How to appreciate the artistic beauty of poetry

Poetry appreciation is a spiritual activity, and different people have different views. There are many ways and means. When reading a poem, we should work hard on aesthetic taste, feel its rhythmic beauty, appreciate its rich feelings, capture the vivid image (image) in the poem and taste its artistic conception. The so-called artistic conception refers to the artistic realm achieved by describing something in a work. It is the result of the harmony and unity of the writer's thoughts, feelings and life picture. Appreciating the beauty of artistic conception can be explored from the aspects of expression methods, forms and meanings of image combination. Keywords: reading appreciation principle, artistic conception beauty We know that the traditional creation of China literature pays attention to expressing artistic conception. Of course, to appreciate literature, we should try our best to feel and enter the artistic conception, that is, to appreciate the beauty of artistic conception. We read works with profound artistic conception. Sometimes, we are immersed in it. Sometimes, we are immersed in "picking chrysanthemums under the east fence and seeing Nanshan leisurely" without me. Sometimes, we are immersed in "tears asking flowers for silence, and autumn comes", so that the whole soul is immersed in the imaginary world. In fact, we are intoxicated in the artistic conception created by the author for us. So, how can we appreciate the artistic conception of a poem? In order to understand this problem, we must know what artistic conception is. Artistic conception refers to the artistic realm of describing something in a work, which is the result of the author's blending of a certain picture of life with one or more thoughts and feelings. For example, in Ma Zhiyuan's Tianjingsha Qiu Si, what we see is a lonely and monotonous autumn scenery (a picture of life) and the author's desolate and heartbroken feelings (one or more thoughts and feelings). Mainly through the tangible images in the poem, such as "dead vine", "old tree", "crow", "small bridge", "running water" and "others", but these common scenes are no longer simple "things", and these words have already melted the author's emotions. At this point, we call them images. Image plays a very important role in poetry creation. It is the carrier of the poet's subjective feelings: if used properly, it can achieve artistic effects that narrative language can't match. Let's look at the following examples. For example, the "sick tree" and "ten thousand trees" in "Shipwreck and sail, Wan Muchun in front of the sick tree" in "Shipwreck and Qian Fan" are two groups of images in the poem; In contrast, these two groups of images depict the vibrant scene of Qian Fan's struggle for novelty and beauty, and show the poet's open-minded attitude towards the ups and downs of officials and the changes of the world. For poetry, its artistic beauty is manifested in all directions through the combination of scenes. In poetry, melody and image are two main factors that play an organizational role: melody reflects the beauty of sound and music through the rhythm and rhythm of poetry, especially in metrical poems. For example, "the mountain is heavy/the water is numerous/suspicious/there is no way, the willow is dark and the flowers are bright/there is a village", emphasizing the flat rhythm, making the intonation cadence and cadence, and obtaining the beauty of music; The beauty of artistic conception is to combine the images of things, scenes and events in poetry into concrete and sensible life scenes, through which people feel noble or beautiful, or sad or sad. Let a person feel * * *. This kind of emotion is a kind of psychological beauty of readers. Of course, as the artistic beauty of poetry, it can't be created simply by listing some scenery or things, just like flowers and trees, rocks and springs, pavilions and pavilions constitute a unique landscape. You can't build a landscape at will. However, it is not easy to create artistic beauty by combining poetic images, but there are rules to follow. First of all, we use the methods of "Fu", "Bi" and "Xing" to fuse various images and form some artistic beauty. For example, the artistic creation of works in The Book of Songs is inseparable from the methods of "Fu", "Bi" and "Xing". The creation of artistic conception in Jing Nv is the application of "Fu". "Mulberry leaves first bloom and then fall" and "Mulberry leaves first fall, then yellow and then fall" are used to describe the rise and fall of love. "heming" uses the metaphor that "stones from other mountains can attack jade" to govern the country with sages; Storytelling uses Storytelling as a metaphor for an insatiable slave owner. The Book of Songs is like this, and so is modern poetry. The combination of images such as "I will think of you in the clouds, so I will think of me in the sunset", "sunset", "wanderer" and "old friend" in Li Bai's farewell is the use of "comparison", and modern poetry also inherits it. Colorful shadows in the waves ripple in my mind. " The first two sentences describe the scenery to arouse feelings, and the last two sentences express heartfelt sighs, so this poem adopts the techniques of "xing" and "fu" The use of "Fu" often makes the image layer appear patchy, ups and downs, with a sense of "looking across the ridge into a peak", and its artistic conception is sincere and strong. There is the beauty of harmony. The use of "Xing" makes the image come in like a mountain spring, floating in the air like a cloud and drifting away. The beautiful mountains are as refreshing as the blue sky. It can be seen that the method of analyzing Fu Bixing provides us with a way to appreciate the beauty of poetic artistic conception. Secondly, through the juxtaposition, intersection and radiation of images, some artistic beauty is expressed. The so-called juxtaposition is to juxtapose two or more images in parallel to form a rich artistic conception. For example, before Li Tao got soaked in Tao Yuanming's "Returning to the Garden and Living in the Shade", there was no dust and sundries at home, and there was leisure in the vacant room. Images such as "Liu Yu", "Li Tao", "family" and "empty room" are juxtaposed respectively, which together constitute a very elegant and comfortable rural life. The poet's detached and carefree feelings are contained in it, which shows his good desire to hate official life and return to nature. This juxtaposition of images makes the artistic conception beautiful and memorable. Another example is "White on the Mountain 13, Huang Heren Current" in Wang Zhihuan's "In the Heron Tower", which is juxtaposed by images such as "White 13", "Mountain", "Yellow River" and "Sea" respectively, and * * and 65438 form a picture. At the end of the field of vision, the view of the sky, the view of the distant mountains, the view of the west and the river view of the Yellow River roaring in front of the building, rolling south and returning to the sea from west to east in the distance show the magnificence that guides users to feel. Develop and utilize space. The most important thing in design work is to embody the spirit of humanistic care. This should be the purpose of contemporary design. Design should be the most extensive, direct and sensitive means to embody the spirit of the times, because design involves almost all aspects of social life and is very consumer. Metabolism is very fast. Design should work with science and art to provide a broader living space and thinking space for human beings. Only in this way can we promote social progress and continuously improve the quality of life of the public. 2. Design thinking is the basis of design creativity. The graphic expression of creativity is to give full play to imaginative thinking and creativity through profound cognition, thinking and systematic analysis of creative themes. Imagine imagination and ideas. From the process of how to analyze, how to think and how to express. Due to the unique social labor and language of human beings, people's consciousness activities have reached a highly developed level. People's ideological understanding is a process that starts with understanding the appearance, then records the appearance in the brain to form an overview, and then summarizes and fixes these concepts derived from real life experience. As a result, all kinds of external objects and processes, even their own thinking activities, have their own corresponding images in the brain. Graphics itself is a symbol in visual design, and it is a more direct and accurate communication medium in the process of visual communication. It plays an important role in people's exchange of culture and information. In graphic design, the application of semiotics makes the information transmission of graphic design more scientific and accurate, and the expression techniques more colorful. The "novel" and "original" graphic design comes from our new discovery in the process of understanding and understanding the development of things. Only when we have a brand-new view of things, find a brand-new perspective, and discover the brand-new meaning of things that people are used to, will we have a new perspective of expression. Only in this way can we create unique and novel performances and spectacular scenes. The so-called image intersection means that two or more images in the same combination contain each other, so that poetry can express more content with fewer words. This combination of images is more prominent in China's classical poems. Poetry is short in length, and the most taboo is that the content is single and thin, emphasizing the characteristics of "poetry is precious and implicit" and "measuring the trend of Wan Li". For example, Wei's poem "The Evening Rain Give" wrote: "Does it rain all the way to Chu? The evening bell is coming from Nanjing, and you are dragging your wet sails, and the shadowy birds are flying slowly. We can't see the deep ocean door, and the clear trees are far away from purple. Similarly, because of our great love, there are water lines on our faces. " This poem is closely related to Twilight Rain and is written in ink. The first sentence is "rain", the second is "twilight", the third is "sail", and the fourth sentence is written because of "rain". Seven sentences are written about the "dusk" of other feelings, and the last sentence ends with "rain". The intersection of the two makes the image complicated, exaggerating the parting in misty rain and dusk, thus making the artistic conception implicit. For example, the central image of Du Fu's "Delighting in Rain on a Spring Night" is "Spring Rain", and the whole poem is progressive from inside to outside and from far to far to form a combination of images at different levels. Thirdly, judging from the images that constitute the beauty of artistic conception, they generally have certain conventional significance. These conventional images will not be interpreted or misunderstood by readers after creating artistic conception. On the contrary, they are rich in connotation. Take the Tang poetry as an example, there are often some images in farewell poems, such as rain, willows, fallen leaves, wanderers, old friends, isolated mountains, pavilions, solitary sails, floating clouds, sunset, dusk, autumn, cicadas and so on. These images have a farewell color in long-term use. For example, "Rain" has the function of expressing farewell worries in long-term use, such as "Sex and rain stay here, and Duan Lin's" Guest House is green and willow is new in color "(Wang Wei's" Sending Yuan to Twenty Shores Xi "). This brand-new viewpoint, understanding and knowledge will lead to the performance of being different and breaking through the stereotype, and make our design creativity change from plain to magical. In design work, design thinking is a divergent thinking, and we should look at things from point to surface, from the outside to the inside, and from this to that. Design. Expression is based on personal understanding of the material world and personal understanding of design. People's understanding of the material world and form is actually the basis of deepening design thinking. In order to make the design work innovative, we must also have rich imagination and analytical ability. Imagination and analytical ability are the thinking basis of creativity. Rich imagination and scientific analytical ability are the premise of creativity. It is in constant imagination that human beings make new discoveries and then invent and create. In short, the extension of imaginative thinking in design and creation enables us to get more updated cognitive angles and understanding formulas when we know things, which is the thinking that leads to creative achievements. Therefore, design creativity is inseparable from imaginative thinking. In design creation, only by closely linking imagination with self-cultivation and knowledge, and paying attention to the mastery and accumulation of rich multidisciplinary knowledge, can we give full play to our clever imagination in design and better serve creativity. For example, the image of "the moon" has homesickness in long-term use, such as "the moon is now full across the sea, and the horizon is like this" (Zhang Jiuling's "Looking at the Moon"). Ice in "The Big Banquet"? The preface says: "The bright moon hangs high in China's old poetry circle ... she connects the thoughts of lovers who are thousands of miles apart". Not only the old poems, but also the contemporary song "The Moon of the Fifteenth" inherited the connotation of this image. "Liu" is the most touching of ancient poetry. As Wen once wrote, "Ruyan Liu is on the river, geese come and the moon disappears." Liu Yong was once known as "Yang Liuan's amorous feelings". Of course, these images mentioned in the above examples are not fixed in any place or in any poem. For example, "bone" represents death, which is an image in the poems of Han, Wei, Sui and Tang Dynasties, such as Cao Cao's "Walking in the vast distance" and Du Fu's "The road has frozen bones". Chen Tao's Poor River Bones in Longxi. The main images contained in these poems are the same, but their meanings have changed due to the different meanings of the combinations in the poems. The combination of "white bones exposed in the wild, thousands of miles without chickens crowing" describes the desolate scenery caused by the war. "The wine in Zhumen stinks and the bones on the road freeze to death", which forms a strong contrast between the rich and the poor. The combination of "poor people are by the river, still living in dreams" once bitterly accused you of where the war took you. Therefore, when analyzing the artistic beauty of poetry, we should also analyze and judge the specific images. The above is a simple analysis and examples of how to appreciate the artistic beauty of poetry. There are many angles and methods to appreciate the artistic beauty of poetry. We should analyze and appreciate the artistic beauty of specific poems and feel their unique artistic charm.