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Seven methods of mourning for Comrade Luo Ronghuan were written in 1963, which is a mourning poem. This poem describes Comrade Luo Ronghuan's glorious life and loyalty to the revolution. Expressed the author's inner memory. This poem was first published in People's Daily 1978 on September 9th. ?
Seven-character poetry is a genre of China's traditional poetry, which belongs to the category of modern poetry. Shen Yue's new-style poems originated from Qi Yongming in the Southern Dynasties, paying attention to rhythm and duality. They were further developed and stereotyped by Shen Quanqi and Song in the early Tang Dynasty, and matured by Du Fu in the prosperous Tang Dynasty.
Seven-character verse is strict, which requires the unity of words in the poem. It consists of eight sentences, and each sentence has seven words. Every two sentences are a couplet, and * * * is a quadruple, which is divided into first couplet, parallel couplet, neck couplet and tail couplet. The two couplets in the middle demand antithesis. Representative works include the Yellow Crane Tower in Cui Hao, Du Fu's Ascending, and Li Shangyin's Stabilizing Tower.
Seven-character metrical poetry refers to seven-character and eight-sentence poetry, which conforms to the norms of metrical poetry. Referred to as "Seven Rhymes", it is a kind of metrical poem. Metric poetry belongs to the category of modern poetry, which is named because of its rigorous meter.
The rise of seven-character poems is later than that of five-character poems. It originated in the Southern and Northern Dynasties, sprouted in the new style poems of Qi and Liang Dynasties, and was shaped between the early Tang Dynasty and the prosperous Tang Dynasty. In the early Tang Dynasty, Shen Quanqi, Song, Du, Li Qiao and others began to write articles.
In the prosperous Tang Dynasty, Wang Wei, Li Qi, Cen Can and Jia Zhi all deliberately tempered it to make it proficient in the system. However, Cui Hao and Li Bai still have mixed works, which are semi-ancient and semi-legal.