Tang-Du Fu
Two orioles sing green willows,
A line of egrets rose into the sky.
The window contains autumn snow in Xiling,
Mambo Wu Dong Wan Li Ship.
Du Fu (7 12-770), with beautiful words, claimed to be a young man and an old man at night, and was a great poet in Tang Dynasty. The works are full of love for the motherland, people and beautiful things, and all kinds of poems are well written, which is recognized as a model of China's ancient poetry creation; He himself was honored as a "poet saint". Du Fu and Li Bai are good friends. They are like two peaks in the history of China literature.
1) Egret-a water bird with white feathers and long legs, preys on fish and shrimp.
② Xiling refers to Minshan Mountain, which is in the west of Chengdu.
(3) Wu Dong-refers to the present Jiangsu area, where the ancient State of Wu was located.
Du Fu lived next to Huanhuaxi in the western suburbs of Chengdu in his later years. On this day, it was warm and sunny, and the sky was clear. He sat lazily in the thatched cottage, enjoying the scenery outside through the windows and doors.
The first thing that caught the poet's attention was only two orioles, each of which occupied the tip of a green willow. Your words, my words, sweet tongue and gentle crying words are more beautiful than singing. The poet turned his eyes to the beach by the water, and a line of egrets spread their wings and took off, forgetting to dance to the high blue sky. Their snow-white figures are very graceful against the blue sky. Orioles, green willows, egrets and blue sky are beautiful natural pictures, and the sound of orioles and the dynamics of egrets make the pictures full of vitality. The poet stays at home, but he seems to be in a happy mood.
The walls of the thatched cottage did not limit the poet's vision, let alone hinder the poet's imagination. On the contrary, they added a bit of artistic sentiment to his appreciation. The peaks of the Western Hills, which have stayed in Albert Venn Dicey all the year round, are illuminated by a small window from a hundred miles away. Isn't it a landscape mural? The ships moored in front of the gate heard that they were going to sail in Wan Li, so they had to go down the Minjiang River, turn to the Yangtze River and go as far as Soochow! Xiling is hundreds of miles away, but it is said to be contained in its own window; The ship was moored outside the door, saying that it was going to sail to Wu Dong. The distant view makes it closer, and the close view makes it farther. Between the changes of distance and distance, Qian Qiu Xiling and Wan Li Wudong gathered in front of the poet's thatched cottage.
This four-sentence poem is all about scenery. Distance, size, all kinds of scenery, sound, flying, still, quiet and moving, appear around the thatched cottage, and with the poet * * *, two quatrains (1) constitute a colorful, vivid and harmonious vast world.
Du Fu
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Tao Yukai, a poetry theorist in the Qing Dynasty, pointed out in his book On Du Fu that there are many works in Du Fu's anthology that "painting with poetry". This five-character quatrain written in Chengdu Caotang is a very poetic masterpiece. At the beginning of the poem, I began to use ink from a big place and described the beautiful spring scenery around Huanhuaxi in the bright sunshine in early spring. This pen is simple and colorful. "Late day" means spring day, which means "spring night" in The Book of Songs, Wind and July. Here is used to highlight the sunshine in early spring, so as to control the whole. At the same time, the word "Li" is used to dye "Jiangshan", which shows the beautiful scenery of beautiful spring and green streams reflecting the sun. Although this is a sketch, the bottom of the pen is a spring swing.
In the second sentence, the poet further demonstrated the beautiful spring scenery with warm spring breeze, blooming flowers, lush grass and rich fragrance. Because the poet organically organizes the spring breeze, flowers and plants and their fragrance, readers can feel the harmony of the wind, flowers and flowers, and receive the artistic effect as if they were in the air.
On the basis of bright and broad pictures, three or four sentences turn to a concrete and vivid description of the early spring scenery.
In the third sentence, the poet chooses the most common and distinctive dynamic scenery in early spring to sketch. In spring, the flowers bloom, the soil melts, the soil is wet, and the swallows that come from autumn to spring are busy flying around and building nests with the soil. This vivid description makes the picture more vibrant, full of the breath of spring, and has a dynamic beauty. Du Fu's observation of swallows is very detailed, and "mud melting" is closely related to the first sentence, because spring returns to the earth and the sun shines brightly, which is "mud melting"; The new Yanzi made a nest out of the mud in his mouth and kept flying, showing a feeling of spring.
The fourth sentence is to outline the static scenery. Spring melts, the sun is shining and the beach is warm. Yuanyang should also enjoy the warmth of this spring and sleep on the sandbar by the stream. This is also closely related to the first sentence, because "the sun came late" warmed the beach, and the warmth of the beach attracted couples of mandarin ducks to come out of the water and bathe in the bright sunshine, which was so leisurely. From the description of the scenery, it is in contrast to the dynamic flying swallow in the third sentence, which is dynamic and static, and sets each other off. These two sentences depict the flying swallow with mud and the sleeping mandarin duck with meticulous brushwork, and cooperate with one or two sentences to outline the broad and bright scenery, which makes the whole picture harmonious and unified, forming a colorful, prosperous and aesthetic early spring scenery map. As far as the thoughts and feelings contained in the poem are concerned, it reflects the poet's pleasant mood of temporarily settling down in the thatched cottage after "four battles at one year old" and "three years of famine mountain", and also shows the poet's joy at the vitality and prosperity of nature in early spring.
This five-character quatrain is bright and beautiful in artistic conception and fresh in style. The whole poem is neat, but natural and smooth, without carving; Describing the beautiful scenery without trace is a unique chapter in Du Ji.
Two quatrains (part two)
Du Fu
The water waves in the river, the white feathers of waterfowl, the green and red flowers on the mountain are in contrast, and you want to burn.
I watched it again this spring. When is the year of return?
This poem was written by Du Fu after he entered Shu, expressing his feelings in a foreign land. "The birds in the river are white, and the mountains are blue and white." This is a landscape painting embedded in a frame. The paper is full of ink, and the painting is colorful and has a fascinating charm. You see, the blue waves are rippling all over the river, revealing white water birds, skimming over the river, what a pleasant scenery! All over the mountains and plains are green, blooming everywhere and extremely red. It's like burning a fire, how beautiful and brilliant! White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "Guo" makes the waterfowl whiter and whiter with the blue sediment of the river, and writes deeply and picturesque; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye. However, the poet's will is not here, and then, the pen path turns sharply and sighs.
"I saw it again this spring. When is the year of return?" The word "read through" in the sentence refers directly to the season of writing poetry. The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering.
The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings. Not in this world, it entrusted the poet with a deep and beautiful life interest and infinite affection for all things in nature and the mountains and rivers of the motherland.