The first song (Seeing Fish in the Red Ocean) was written in the early summer of the first year of Yuanfeng (1078). It describes the scenery seen on the road in Xie Yu: beautiful sun, bixi, swimming fish, trees, yellow children, old people, elk and apes, just like focusing on the plane, showing the objective scenery one by one.
The second song (Dressing in Red to Meet the King) is about a group of naive and lively rural girls standing at their doorstep to meet the King, and the happy scene of farmers offering sacrifices to the gods after the harvest.
The third song (Layered Leaves) reflects the life interest of rural areas in early summer from the side: the fragrance of boiled silkworms, the charming language of winding silk, the white-haired old man stroking new wheat and so on.
The fourth song is the one selected in the article.
The fifth song ("Soft Grass Flat Sand Over Rain") describes the pastoral scenery and feelings after the rain, and expresses the author's joy and thoughts of returning to the fields and seclusion.
These five words are simple and fresh in style, without flowery words or unusual classics, but with poetic syntax, which is the main artistic feature of this group of words. It completely broke through the barrier of "Ci is a colorful theme" and created a good writing style for the development of rural Ci. Xin Qiji's rural ci is directly influenced by Su Shi's ci.
The beginning of the sound of "clothes and towels rustling jujube flowers" reflects the joy of a satrap who cares about the life of the people in the new countryside after the rain. The sound of jujube falling on the towel is slight, but it is so real in the author's ear. "South Village North Village" summarizes the sound of "pulling a cart", which shows how earnest, careful and excited the author is. "Cow clothes and ancient willows", the author wrote his happy mood for vegetable harvest from another angle. Three sentences and three pictures seem to have nothing to do with each other. However, using this line on the road in Xie Yu makes people feel that this cartoon has a strong three-dimensional sense. This set of pictures is not only beautiful in color but also beautiful in music. Whether it is the rustle of falling flowers, the hum of cars or the cries of melon farmers, they are full of rich life breath and vividly show the thriving scene in rural areas.
The first part is about the busy scene of rural productive labor, and the second part is about the hardships on Xie Yu's road. Walking from one village to another, it was already very hot and people were thirsty. Besides, they are sleepy and sleepy. I can't help thinking of quenching my thirst with tea and refreshing myself with tea. The word "question" is used with great care, which not only expresses the author's desire to have a cup of tea to quench his thirst, but also worries that it is inconvenient to rush in without farmers during the busy farming season. It depicts a well-known image of modesty and approachability, and describes the relationship between a satrap and ordinary farmers in a cordial and natural way. The scenery and characters in the whole poem are vivid and vivid, with strong local flavor, which opens up a new world for the theme of Song Ci.
The word "knock on the door and ask the savage" came to an abrupt end here. What is the result of the poet knocking at the door? Did you drink tea? How did the farmers entertain him? There is no explanation between the lines, leaving the reader to imagine, endless. This is what classical poetry pays attention to, that is, "the implication between the lines is endless."