(2) His early poems "Night in the Country" and "No Winter" are free poems; "Morning Flowers Pick Up in the Evening" draws lessons from the folk songs of northern Shaanxi and is close to the folk style. After returning to Yan 'an, there are two tendencies in form, one is "believing in heaven" and the other is "stairs". The former skillfully used the form of folk songs in northern Shaanxi, while the latter absorbed the advantages of special arrangement of foreign poems, inherited the advantages of China folk songs and classical poems in syntax and composition, and formed its own style. He Jingzhi paid equal attention to learning and innovation, inheritance and breakthrough in specific application.
(3) "Staircase" is more effective in language and has a stronger sense of rhythm than other forms of poetry, so it can enhance the appeal of this kind of poetry. When he adopted the "staircase style", He Jingzhi did not copy the foreign art forms, but based on the characteristics of nationalization: paying attention to the arrangement of rhythm, maintaining a generally neat sentence pattern, and paying attention to neat antithesis. "Xintianyou" is sonorous, soothing, lyrical and full of distinctive local colors. He Jingzhi's "Back to Yan 'an" and "Guilin Landscape Song" are folk songs with "believing in heaven".
(4) In addition, He Jingzhi also consciously absorbed the essence from classical poetry, and paid attention to transforming the forms of expression of classical poetry. Such as "Sanmenxia-Dressing Table" and other poems, the poet adopts a poetic style similar to Yuefu, which is easy to express his feelings. China's traditional poetry pursues the combination of refined words and meaning, pays attention to the rhythm, melody and rhyme of poetry, and demands to achieve a situation of singing three sighs and endless aftertaste. Poets can also innovate in exploration and practice to achieve a better unity of content and form.