin Daiyu's life experience and tragic fate. Its richness in content, emotion and language is beyond the reach of ordinary poetry. It is the representative of all Lin Daiyu's poetic feelings and the essence of China's classical poems.
Thirdly, using metaphors skillfully and having a unique style —— Rhetorical analysis of Burying Flowers
The most subtle rhetoric in Burying Flowers lies in metaphor. The so-called metaphor refers to the similarity between the author's thinking object and other things, and then compares the thinking object with other things. Daiyu compared herself to a fallen flower, but she actually described people when writing flowers. So Song of Burying Flowers is a wonderful metaphor in itself. As the ontology of metaphor, Daiyu has always been hidden behind the poetry text. Only by blending in with image group, a fallen flower in late spring, can we truly understand her emotional ups and downs and get a glimpse of her inner world.
It is a traditional way for poets to describe beauty with fallen flowers. There is a sentence in Song Qi's poem "Falling Flowers": "Flying is more like returning to dance, and half makeup has fallen." Zhou Bangyan's Six Ugliness? There is a saying in "Falling Flowers": "In order to ask where the flowers are, the rainy night comes and the Chu Palace is buried." The uniqueness of Daiyu lies in: centering on the fallen flowers, combining with the images of "fallen flowers and catkins", "willow pods", "peaches and plums", "swallows", "wind knife and frost sword", "tears" and "flower soul", giving them different metonymic ontologies, which makes people feel the same. The use of metonymy fully shows Daiyu's feelings of restraining injustice and sadness.
On the surface, the first four sentences describe the beautiful picture of falling flowers, but in fact they point out the sufferings of Daiyu's life experience: parents died young, rootless people lived in other doors, and struggled to survive in the danger of "walking on thin ice". Lin Daiyu once wrote "Xu catkins? Tang Duoling ""vegetation also knows sorrow, rhyme China has a bald head. Sigh who gives up and suffers in this life, no matter who marries Dong Fengchun, go by yourself and endure for a long time. " Compared with his youth and old age because of sadness, white catkins and wandering around the world also show the desolation of his mood. "The willow grows from Fang Fei, no matter whether it is peach floating or Li Fei", write the bright color of pods and the falling of peaches and plums by contrast. When Dai Yu wrote this poem, all the sisters were playing in the garden. When she looked back, she even wrote: "Didi Cuiting, Yang Fei played with butterflies, buried incense, and the swallows cried and stayed red." Cao Xueqin deliberately put Baochai's butterfly play and Daiyu's flower burial together, and set off the sadness of flower burial with the interest of butterfly play. Lin Daiyu's lonely heart is particularly prominent in The Joy of Sisters in the Grand View Garden. People who have experienced loneliness can easily feel the loneliness in the excitement. The image of "peach blossom" in this sentence is also described in "Peach Blossom Row": "What are the similarities between the colors of bright rouge and flowers?" Peach blossoms are flying, blood and tears are exhausted, and Daiyu is better than peach blossoms. A thin fate is better than a falling sheep. One is red, the other is white. Compare the two. In this way, poetry makes its heart sadder and its feelings stronger. "Wind knife and frost sword" is not only a description of the harsh natural environment, but also a metaphor for the sinister environment of the Jia family and the whole feudal system it represents. Tanchun has a saying: "We are a family of flesh and blood. We are all like black-eyed chickens. I hope you eat me and I will eat you. " Although Daiyu was cherished by Grandmother Jia, she was, after all, a "foreigner" and an orphan girl who defected to the Jia family. How can she resist the ubiquitous competition? Behind the soft language is the chill, the only emotional sustenance-Baoyu can't see his heart, and in such a difficult living space, Daiyu is still trying to explore the true meaning of life. The natural force of "wind and frost" makes it difficult for flowers to last, while life is too short to find a bosom friend. This heavy thinking has aggravated the "strike hard" environment everywhere in the Grand View Garden.
"Leaning on the hoe alone, tears are scattered in the darkness, and blood can be seen on the branches above." Here, the story of crying shun is used: according to legend, when crying shun, tears drop on the bamboo, turn red and become "Zhu" Here, "blood stain" is a metaphor for Xiang, and its green with red implication is a metaphor for Lin Daiyu's natural vitality and infatuation. Tears are also an important image in this poem. "Endless lovesickness tears red beans, endless new worries and old worries." "I am thinking, how many tears are in my eyes, how can I get through autumn to winter and spring to summer!" Tears, like poetry, are the soul and wisdom of Sister Lin and an organic part of the image of Daiyu.
"I heard the lamentation outside the court last night, knowing that it was a flower soul and a bird soul." "Flower Soul" and "Bird Soul" are all metaphors borrowed from Daiyu's human suffering spirit, and her heart is full of endless sadness when she sings sad songs outside the court. For the sake of ideal and love, she would rather "fly to the end of the sky with flowers", but "when the sky ends, where is Xiangshan", thinking about the ultimate destination of life makes this "medieval" girl shine with unusual light. The suffocating social reality can't give her an answer, and she never wants to live in a muddy world. "A cup of pure land will cover up the romance." Lin Daiyu has no third way to choose between life and death, so that the grandmother also said that she is not as lucky as Baochai and not as happy as Baochai. Daiyu is a heavy quality, which also waters the "flower" of her own life. "It's better to be clean than trapped in a ditch." In Lin Daiyu's view, she even envied those fallen flowers buried by herself as "clean". "I didn't know who they were when I buried them." What a sad and heavy inquiry this is. This is the expectation and disappointment of a proud soul. So much so that Baoyu listened to the "falling rocks and crying" and thought that after a hundred years, "the garden, the land, the people and the scenery are all gone, and two hearts have a strong sound here." Look at the gradual decline of spring flowers, that is, beauty dies of old age, "flowers" fall, ideals are disillusioned, and the light of the soul dissipates.
The song "Burying Flowers" is finished, and the lingering sound still lingers in my ears. "According to the laughter of the man who buried the flowers, who was he buried according to? Let's see the residual flowers of spring gradually falling, which is the time when beauty dies of old age. There are no sad songs for me, I don't know when people die, and so on. These are repeated several times in the book, with special emphasis. Through the description that parrots can sing, we can see that the author is of great significance: the fate of flowers is also the fate of Daiyu. His friend's Ming Yi's "tihongloumeng" quatrains, saying: "A mourning poem seems to be coming true and I don't know. There is a wisp that dies for love, and wakes up to grow red silk? "The prophetic expression in Buried Flowers implies the tragic fate of Daiyu's tearful death.