Appreciation of Guizhixiang Jinling Nostalgia (Appreciation of Guizhixiang Jinling Nostalgia 400 Words)

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Interpretation of Wang Anshi's Nostalgia at Xiang Jin Mausoleum in Gui Zhi

Looking up from Jinling, the ancient capital of the Six Dynasties is already in late autumn and the weather is cool. The Yangtze River is as long as a leucorrhea, and Qingfeng stands like a hair. When the sun sets, the ships go home, and the slanting wine flag dances with the west wind. The boat seems to be driving in the clouds, and the egrets fly up, like shuttling through the milky way. Such a beautiful scenery is difficult to describe with pictures.

Looking back at history, there are many noble families here, and I feel that the hatred of national subjugation outside Suzaku Gate is endless. Standing on a high place after a thousand years, facing the magnificent rivers and mountains, sighing the honor and disgrace of the ancients in vain. The past events of the Six Dynasties passed away with the Yangtze River, leaving only the autumn smoke bleak and the grass faded. And the girl who sings, from time to time, sings the flower song of Yushu back garden which indicates Chen Houzhu's national subjugation.

Climbing high and looking far, the country is in late autumn and the weather is early. Thousands of miles of rivers are like practice, and Qingfeng is like a cluster. Sail back to the sunset, with the west wind on your back and the wine flag tilted. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw.

Miss the past, the prosperity has actually gone, sigh outside the door, and worry and hate constantly. Throughout the ages, it is a shame to look up to it. The past of the Six Dynasties flowed with the water, and the cold smoke faded the grass. Today, business women still sing from time to time, leaving a legacy in the backyard.

Appreciation of the poem "Guizhixiang"

According to Mao's Ci Xie, the inscription "Guizhixiang" came from Pei, a native of Tang Dynasty, who went to Chang 'an to take the imperial examination. Just when he and his companions went to Pingkangli, a romantic place, Huangmen reported that he was a top student in high school. Gui Zhixiang's most famous epigraph is Wang Anshi's "Gui Zhixiang Jinling Nostalgia".

Original text:

This is the late autumn in the ancient country, and the weather is very early. Thousands of miles are like a river, like clusters of Qingfeng. Sail to the sunset, with the west wind at your back and the wine flag tilted. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw.

Miss the past, compete for luxury, sigh outside the door, and continue to worry and hate. Throughout the ages, it is a shame to look up to it. The past of the Six Dynasties flowed with the water, and the cold smoke faded the grass. Today, business women are still singing, and "backyard" is a heritage.

Translation:

Climbing to the top of the tall building, the scene of Jinling is late autumn, and the weather has just begun to get cold. The Yangtze River, which flows thousands of miles, is brewing into white chains, and the Qingfeng Mountain is majestic and steep as an arrow. The boats on the river were full of sails and headed for the sunset quickly. The swaying wine flag swayed against the west wind on the shore. Colorful floats haunt the clouds, and egrets in the middle of the river sometimes stop flying. This beautiful scenery is hard to draw with the most beautiful pictures.

Looking back on the past, the luxurious and dissolute life was in constant competition, sighing that "Han Qinhu outside the door, Zhang Lihua on the roof" came one after another. From a distance through the ages, the scenery you see is like this. Don't feel sorry for the gains and losses in history. All the changes in the Six Dynasties disappeared with the flowing water, only the cold smoke and withered weeds in the suburbs still condensed with a touch of light green. Until now, women in business still don't know the sorrow and hatred of national subjugation, and always sing the legacy of "backyard" loudly.

Appreciate:

This word expresses Jinling people's nostalgia for the past and is an extraordinary masterpiece for the author. It was written when the author stopped talking and got to know jiangning house. Wang Anshi's feelings of enjoying the natural scenery when he was frustrated and bored were fully revealed in his poems. The whole word comes straight to the point, the screenwriter, Jinling Resort, the ancient capital of the Southern Dynasties, went to Linjiang Range Rover on a late autumn evening. Although he takes climbing high and looking far as the theme, he takes the late autumn in his hometown as his eyes. Words such as "Zheng", "Chu" and "Su" gradually awaken its theme.

The following two sentences, borrowed from Xie Jia's famous sentence in the Six Dynasties, seem to have come out: "Explaining the Tao makes people forget Xie Xuanhui.". That is to say, an "elephant training" and an "elephant cluster" have sprung up. Then I wrote about the color of the river. Looking at it, countless sails and shadows crisscross the sparkling river waves in the sunset. Looking closely, I saw that the west wind was tight, and the green flag of the restaurant was raised high, because the wind was blowing. The sail is a broad scene, the wine flag is a fine scene, and the poet's meaning is guided by scenery and personnel. A word "back" and a word "foundation" are used brilliantly, and the scenery along the river is vividly written, as if it were alive.

At this point, the scenery is rough, and the following has changed. The combination of "colorful boat" and "Xinghe" adds a touch of bright color. But the word beat has reached the rest of the film, so the pen is also here. It is quite common for everyone to praise it with the phrase "drawing is difficult". "Colorful boats are cloudy", and the river sky at sunset reads: "The Milky Way rises with herons", which looks like a continent in the evening.

The next film is another pen and ink, lamenting the historical fact that all the Six Dynasties died in debauchery. What is written is sadness, resentment, honor and disgrace, which makes later generations lament; There is no trace of the past, only autumn grass is blue, which is shocking. The "building outside the door" is also concise and powerful with Du Mu's "Taicheng Qu".

The ending of this poem is more wonderful. The poet wrote: Today, the Six Dynasties are far away, and their legacy is still audible. Allusions are used here "A strong woman in business doesn't know how to hate her country, but also sings" backyard flowers "across the river!" This famous sentence sung by Tang Xian Komori in "The Smoke Cage is full of sand and the night is near Qinhuai Restaurant" has been repeatedly used by the poet, full of endless feelings and lasting forever.

Appreciate Xiang Jin's Homesickness of Ling, 500 words.

Jinling is an ancient city with a long history. Before the Tang and Song Dynasties, it was the capital of Wu Dong, Jin Dong, Song, Qi, Liang and Chen. Wang Anshi lived here in his later years, and this word may have been written at this time. The first film depicts the scenery of Jinling, and the second film expresses feelings through nostalgia.

If this is a picture, we will see an old man overlooking the railing by the river. He is Wang Anshi. "Look down the hill" and "climb the mountain" refer to climbing the mountain and facing the water. "Send your eyes" means to see far away. Then, the work uses "the old country is in late autumn and the weather is early" to point out the place and season to go. "Right" means just right. The "country" here refers to the national capital. Because Jinling was once the capital of the Six Dynasties, it was called "the old country". "Su" describes the crisp autumn. These three sentences mean that this is the season of crisp autumn, boarding the ancient city and looking far away.

Through the above-mentioned true narration, the work brings the reader into a distant realm. "A thousand miles into a river is like practice, and the peaks are like clusters", which is about the distant rivers and mountains. "clear", clear "Such as practice", such as white silk. "Cluster [cü]" This is a hill that describes gathering. These two words mean that the Yangtze River flows thousands of miles outside Heling City, as clear as white silk: the distant mountains are green and lovely, and the peaks gather around the main peak like mountains.

After making such a general description, the author further used the phrase "sail to the sunset and lean on the west wind flag" Colorful boats and clouds talk, and the Milky Way spends its honeymoons. //"Four sentences describe in detail what he saw and heard when he boarded the ship." "Off the sail" refers to a long-distance ship. The sail stands on the ship, and the sail is first seen from a height, so it is used to refer to the ship, just like the word' down' is used to refer to the ship. The purpose of "withdrawing sails" is to highlight the departing ships. There is a cloth signboard called "Wine Flag" hanging in front of the ancient hotel. "Chu [Chu]", vertical. "Colorful boat" refers to a beautifully decorated cruise ship, which here refers to a cruise ship. The Milky Way ",the Milky Way, refers to Qinhuai River. Heron is the name of egret and waterfowl. The images of these things were captured by the author, who painted a beautiful picture for people like a painter with high artistic accomplishment. Here, the author describes the scenery on the Yangtze River from above, and then describes the scenery on the Qinhuai River, where there are gorgeous cruise ships bathed in the glory of the sunset; In the distance, the wine flag hangs high. The word "back to the west wind" can make people see the waving of wine flags and the terrain where the hotel is located. The poet praised Qinhuai River as the Milky Way, so he called it "the Milky Way". The milky way is in the sky, so compare the water vapor to a cloud. Look at the floats through the thin water vapor, as if in the clouds. A line of egrets is flying through the water, as if flying on the Milky Way. This is such a moving scenery, it is no wonder that the author praised "Difficult to Draw" at the end of the last film. "Foot", complete and perfect. As a verb here, it means to make it perfect. It is difficult to draw a picture.

Facing the beauty of the country, the author can't help but think of the history of the Six Dynasties. The rise and fall of the Six Dynasties were frequent, and there were many historical lessons. Taking Chen, the king of national subjugation, as a typical example, the author criticized the decadent and dissolute rulers of the Six Dynasties. "I miss the past, compete for prosperity, sigh outside the door, and hate it." "Read", remember to stop here. "The past", the past, refers to the history of the Six Dynasties. "Richness comes last" means competing with each other to live a luxurious life. This is a criticism of the emperors, bureaucrats and nobles of the Six Dynasties. Chen was the last emperor of the Six Dynasties, and his fatuity and debauchery were particularly striking. According to historical records, the generals of Sui Dynasty led troops to destroy Chen. When Sui Jun invaded the Suzaku Gate in Jinling, the capital of Chen, Chen and his beloved concubine Zhang Lihua were still having fun in the attic. After the city was broken, Chen was captured and Zhang Lihua was killed. During this period of history, Du Mu, a poet in the Tang Dynasty, once sarcastically said in Taicheng Qu: "Han Qinhu is outside the door and Zhang Lihua is on the roof." This is the allusion used in Wang Anshi's Building Outside the Door. "Sorrow" refers to the sorrow of national subjugation. "Succession", one after another, here refers to the mutual destruction of Soochow, Eastern Jin, Song, Qi, Liang and Chen Dou. Then, the poet wrote with emotion: "It is shameful to rely on high standards throughout the ages." Wang Anshi lived in the Six Dynasties for a long time, so he used "eternal" to describe it. "By height" means looking up, which is what was said in the last film. "Man [Ji]", empty sigh. The "honor and disgrace" here refers to the rise and fall of a country. The phrase "through the ages" means that the author can only sigh the rise and fall of dynasties. "The past of the Six Dynasties drifted with the current" means that the history of the Six Dynasties is gone forever. This is the author's deep feelings about the changes in the world by borrowing from Dajiang East. "But cold smoke turns grass green" and "but" have only one meaning here. "Smoke" refers to water vapor such as clouds. "Green" means that the color of grass is not fresh. This bleak autumn color reflects the author's grief over the past and hurts the present mood.

The feudal ruling class often can't learn from history. The author sees that many people are still living a drunken life there, so it is very important for the work to end with "women still sing often, and the legacy of the backyard". In ancient times, singers were called "businesswomen". Chen wrote yushu backyard flower, which was regarded by the ancients as the voice of national subjugation. Du Mu once said in the poem "Bo Qinhuai": "Business women don't know how to hate national subjugation, but they still sing" backyard flowers "to cross the river!" On the surface, the feelings of Wang Anshi and Du Mu are lamenting that the singer "hates the country without knowing death", but in fact, he is condemning those who indulge in singing and dancing and lead a luxurious life. The meaning is tortuous and intriguing.

Classmate, satisfaction and praise ~

Looking back on the past in Jinling-Wang Anshi's appreciation: It's late autumn in an ancient country, and the weather is very early. Thousands of miles are like a river, like clusters of Qingfeng.

Climbing the mountain near the water, overlooking, it is late autumn in Jinling, the capital, and the weather has become cool. The Yangtze River, which flows thousands of miles, is as clear as white practice, and the Qingfeng Mountain is as majestic and steep as an arrow. Sailboats shuttled back and forth in the sunset, the west wind rose, and oblique wine flags fluttered in the small streets. Gorgeous boats float on a light cloud, and the egrets in the middle of the river sometimes stop flying. This beautiful scenery is hard to describe even by Dan Qing's wonderful pen.

Back in those days, dignitaries struggled to live a luxurious life. Unfortunately, in the attic outside the Rosefinch Gate, the monarchs of the Six Dynasties were defeated one by one. Since ancient times, many people have climbed here to reminisce about the past, and they are all sad for the honor and disgrace of past dynasties. All the changes in the Six Dynasties disappeared with the flowing water, leaving only cold smoke and yellow grass. Until now, strong women in business still don't know the sorrow and hatred of national subjugation, and always sing the legacy of "backyard flower" loudly.

Nostalgia of Guizhixiang Jinling —— Appreciation

Guizhixiang Jinling Nostalgia

Song Dynasty: Wang Anshi

This is the late autumn in the ancient country, and the weather is very early. Thousands of miles are like a river, like clusters of Qingfeng. Sail to the sunset, with the west wind at your back and the wine flag tilted. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw.

Miss the past, compete for prosperity, sigh outside the door, and continue to hate. Throughout the ages, it is a shame to look up to it. The past of the Six Dynasties flowed with the water, and the cold smoke faded the grass. Today, business women still sing from time to time, leaving a legacy in the backyard.

Appreciation: It is really desolate and sad to read, and the infinite despair in the poet's heart is completely revealed. The artistic level is no less than that of the late master. As a political reformer, that kind of helpless mentality is exhausted. Nostalgia?

Appreciation of Wang Anshi's "Jinling Nostalgia"

By praising the scenery of Jinling and regretting the rise and fall of history, this word expresses the author's concern about the current politics at that time and the current politics of the country. Shang Kan wrote his views on landing in Jinling's old capital. Chengjiang, Cuifeng, Sailing, Sunset, Wine Flag, West Wind, Cloudy Pale and Heron Ascending outline the majestic scene of water, land and air in turn, and the realm is desolate. I wrote down my thoughts in Jinling. The word "nian" makes a turning point, contrasts the past and the present, crisscrosses time and space, and the reality and reality coexist, expressing deep depression and heavy sigh to history and reality. The whole poem is a masterpiece with a blend of scenes, a broad realm, a gloomy and tragic style, and a harmonious combination of magnificent scenery and historical content.

Ci begins with the word "seeing six ways", which opens up a lofty vision for Ci. "Old country in late autumn, weather in early autumn" points out the place and season. Because it is the old capital of the Six Dynasties, it is called "the old country". "Late autumn" is opposite to the next sentence "early autumn", and everything is dying, showing an atmosphere of "sad autumn". At this time, when you go to the temple building, you will be moved by things, and your words will have feelings, which will pave the way for the distant time described in the next movie.

"A thousand miles into a river, like a practice, like a cluster of green peaks" and "a thousand miles" are the continuation of the first sentence "climb high and look far"-you can overlook a thousand miles; The panoramic scanning of "Chengjiang seems to be practicing, and Cuifeng seems to be clustered" has an open and lofty scene. "Chengjiang is like practice" is different from Xie's poem "Chengjiang is as quiet as practice". Compared with "Cuifeng Like a Cluster", not only the words are rigorous and neat, but also the composition is interesting, the curve is stretched and scattered. There is not only a flat development, but also a three-dimensional presentation, and a beautiful Jinling landscape is displayed in front of us.

"Sailing towards the sunset and leaning against the west wind wine flag" is a concrete description of the scenery in the background. "Sunset" and "West Wind" point out that it is dusk, which has typical autumn scenery characteristics. "Wine Flag" and "Sailing" are journeys written in autumn dusk. People are in a hurry, and the picture is vividly written from pure natural activities to human activities.

"Colorful boats are cloudy, herons rise to the Milky Way" is a big finishing touch. "Colorful Boat" and "Galaxy" are brightly colored; "The clouds are light and the wind is light" and "the heron rises" are dynamic and static. A mist hangs over the hull in the distance in the sky, and the egrets on the water have started up from the Milky Way, which not only vividly shows the whole picture of Qiu Jingtu in Jinling, but also further broadens the field of observation-in the vast space, with the sails drifting away, water and sky have merged into one, and it is impossible to tell where water and sky are. Compared with Wang Bo's Preface to Wang Teng-ting, "The sunset is lonely in Qi Fei, and the autumn water is * * * the sky is one color", their tolerance and vision are comparable. One is a parallel epigram that has been told through the ages, and the other is an unprecedented creation, which is exactly the same. As Lin Bu said in "Xiaoxiao Palace in Su Dong", "Autumn Mountain is boundless, Qiu Si is boundless", and what you see in front of you is too beautiful to describe, so you always praise "drawing is difficult" and end it.

I am nostalgic and lyrical. "read