Second, spiritually: write touching friendship. In other words, participate in personal feelings and understanding;
3. Style: If you want to branch, you can branch by sentence or by content.
The style of poetry is also a necessary and detailed topic, except writing according to content or sentence, especially in the structure of speech. There are two important aspects: one is the use of rhetoric; The first is to break through the usual combination. The flexible use of rhetoric can strengthen the vitality of poetry, and boldly breaking through the usual combination (that is, not matching according to grammatical requirements) can lose unexpected effects, but it can't be too much.
Rhetoric is a tense technique in poetry. Including personification, metaphor, parallelism, rhetorical question, repetition, thimble, duality, exaggeration, meaning and so on. It can be said that each unique skill has its own uniqueness. Compared with. Applications can be reborn and reflect the content of poetry abstractly. The use of xing can make readers understand the artistic conception of poetry from the beginning and make poetry more charming; The use of exaggeration, meaning, synaesthesia and other techniques can inject more exotic blood into poetry and make it more imaginative and affinity, without making people feel vague, ambiguous and difficult to understand, so that readers can truly understand the author's thoughts and feelings.
One of the realities of contemporary poetry-language vertigo-the tense starting point of contemporary poetry
First, the definition of contemporary poetry
The contemporary poetry we are talking about here is not from time, but from the context and content of poetry. Contemporary literature mentioned in the history of literature began with re-civilization activities and ended at 1949 10/0/day; Contemporary poetry in the history of literature also refers to oral poetry in this period. The contemporary poems we will talk about in this article and later series of articles refer to those poems that have always had contemporary characteristics in context and content since oral poetry.
In view of the viewpoint that "spoken poetry has contemporary characteristics in context and content", we must exaggerate that the modernization of the Chinese nation is an ongoing viewpoint, and the modernization of China's poetry is also an ongoing viewpoint and a small department of the modernization of the Chinese nation. Therefore, the modernization of spoken poetry, to a great extent, is the process of integrating with the contemporary world and world poetry in context and content. Of course, the growth of civilization should be much greater than this, and we should also exaggerate this.
Therefore, from the time point of view, contemporary poetry in the history of literature refers to the oral poetry from ancient poetry activities to before the founding of the People's Republic of China, and the oral poetry after the founding of the People's Republic of China belongs to the field of contemporary poetry. What we call contemporary poetry, in terms of time, includes both contemporary and contemporary since ancient poetry activities; But its situation needs not only big spoken English, but also those departments in spoken poetry that are nervous about contemporary spoken English.