A sense of advanced poetry.

When the Tang Dynasty flourished, Shangguan Yi, the champion of the imperial examination, wrote such a poem:

Chen Fangli Peach Blossom Shop, Julian Cuizhang Phoenix Building.

Cai Nvling sings the brocade rope, and Yan looks up at Joan hook.

The new makeup leaks lightly, and the sleeves are fragrant into the shallow stream.

The rain has not decreased, and I have traveled to Lop, Ling Bo.

Teacher Dai Jianye said that the morning sun is already beautiful, and "Chen Fang" and "Beautiful Day" should be added. The spring river is full of vitality, which should be described as "Taohuapu"-the whole poem is exquisite and beautiful, from the river to the pavilion, and then from the pavilion to the river, with exquisite antithesis and gorgeous content.

On this road of gold and jade, writing poems to the point of Shangguan Yi seems to be the pinnacle. Can it be more advanced?

As a result, later poets shifted their writing goals to other places, writing about strong travel, rural areas, "lonely from the pavilion, cold at night in the mountains" and "lonely and straight in the desert, long rivers setting the yen"

But this kind of poetry, there is no way out?

Wait, in fact, in this direction, some people can come up with a "more advanced" writing.

In his later years, Bai Juyi retired to the second line, and Luoyang had a big garden. Every day, the wine is full and the flowers bloom in the small garden.

He wrote a song "The Disappearing Party":

The banquet is cool and scattered, and the bridge is back to the moon.

A song to the hospital, Yi Deng downstairs.

When Xia Chan is finished, the new autumn geese will stay.

Why are you still sleeping? Lie down and lift the broken cup.

Later, Yan Shu, the Taiping Prime Minister of the Song Dynasty, said that all the poems filled with golden castles were "Tian Shelang became rich at once" (the country people became rich at once), which was far less interesting than "going to the yard and lighting up the balcony"-this sentence was written by a truly cultivated and trained scholar-bureaucrat.

This reminds people of the preface to Yuan Mei's "Eating List with the Garden", saying that only a lifetime of dignitaries can learn to live and build; I didn't know how to eat and wear until wealth was handed down for three generations. Teacher Wan Weigang also said in an article that in today's social field, one woman only carries a famous brand bag, while another woman writes well and reads The Economist every day-then it is very likely that the latter became rich from a small family, while the former only gained wealth when she grew up.

Yan Shu's own sentences can also be used as model essays:

There are no more cars, and there is no trace of Xiayun.

Pear flower courtyard melts the moon, and the catkin pond has a faint wind.

After a few days of loneliness and injury, there is a ban on smoking.

Fish books are posted, and water is far away and mountains are long.

Among them, "Pear Flower Garden dissolves the moon, and the catkin pond has a faint wind", which is more indifferent and distant than "balcony under the lamp".

The sense of high quality, I think, is more about thinking and creativity, and it is a state beyond piling up expensive materials.

We humans have an instinct that when we see something "advanced" (often a work that someone has devoted his life to), we can see it at a glance.