2. Paying attention to blank space increases the tension of poetry.
3. Avoid conflicts with politics at that time.
4. Establish the meaning of the article. Know what you are writing and how to write it, so that you won't scribble one by one (each section can have a small picture to make readers feel more immersive. )
The use of images naturally varies from person to person, from thing to thing, from time to time and from emotion. Generally speaking, the methods of conception can be divided into three categories: Fu, Bi and Xing. Fu, also known as writing directly. In the author's view, an image already has the characteristics of expressing one's feelings, so it is used to directly project feelings. This image is very common in China's poetry creation.
For example, Xin Qiji chose the word "Xijiang Moon" in the textbook, "The bright moon surprises magpies, the breeze chirps in half a month, and the rice fragrance says that there is a good harvest to listen to frogs." It can be said that the whole word is a laid-out image, which directly outlines a quiet rural night scene with a series of images. There is no word of love in describing the scenery, but the infiltration of the author's feelings can be seen everywhere. Never put off till tomorrow what you can, that is, the metaphor we often say, through
Li Bai's "A mirror locks on a shelf, the morning is black and the night is snow" directly compares images such as moss and snow to hair, which makes readers' association clear, clear and vivid at once and gives readers a vivid feeling.
Shu Ting's poem "I am the worn-out old waterwheel on your forehead" left a very deep impression on people. The reason is to use the image of the old waterwheel to symbolize some kind of flesh-and-blood connection between "I" and the motherland, which makes the whole poem delicate and rich in connotation. Xing means "say something else first to arouse the words to be sung". Xing must be attached to something and then concretize it. Thereby creating an artistic conception. The application of line drawing in creation can often be regarded as an interest. For example, Cang Kejia's poem Old Horse is a typical example. The poet created the image of an old horse by line drawing, making the cart "fit", "don't say a word anyway" and "buckle the pressure on its back into the meat". It just hung its head heavily. Here, the old horse is already a kind of. The author endowed this image with unyielding national character and the author's admiration. Therefore, this creative technique is both economical and profound. Poetry mainly relies on images to form the meaning of poetry, and the combination of images in poetry is varied. The juxtaposition group lists several groups of concrete images, such as Du Mu's "Jiangnan Spring" and "Water Village, Mountain, Wine and Flag Wind", which juxtapose water village, mountain, wine and flag.