1; Dai Wangshu's "I use a broken palm" I grope for this vast land with a broken palm: this corner has turned to ashes, and there is only blood and mud in that corner; This lake should be my hometown. In spring, the bank is full of flowers, and the tender willow branches are broken with strange fragrance. ) I touch seaweed and cool water. The snow peaks in Changbai Mountain are freezing cold, and the water and sediment of the Yellow River slip through your fingers. The rice fields in Jiangnan are so soft ... now there is only Artemisia scoparia; Litchi flowers in Lingnan are lonely and withered. For now, I have soaked in the bitter water of the South China Sea without a fishing boat ... The invisible palm swept the mountains without hatred, and my fingers were stained with blood and ash, and my palms were stained with darkness. Only the distant corner is still intact, warm, clear, firm and vigorous. On it, I touched it with my broken palm, like a lover's soft hair, like a baby's milk. I put all my strength on the palm of my hand and put it on it, sending love and all my hopes, because only where there is sun and spring will we drive away the darkness and bring Su Sheng, because only there will we not live like animals and die like ants … There, eternal China! This is a sincere poem written by the poet in the dark and humid dungeon of the Japanese invaders in 1942, which expresses the poet's sincere concern and love for the disaster motherland and his yearning for the liberated areas under the leadership of the Japanese Communist Party. In the first half of the poem, "I" caressed the vast land of the motherland ravaged by the enemy's iron hoof with "broken palm": "This corner has been reduced to ashes,/there is only blood and mud in that corner". Then, the poet's invisible palm touched a blue lake in his hometown. The present "cool" lake is in sharp contrast with the beautiful spring scenery in the past, which shows the poet's great anxiety and anger at the enemy trampling on his home. In order to make the theme of poetry not superficial and narrow, the poet imagines the world from near to far, from north to south, from the snow peaks in Changbai Mountain and the sediment in the Yellow River to the rice fields in the south of the Yangtze River, litchi in the south of the Yangtze River and the seawater in the South China Sea. The poet chooses the most typical scenery in each area to decorate it. They are not only symbols of people's sufferings and misfortunes, but also witnesses of the aggressors' sins. The sentence "Fingers stained with blood and ashes,/palms stained with black" is not only a summary of the first half sentence, but also an echo of the first three or four sentences. The second half of the poem is still unfolding in the imaginary world, depicting a longing picture that is in great contrast with the previous disaster scene: although it is a "corner of a distant land", the mountains and rivers are intact, without darkness and blood. It is full of warmth, light and vitality. "There is the sun, it is spring." Compared with the sad tone of the first half, this part beats the poet's uncontrollable happiness and excitement; Compared with the first half, the second half is quiet and soothing, which makes the whole poem perfectly unified in emotional sadness and joy, and the lyric style appears varied. In that era when roaring replaced artistic meditation, this poem is like a beautiful flower that never fades: the image is highly concise but not obscure, the emotion is delicate but not hazy, and the profound realistic content is perfectly blended with modern lyric methods. 2; Yue Feiman Jiang Hong
Angry hair rushing to the crown, leaning on the fence and drizzling. Looking up, screaming in the sky, strong and fierce.
Thirty fame, dust and earth, eight thousand miles of clouds and the moon.
Don't be idle, grow old together and be unhappy.
Jingkang is ashamed, but it is still snowing. When do courtiers hate their guts! Driving a long car, breaking through the lack of Helan Mountain.
Eat pork when you are hungry, and drink Hun blood when you are thirsty.
Stay and clean up the old mountains and rivers from the beginning and go to the sky.
Together, they wrote "Ascending to the Top and Looking Far", and the sentence implicitly included the farewell dinner between Jing Ke and Yiyi.
The story of the man in the seat rushing to the crown. Even the phrase "rain and rest" is similar to "Shui Ge".
Whistling, facing the sky, is enough to show the ferocity of the strong mind.
Thirty fame, eight thousand miles, one vertical and one horizontal, writing a feat of Zhuang Huai, very general.
I also came to a famous saying of the ancient Yuefu, "If teenagers don't work hard, the old people will be sad."
We will try our best to contact the anti-gold cause in time, full of patriotic passion, and remember it through the ages.
In the first movie, I wrote a sense of responsibility and urgency. On the other hand, I wrote a more straightforward book on national humiliation and made a generous statement.
It is said that the foot soldiers were encouraged to fight again during their work, and to cross the desert in the north, wyndell dichinson had to go to court.
Here, the two idioms "Hungry for a mouthful of rice and thirsty for a mouthful of wine" and "Carnivorous skin" are fused and cast together.
It truly reflects the hatred of the Song people who suffered from bullying and violence against the nomadic people, and the voice of gnashing teeth is vividly on the paper.
Because of the use of words such as "aim high" and "joke",
Create a brisk tone of "talking and laughing is king" and show strategic contempt for the enemy.
Finally, the winning spirit of cleaning up the golden gull stopped the whole word, which is the well-known power of the originator.
The whole word is deeply influenced, straightforward, loyal and full of vitality.
Rao won the faith with great emotion.
Therefore, it has become a masterpiece of rhetoric. As for Yue Fei's fame, it is immortal.