Mr. Ye loved China's classical poems all his life. After graduating from college, he taught classical poetry in different universities at home and abroad. Because Mr. Wang not only has profound attainments in China's classical poetry, but also has a good study of western literature.
When Mr. Ye gave a lecture at Nankai University in Tianjin, the classroom was often packed, and many students sat on the window sill of the classroom and listened with relish.
Mr. Ye loves China's classical literature and is especially fascinated by classical poetry. Among them, Wang Guowei's "thorns on earth" has also been talked about by Mr. Wang many times.
Mr. Ye's Ci-Hua on Earth not only affirmed Wang Guowei's explanation, but also made different interpretations of Ci-Hua. Reading the comments of Tales on Earth (Ye Jiaying) gives people an experience and feeling of rereading the beauty of poetry.
Wang Guowei is a master of modern Chinese studies, and his unique comments on China traditional literature have a thought-provoking feeling. The story of the world is well known to the public because Wang Guowei put forward: "The questioner in ancient and modern universities must go through three realms." Wang Guowei's "realm theory" once led our whole high school era.
The greatest value of this book lies in the poem that Mr Wang Guowei said and Mr Ye Jiaying commented on. It is a great honor that a book can be interpreted by two masters.
Liu Yong's sentence: "I don't regret that my belt is getting wider and thinner for Iraq." At the beginning of my study, I just felt that I was a weak scholar who missed beautiful women. I was thin, but now I am even thinner.
Liu Yong's ci is full of grievances between men and women, and because of his talent, even women in the street can sing a few words. Or be played and sung by street performers in restaurants.
In today's words, Liu Yong is an online singer, famous, but far from mainstream values.
Wang Guowei, however, read a profound meaning different from ours in this small sentence. He thinks that if a person has a deep obsession with learning, he may lose weight without knowing it.
I suddenly raised the word to different heights, which made people respect it.
In this book, Mr. Wang Guowei has different opinions on the word "turbidity", and Mr. Ye thinks that Wang Guowei's explanation of this word is a bit far-fetched.
"Association" appears in the creation and appreciation of poetry. The author combines his abstract feelings into concrete images, and the appreciator combines the concrete images in his works into his abstract feelings or thoughts.
After reading these, in my mind, Liu Yong returned to the appearance of Liu Sanbian.
The magic of literature is that there are 1000 Hamlet among the audience. Everyone has different views on the same thing.
Everyone has a different understanding of the world because of their different knowledge, viewpoints and life experiences.
Liu Zongyuan once said: "Beauty is not self-beauty, but is manifested by people". Beauty is different, because people can shine more.
Wang Guowei has many definitions of "The Poet among the Thorns". For example, he wrote: "Wen Feiqing's handwriting is beautiful." Wei Duanji's handwriting is also beautiful. Li Shiguang's writing is also beautiful. "
Writing lyrics is just like being a man, and everyone's personality is different. Lin Daiyu also said that she liked Chen Yishan's ci, but she thought of his saying: "Leave the residual lotus to listen to the rain". In fact, this sentence just fits Daiyu's temper.
Mr. Ye also agrees with Li Houzhu's beautiful words. Li Houzhu itself has experienced the pain of national subjugation, and those who have been the master of 100 cities will naturally broaden their horizons and patterns. It is not difficult to understand that there is a spirit of beauty in words.
Li Houzhu's ci was different before and after the country was broken, but the innocence in Li Houzhu's bones remained the same. Wang Guowei said he was: "A poet is a man who never loses his childlike innocence."
For writers, rich life experience is a fortune.
If Zhang Ailing's parents had not separated, it is estimated that she would not have to choose not to get a dowry for tuition. At the same time, it is precisely because of the environment in which she grew up that she can make herself feel better by observing her words and deeds. Therefore, in her early novels, there is a sad taste and description of human nature.
When the reporter interviewed Mr. Ye Jiaying, she also said that it was because of the hardships she experienced when she was young that she had a deeper understanding of China's classical poems.
On the whole, The World Story (Ye Jiaying Review) is quite good. If you have passed the student period and have some life experience. If you read these poems again, you will have a different taste.
Wang Guowei's poetic "realm" theory is an evaluation system he established for classical poetry. He is also a great poet, and he was deeply impressed by what the poet inadvertently revealed in his poems. This is also Mr. Ye Jiaying's recognition of the "realm" of human ci.