The main change of Yuanjia's poetic style is to replace Hyunri with emotion and return to emotion from philosophical thinking. In artistic expression, it also changed from bland to bland, and paid attention to the discussion of artistic forms and techniques of poetry.
The main reasons for the change of Yuan Jia's poetic style are as follows: first, metaphysics did not occupy the mainstream position in the ideological field of Liu Song Dynasty, while Confucianism occupied the mainstream position in the field of political power. Second, the Liu and Song royal families were born in poverty. After they ascended the throne, they used humble families to seize power. Although the noble literati have no real power, they feel that the world is difficult and forget their own thoughts. Third, the ruling and opposition parties generally like to appreciate the natural landscape.
The new features of Yuanjia's poetry creation are as follows: First, a large number of landscape themes entered into poetry creation, which changed the tendency of Eastern Jin poetry to take landscape as the metaphysical thinking carrier and landscape as the aesthetic object, and formally laid the foundation of China's landscape literature. Secondly, poetry creation changed from philosophical to lyrical in the Eastern Jin Dynasty, showing strong emotion. In addition, Yuan Jia's poems also showed the pursuit of different creative personalities.
Xie Lingyun, born in a big family, has political ambitions and is well-read. However, because the Liu Song regime held real power in the cold door, Lingyun could not relax his ambition all his life, so he attached himself to the mountains and rivers. Therefore, Xie Lingyun is a poet with superior material conditions, high artistic accomplishment and wandering experiences that complement each other.
Cao Cao's View of the Sea is the first relatively complete landscape poem, but it has not become a common practice. Metaphysical poets in the Eastern Jin Dynasty not only cultivated their delicate feelings for landscapes, but also described them in their poems. Xie Lingyun created a large number of poems with landscape as the aesthetic object, which laid the embryonic form of realism in China's landscape poems. Xie Lingyun became the first accomplished landscape poet in the history of poetry.
Xie Lingyun's landscape poems initiated the structural mode of landscape poems. In the description of local scenery, through delicate observation and grasp and very specific pictures, it shows the emotional charm of a landscape and develops in the direction of blending scenery and emotion. This has a far-reaching influence on later generations' landscape poems, and has opened a clue to the creation of artistic conception in later generations' landscape poems.
Xie Lingyun vividly described the sound, light and color of landscape. However, Xie Lingyun's landscape poems are still the product of the primary stage of the development of landscape poems, and have not yet reached the stage of building a complete artistic conception, and are still at the level of having good sentences but no good articles.
Bao Zhao was born poor, but brilliant. Later, Liu Zikai, the former king of Linhai, joined the army and was killed by the rebels. There are 200 poems written by Bao Zhao today, of which 18 is his masterpiece.
Bao Zhao's poems are rich in content and can widely reflect real life. Some of Bao Zhao's poems show dissatisfaction and criticism of the aristocratic gate system; Some have exposed the ugly behavior of officials who abuse power for personal gain and are rich as enemies; Some show the misery and pain of the broad masses of the people under the slavery war; Others describe the scenery of the frontier fortress and express their ambition to protect the country and defend the country; In addition, there are poems and landscape poems that express the homesickness of homeless women.
The artistic achievements of Bao Zhao's poems are the highest among poets in the Southern Dynasties. First of all, his Yuefu poems have the beauty of strong lyricism and smooth momentum. He combined strong lyricism with the beauty of word formation to express his surging feelings. Secondly, language has its own characteristics. He pays attention to tempering words, which are magnificent and have a shocking effect. In addition, Bao Zhao also made great contributions to the development of seven-character poems. He boldly innovated and actively created, which greatly developed the style of seven-character poems and directly influenced the creation of seven-character songs in Tang Dynasty.