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Wandering Heart of Everything and Historical Possession
On Wu Shaodong's Travel Poems
Tian Wenjing
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? Really good poetry often digs out a new path from an impossible despair and often opens up a unique angle from the most ordinary things. Both are enviable. The poem has been written for a long time, and it is not easy to make a new one. At this point, Wu Shaodong, as a returning poet who made his debut very early, used his tireless writing to make his poems have two springs.
In the prime of life, people travel more and more times, and the richness of people's hearts meets the scenery of all things, which is a common theme in poetry. How to deal with it properly, follow the inner feelings and make innovations in artistic expression is a new topic. Wu Shaodong, a poet, has created a lot of travel notes and made many attempts to explore the realm, innovate and enrich the connotation.
For example, in "In the North Temple", the poet combines the vast scenery with the religious impromptu scene, calmly and naturally, and combines the vehicle with the details, which fades out of the casual philosophical situation and makes people suddenly realize and become a famous article.
In "In Hengshan Mountain", the poet used "I still see/sunrise and sunset/two thumbtacks, at the height of looking up, don't live with good and evil. /The road down the mountain will be divided into two sides. " This sentence, through the sunrise and sunset on the mountain road, writes the thoughts of people all over the world, which is quite meaningful and subtly depicts the theme of "Heng".
Another example is "the rain hasn't come down yet": "I lost weight before summer, but/the rain hasn't come down yet. /A burst of birds came/In the empty sky,/This pen in a hurry,/Beyond the sky I looked out at at night. " Calligraphy with oriental aesthetic temperament describes magic. One sentence gives birth to two realms, and the two realms belong to one heart. This description is in line with the inherent lyricism, profound skill and rich aftertaste.
The so-called everything swims in the heart and is made by the heart. In fact, this is due to the wonderful effect produced by the active transformation of poetic language and structural gas field; On the other hand, everything, as the messenger of the creator, has a vague reaction to the poet's writing and a palindrome effect in the dialogue state. For example, The Rain Bird, Sunrise and Sunset Like Thumbnails, and even Lama Walking with a bunch of keys, etc.
Different from the expression of romance, introspection and experience, Wu Shaodong's travel poems have a sense of being replaced and replaced by history. Call it historical possession. The scenery in the geographical environment has a natural sense of existence and a quiet atmosphere relative to the heart. When a person is in it, the life experience is interactive, and more importantly, a larger dark line of humanity, blood relationship and national history runs through it, which is usually not discovered by many people and affects the richer and more essential relationship between everything and self.
? In Crossing Meiling Post Road, the poet portrayed the ancestors and ancestors in human history in an illusion way, and attached himself to the Meiling scenery at the moment by crossing the border at that time. The poet saw many stones standing in the cliff stone ruins, wearing costumes of different dynasties and walking separately. They have business travelers, fleeing swordsmen, literati eager for exams, young women eager to see their husbands and so on. And they are already shaped like wood and stone. At this spatial point, the hidden line of the long years is drawn, which increases the narrative dimension and broadens the duality of the existence field: truth and nothingness. I even saw my grandfather who I had never met and my hidden figure. Here, I strengthened the historical belonging of Meiling Post Road with surreal brushwork, walked on two lines and made a trip from the appearance of color and emptiness to the essence of life consciousness.
? Crossing Taibus Banner is another perspective expression of the same observation. The place of travel is in northern Xinjiang, but the poet comes from Anhui, a relatively southern place. Seemingly not involved, in fact, the humanities are the same. At the beginning, the poet said frankly, "I'm from Wei." Fishing in the south and hunting in the north have different lifestyles; The long tune in the north conveys feelings, while the wicker in the south conveys feelings, and the emotional expression is different; Grassland is like the sea, and the sea is like grassland, and the environment is very different. -but the contrast of all this is not the comparison between philosophical analysis and sociology, but the juxtaposition of two main bodies of poetry structure, which gives birth to a differentiated aesthetic feeling that sets off each other. This differentiation is unified in the sense of harmony in spiritual history, that is, the "blind date in one country" mentioned at the end of the poem. I really appreciate this poem of the motherland, which really digs into the source of life and history.
? The so-called historical possession is not only the connection between the past self and the traced blood, but also the materialization of love, hate and ignorance of the years. "Tanabata, from Sun Moon Mountain to Qinghai Lake", if so, it is quite rich in Tang poetry and sad for the past; And a short poem "Crossing the River", like a sharp knife, is cold and concise, vaguely reappearing the war scene 70 years ago. The soldiers' blood and bodies were assimilated into the river peak, with strong feelings and great strength. Poetic combination of war history, national history and many potential personal spiritual history makes people deeply awake.
? The above are some excellent works that I have selected from Wu Shaodong's travel poems, and there are more excellent works with multi-dimensional poetry characteristics and new perspectives. For example, The Book of Long Summer, which takes time out of a specific geographical location, devotes itself to the change of seasons and seeks the same frequency and constancy of self and the heartbeat of the earth; There are also some works, such as "The Earth is a Bright Lamp", which are shaped by abstract thinking and describe the existence induction between man and the planet, which is accessible and pure; More like a masterpiece "Sunshine Station in the Fast Snow", it writes an elegant gesture of quietness, implication, reflection and self-talk, which is admirable. Not much to say here.
? It is difficult to write travel notes because it is difficult to create new ones. Wu Shaodong, a poet, strengthened the imaginary interface of time axis and historical dimension, reflecting the realistic human form and soul. This kind of cognition and practice is excellent. Originated from self and greater than self; Taking care of yourself and everything is actually taking care of all beings on the humanistic level.
? Walking is to solve doubts; Poetry is liberation. Walking poetry is full of vitality.
Attachment: Some Poems by Wu Shaodong
In Hengshan
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I know
The Way
I didn't say it directly.
The creator will always
A temple dedicated to worship
Placed on peaks and cliffs.
Axe rock
Straight pine trees are all
Deep foundation and fulcrum.
The bell is as far away as the wind.
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In Hengshan
I saw the hanging temple.
A wisp of lonely smoke.
This is not the same as a censer.
Scattered prayers
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I saw it, too
Images of sunrise and sunset
Two pushpins, good and evil.
Nailed to the height of looking up.
The way down the mountain will be
Atonement is divided into two aspects.
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Tanabata, from Sun Moon Mountain to Qinghai Lake.
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A long day.
From Datong Mountain to Qinghai Lake
Soothing grass, clouds all day long.
Follow each other. Grass charcoal paved the way for Han and Tang sentence patterns
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I know it's been a long day
The Qinghai-Tibet Plateau has broken through the limitation of sadness.
Recite Polygonum sibiricum, Oxytropis Oxytropis and Achnatherum splendens.
Recite the lost constellation.
The day I described was very late,
The lost cormorants and the spotted geese.
Loneliness is higher than plateau.
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At Riyueshankou
I press the cloud head and look back at one nation after another.
The origin of the nation, the tangled peaks of Hada.
Broken tears and mirrors, still.
Fell in the cold Gobi.
Princess Westbound, where are you?
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At the moment, the clouds in Qinghai are gradually darkening.
The snow peak disappeared and Jiro sword was inserted into the lake.
I stood on the edge of the sword and thought
It's far. People I love and people who love me.
Beyond the light, encounters and affairs.
I have forgotten. only
Tonight is Tanabata, the moonlight in the sky.
Reminds you of breathing.
It's night, and the Milky Way is bright.
The whole black of Qinghai Lake covered me.
Insects in amber are born to die.
Tonight, I sang the prayer flags fluttering in the wind.
Plateau, basin and plain
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Note: Erlang Sword, a long and narrow land belt along the southeast coast of Qinghai Lake, disappeared into the lake from south to north, resembling a long sword.
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Guo Meiling Yi Dao
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Meiling post road, no repeated bluestone.
Lay one piece next to another, for example
Ancient keys, every step down.
There are still different echoes.
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The notes are still from the previous dynasty, the same as before.
Hanging on the road from Raozhou to Huizhou
Like a cloud on an ancient road, it is difficult to distinguish.
Which one? I am the only one.
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Those broken sentences that were deeply trapped in the cliff stone carvings.
I can recognize the complete narrative. squeeze in
Between a few pieces, but life and death are unknown.
The smell of Ma Shitou oozing from the reins mixed in.
In the queue of rock awakening, not far away.
Sprinkle a little salt and silk tea.
The fallen archway is full of cracks.
The grass is green. Under the fallen rapeseed by the roadside
Frogs are still lonely.
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Walking past it, I suddenly saw many stones standing up.
Dressed in costumes of different dynasties, they walked separately.
I can see their identity and status from all kinds of colors—
Business travelers traveling or returning, fleeing swordsman.
The young woman who took the exam and Wang Fu ... they.
Pass by me, in the same direction as me or
Go in the opposite direction, and your body is like thatch on the roadside.
Shake it. I'm even going to meet my grandfather who I've never met.
Also appeared in the meantime, coming towards me.
His own shadow also stood up and left.
Walk in front of me
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This sudden situation terrified me.
The shadow of my panic, instantly restored to its original shape.
Like dominoes on those walking stones.
Fall down and reproduce the original stripes and order.
Reappear the silence of the sun
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Reproduce green mountains and green waters, the vastness of heaven and earth.
The stone road separating spring is swimming across the mountain.
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Note: Meiling Ancient Post Road, built in the late Tang Dynasty, was an important commercial road from ancient Raozhou to ancient Huizhou more than 1 100 years ago, all paved with various stones. Meiling section of Tian Chong Village, Fuchun Town, Wuyuan County is 7 kilometers long and is one of the most famous sections.
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cross a river
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When crossing the river
It is getting late. The rain in early winter did not penetrate.
The river flowed away from Dabie Mountain.
Like a soldier who waded away 70 years ago.
Die peacefully.
There are also bones that step on a foreign land.
Come out, like a white horse tip,
Become a peak
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Note: 1 Pi River, with a total length of 260 kilometers and a drainage area of 6,000 square kilometers, is a big river that flows through Huoshan County, Yuexi County and Lu 'an City, the old revolutionary base areas in China. During the revolutionary war in China, 65,438+10,000 young people waded into the army and fought in the south and the north.
North, there are dozens of generals became * * * and countries;
2. The elevation of Baimajian, the first peak in Dabie Mountain1777m.
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At Beizi Temple
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Yun Lan is gathering.
The grassland in the air is still vast.
We sat on the steps of Beizi Temple.
Smoking a cigarette and watching the sun penetrate the clouds.
Summer is dry and cool, and the wind is uncertain-
My smoke floats to you, and the tips of your hair touch me.
Lama in the distance, in the clouds.
Show your arms and shake a bunch of keys.
go on foot
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Guotai Pusi Banner
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I come from Wei.
The Three Kingdoms of Tiqi belong to Cao Wei. Cao Cao is my hometown.
I'm my true self.
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South China and northern Xinjiang are opposite, and hunting and fishing are separated.
Your horse is like snow and my lake is like silver.
The grassland is as open as a lake.
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Your song is on fire, and it has passed Aobao.
My short song dipped in water and brushed the wicker.
We all sing love songs.
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Grass ups and downs, sheep like white stone.
Grew up in Gomprague.
The river flows eastward, like a blue hada.
Drift to the grassland-like sea
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Ma Touqin sobbed, excited.
Like a winding river
The flute is long and long.
Like a vast grassland.
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Land bombed by Xia Feng.
As fragrant as a girl.
Trollius chinensis, Malan, Jasmine, Gardenia.
You are all poisons to kill me.
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You greeted me with dismount wine.
I will send you a wandering song.
From plain to plateau
I was drunk every step of the way.
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Taibu Temple, a prairie man.
You and I started dating from Wei.
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Note: Hefei and Taibus Banner belonged to Wei.
Wen, poet, 1978, born in Chengde, Hebei. For many years, he has been writing in a new surrealist style. He has published poems, prose poems and literary criticism. It has been published in more than 200 domestic journals and magazines, and has published poetry anthology, ode to immortality and a university question.