In the history of China's new poetry in the past hundred years, there are indeed "important" and "secondary" schools. I think the important schools of poetry and songs are: (1) the "crescent school" represented by Xu Zhimo and Wen Yiduo in the early 1920s, and the "symbolism school" represented by Li Jinfa in the mid-20s; (2) "Modernism" represented by Dai Wangshu in 1930s and "July Poetry School" represented by Ai Qing, Peng Yanjiao, Han Niu and Ceng Zhuo; (3) the "China New Poetry" school represented by Mu Dan, Du Fu, Du Fu and Du Fu in the 1940s; (4) the "modernist school of poetry" represented by Ji Xianlin in 1950s; (5) The "Blue Star Poetry School" represented by Qin Zihao, Zhong Dingwen and later Yu Guangzhong, Rohm and Zi Rong in 1950s; (6) Genesis poetry school represented by love, Zhang Mo and Yaxian in 1950s; (7) The misty poetry school represented by Beidao, Yang Lian, Duoduo, Gucheng, He Jiang and Shuting in the late 1970s and early 1980s; (8) The "magic pen" represented by Haizi, "their poetry group" represented by Han Dong and Yu Jian, and "Fei Fei poetry group" represented by Zhou Lunyou and Yang Li in the middle and late 1980s; (9) "Intellectual Writing" represented by Ouyang He Jiang, Nishikawa, Yongming Zhai, Wang Jiaxin, Cang Di, Xi Du and Sankoh in the early 1990s, and "Folk Writing" represented by Sha Yi, Xu Jiang and Houma in the middle and late 1990s; (10) The "Third Way Writing" represented by Murphy, Lin Tong, Shu Cai, Na Ye, Lu Weiping, Lu Ye, Tang Poetry, Liu Wenxuan, Ma Yongbo and Ji Damo in the late 1990s and early 20th century; (1 1)265438+ The "lower body writing" represented by Rainy, Yin Lichuan, Shen Haobo, Nanren and Wu Ang, and whether the "middle generation writing" represented by Angie, Format, Ma Ce and Zhao Lihua belongs to the "genre" is debatable. Angie, an important spokesperson of the "Middle Generation", thinks that it can be regarded as a "school", so in order to show the current situation of new poetry writing more comprehensively and objectively when compiling this book, we have temporarily adopted her point of view), the "Jiangxi New Poetry School" represented by Tan Wuchang, Yun Teng and Cheng Wei; It can be said that it is the spread of the above-mentioned schools of new poetry that makes China's new poetry always occupy the commanding heights of China literature in the past century.
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