The smoke cage is cold and the moon is full of sand, and the night is near Qinhuai restaurant.
business women don't know how to hate national subjugation, but they still sing backyard flowers across the river.
Attachment: rhyme translation:
Smoke fills autumn waters, and moonlight covers white sand;
The boat docked at Qinhuai at night, near the shore restaurant.
how can a singer know the hatred of national subjugation when she is having fun?
They are on the other side of the shore, singing "backyard flowers".
Comment:
This poem is sentimental on the spot. Jinling was once the capital of the Six Dynasties and was prosperous for a while. Seeing the decline of the Tang Dynasty today, those in power are fatuous and dissolute, and it is inevitable that they will repeat the mistakes of the Six Dynasties and feel infinitely sad. The first sentence describes the scenery, first trying to render the light and elegant night by the water; Two narratives, pointing out the place of night parking; Three or four sentences of feelings, from the "near the restaurant" leads to the song of the merchant girl, the restaurant has many geisha, naturally free and easy; From the decadent songs, it leads to "I don't know how to die and hate the country" and attacks the powerful gentry for indulging in debauchery and deep implication; The tune of "backyard flower" was introduced from "national subjugation and hatred", and Chen Houzhu's poems were used to lash the dissoluteness of powerful people, which was profound and sharp.
5. A brief explanation of the allusion of "backyard flowers"
This allusion comes from Chen Shu. Biography. Empress Shen. During the Southern and Northern Dynasties, Chen Shubao, the emperor of the State of Chen, built three pavilions in front of the Hall of Light in 584 AD, namely, Linchun, Jieqi and Wangxian. Chen Shubao lives in Linchun Pavilion, Zhang Guifei lives in Jieqi Pavilion, Gong Guidi and Kong Guidi live in Jixian Pavilion. These three pavilions, all connected by overhead level roads, can communicate directly with each other. Every time Chen Houzhu invited guests to play and drink with the imperial concubine, he called all the distinguished guests and talented ladies-in-waiting and guests to write poems together and give each other a reply. Choose particularly gorgeous poems from them as the words of songs, and then add new tunes, select more than 1 beautiful ladies-in-waiting and order them to learn to sing. After learning, we will sing in groups in turn. He enjoys himself in this way. Chen Houzhu's new songs include "yushu backyard flower" and "Music in the Spring", etc. The general meaning of the lyrics is to praise the beautiful appearance of Zhang Guifei and Kong Guidi. Because of Chen Houzhu's indecency, Zhang Guifei and Kong Guidi were very powerful, and their arrogance threatened the imperial court. The Chinese military commanders in the imperial court also had to obey their intentions. And those eunuchs and those who live on Auntie's flattery collude with each other inside and outside, and there is no standard for rewards and punishments. As a result, the country's political and legal disciplines were completely out of order.
At present, this allusion is usually used to describe the omen (omen) of emperors' defeat of the country and their families, so the song is called "the sound of national subjugation".
6. backyard flowers represent assholes in the eyes of some SM people.
Author's brief introduction: Du Mu (83-852 AD), whose name was Mu Zhi, was born in Wannian, Jing Zhao (now Xi 'an, Shaanxi), and was a poet in the Tang Dynasty. Du Mu is called "Xiao Du" to distinguish him from Du Fu. Also known as "Little Li Du" with Li Shangyin. Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan".