The biggest and most basic artistic feature of Han Yuefu is narrative. This feature is determined by the content of "karma". Although we can already see some works with narrative elements in the Book of Songs, such as Meng and Meng. But it is still expressed through the protagonist's talk, and it is still in the form of lyricism, lacking complete characters and plots, and lacking a centralized description of a central event. However, in the folk songs of Han Yuefu, there are works whose stories are told by a third party, and there are characters with certain personality and complete plots, such as Sang Shang and Walking to the East Gate, especially Peacock Flying Southeast. The story and drama of poetry are greatly enhanced than the works in The Book of Songs. Therefore, in the history of China literature, the folk songs of Han Yuefu marked a new and more mature stage of narrative poetry development.
Yuefu poems in Han Dynasty pay attention to tailoring, narrative is more detailed than lyricism, layout scenes, detail the intermediate process and outline the beginning and end. On the one hand, Yuefu poems in the Han Dynasty played a positive role in promoting the evolution of China's ancient poetic style, and realized the transition from four-character poems to miscellaneous poems and five-character poems.
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