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Lu Xun (188 1 September 25th-19361October19), formerly known as Zhou Zhangshou, later renamed Yushan, later changed to Yucai, "Lu Xun" is his1. A famous writer and thinker, an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation."
Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century".
1902 went to Japan to study at public expense. He originally studied medicine at Sendai Medical College, but later he became a writer because of the war and engaged in literary and artistic work, hoping to change the national spirit (see the preface to Scream). 1905- 1907 participated in revolutionary activities and published papers such as Moro Poetry and Cultural Prejudice. During this period, I was ordered by my mother and wife Juan to return to China to get married. 1909 Co-translated the Collection of Foreign Novels with his brother Zhou Zuoren to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing. 19 18 published the vernacular novel Diary of a Madman under the pseudonym of Lu Xun. 1927 married Ms. Xu Guangping and gave birth to a boy named Zhou Haiying. 19361June19 died in Shanghai. His works were included in Complete Works of Lu Xun, His Works and Letters of Lu Xun, and various ancient books edited and revised by Lu Xun were reprinted. Later, in 198 1, The Complete Works of Lu Xun (* * * sixteen volumes) was published. In 2005, The Complete Works of Lu Xun (eighteen volumes) was published. His works are mainly novels and essays, among which Blessing, The True Story of Ah Q and Diary of a Madman are the most famous. Dozens of novels, essays, poems and essays by Lu Xun were selected into Chinese textbooks for primary and secondary schools, and novels such as Blessing, The True Story of Ah Q and Medicine were adapted into movies. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai, Shaoxing, Guangzhou and Xiamen. At the same time, his works have been translated into more than 50 languages such as English, Japanese, Russian, Spanish, French, German and Arabic, and have a wide audience all over the world.
Life and creation
Lu Xun 188 1 was born in Shaoxing, Zhejiang, but when 13 years old, his grandfather, who was an official in Beijing, was imprisoned for cheating in the imperial examination. Since then, my father has been ill for a long time and eventually died, and his family has fallen. Family changes have had a far-reaching impact on young Lu Xun. He is the eldest son of the family, with a lonely and weak mother and a young and weak sister in law. He must bear the burden of life with his mother. His innocent and lively childhood is over, and he has experienced the hardships of life and the changes of the world prematurely. He often takes the prescription prescribed by the doctor for his father to the pharmacy to get medicine, and takes things to the pawnshop to sell. In the past, when his family was well off, people around him looked at him enviously as a little "dude". There is kindness in his words and tenderness in his eyes. But now that my family is poor, the attitudes of people around me have changed: my words are cold, my eyes are cold, and my face is disdainful. The change of people's attitudes around him left a deep impression on Lu Xun's mind, which caused a great blow to his mind and made him feel that China at that time lacked sincere sympathy and love between people. People treat people and things with snobbery: one attitude towards the rich and powerful, another attitude towards the poor and incompetent. Many years later, Lu Xun said with great sadness: "Who fell from a well-off family to a poor situation? I think that on this road, we can probably see the true face of the world. " Introduction to screaming
The family changes and life experiences after the changes also made Lu Xun close to the lower class from his childhood. His grandmother lives in the countryside, which gives him the opportunity to get in touch with and understand the life of farmers. Especially before and after his grandfather went to prison, he had to take refuge in relatives in the countryside and live in the countryside for a long time. There, he became friends with children in the country, played with them, rowed boats, watched movies together, and sometimes "stole" beans and cooked them in their fields. There is no mutual discrimination and hatred between them, only mutual care and love. Lu Xun recorded his simple, natural, sincere and simple relationship with rural children as the best interpersonal relationship in his life.
At that time, the average scholar took three roads: one was to study and be an official. If you are not an official, you can also be a "screen friend" of bureaucrats. If the first two roads fail, you can still go into business. Lu Xun took another road that was most despised at that time: entering the "foreign school". In China at that time, it was generally regarded as a despicable activity of "selling souls to foreign devils". 1898, 18-year-old Lu Xun, who left his hometown, entered Nanjing Naval Academy with eight silver dollars raised by his loving mother, and later changed to Nanjing Road and Mine Academy. These two schools were established by the Westernization School to enrich Qiang Bing, offering courses such as mathematics, physics and chemistry, and imparting natural science knowledge. During this period, Lu Xun read works on foreign literature and social sciences and broadened his horizons. In particular, Yan Fu's translation of Huxley's Theory of Evolution, an Englishman, had a profound influence on Lu Xun. Evolution is a book introducing Darwin's theory of evolution, which makes Lu Xun realize that the real world is not harmonious and perfect, but full of fierce competition. To survive and develop, a person and a nation must have the spirit of self-reliance, independence and self-improvement. Can't be at the mercy of fate, can't be bullied by the strong.
Lu Xun's outstanding performance in Nanjing Road and Mine School gave him the opportunity to study abroad at public expense after graduation. 1902, he went to Japan, began to study Japanese at Hongwen College in Tokyo, and later entered Sendai Medical College. He chose to study medicine in order to treat patients who were victimized by quacks like his father and improve the health of China people who were ridiculed as "the sick man of East Asia". Lu Xun wanted to enlighten the people of China through medicine. But his dream didn't last long before it was shattered by the harsh reality. In Japan, as a citizen of a weak country, Lu Xun is often discriminated against by Japanese with militaristic tendencies. In their eyes, all China people are "imbeciles". Lu Xun scored 59 points in the anatomy test, so he suspected that Fujino Genkuro, the anatomy teacher, had leaked the examination questions to him. This made Lu Xun feel deeply sad as a weak country. On one occasion, in a slide show before class, Lu Xun saw a China man being beheaded by the Japanese army, while a group of China people stood by and watched. Lu Xun was greatly stimulated. This made him realize that mental numbness is more terrible than physical weakness. To change the tragic fate of the Chinese nation in the world, the first thing is to change the spirit of China people, and the first thing that is good at changing the spirit of China people is literature and art, so Lu Xun left Sendai Medical College and returned to Tokyo to translate foreign literary works, organize literary magazines, publish articles and engage in literary activities. At that time, what he discussed most with his friends was China's national character: what is the ideal human nature? What is China's national character lacking most? What is the root cause? Through this kind of thinking, Lu Xun linked his personal life experience with the fate of the whole Chinese nation, which laid the basic ideological foundation for him to become a writer and thinker later.
During his study in Japan, Lu Xun initially formed his world outlook and outlook on life. However, Lu Xun's thoughts and feelings were not only incomprehensible to most Japanese at that time, but also difficult to get a wide response from students studying in China. The foreign novels he translated can only sell dozens, and the literary magazines he organized can't be published because of lack of funds. The difficulty of family planning forced Lu Xun to return to China to find a job. From 65438 to 0909, he returned from Japan and taught in Hangzhou Zhejiang Normal School (now Hangzhou Senior High School) and Shaoxing High School. This period is a period of extreme depression of Lu Xun's thought. 19 1 1 year also excited him for a while, but then Yuan Shikai proclaimed himself emperor, zhang xun restoration and other historical scandals were constantly staged. The Revolution of 1911 did not change the stagnant reality of China, the social chaos, the national disaster, and the misfortune of personal marriage, which made Lu Xun feel depressed and depressed. After the May 4th Movement, his repressed thoughts and feelings exploded like lava through literary works. At that time, he was already working in the Ministry of Education and moved to Beijing with the Ministry of Education.
19 18, Lu Xun published his first vernacular novel Diary of a Madman in New Youth magazine, which was the first time he published an article under the pseudonym of "Lu Xun". Diary of a Madman is also China's earliest modern vernacular novel. This novel embodies all Lu Xun's painful life experiences from childhood and all his painful thoughts on the modern destiny of the Chinese nation. Through the mouth of a madman, it denounced China's feudal autocracy for thousands of years as a history of "cannibalism" and sent out "Never been like this?" Seriously questioned, shouting: "Save the children!" .
After Diary of a Madman, Lu Xun published several short stories in succession, and later compiled two collections of short stories, Scream and Wandering, which were published on 1923 and 1926 respectively.
Lu Xun's novels are few in number, but they are of great significance. Lu Xun focused on the bottom of society and described the daily life and mental state of these bottom people. This is inseparable from Lu Xun's creative purpose. Lu Xun said: "My materials are mostly taken from the unfortunate people in the morbid society, aiming to expose the suffering of the disease and attract the attention of treatment." How to start a novel with a southern accent and a northern accent? This creative purpose of expressing and improving life made him describe the most common tragic fate of some of the most common people, such as Kong Yiji, Hua Laoshuan, Shan Sisi, Ah Q, Xianglinsao and Ai Gu. These people live at the bottom of society and need sympathy, pity, care and love from people around them most. But in China society at that time, people gave them insults and discrimination, indifference and ruthlessness. Is such a society a normal society? Is this interpersonal relationship reasonable? What saddens us most is that they live in a loveless world and are tortured by life. But they also lack sincere sympathy for each other. They take an indifferent attitude of watching or even appreciating the tragic fate of their own kind, and vent their pent-up resentment when they are oppressed and bullied by bullies weaker than themselves. In Kong Yiji, there are short-sleeved guests who maliciously ridicule Kong Yiji; In The True Story of Ah Q, others bullied Ah Q, and Ah Q bullied a little nun who was weaker than himself. In Blessing, villagers in Luzhen appreciate Sister Xianglin's tragedy as an interesting story ... All this makes people feel a chill. Lu Xun's attitude towards them is "mourn their misfortune and anger their indisputable". Lu Xun loves them, but he wants them to realize that they can be self-reliant, independent and self-reliant.
Lu Xun has an abhorrent attitude towards powerful people and hypocrites. Ding in Kong Yiji, Grandpa Zhao in The True Story of Ah Q, Master Lu Si in Blessing, Guo Laowa in The Ever-burning Lamp, and the seven great men in Divorce are all such powerful figures. They are very powerful, but they have no sincere concern for the fate of others and no enthusiasm for social progress. They only care about their own power and status, selfish, hypocritical and cold, which hinders the progress and improvement of society. Siming in soap and Gao Li Gao are hypocrites and hypocrites. They claim to care about social morality, but in fact they are all immoral people.
Lu Xun's novels are about the ordinary life of ordinary people, without bizarre stories and fascinating plots, but full of infinite artistic charm. Where does this charm come from? It comes from his detailed description of people and life and his incisive description of people's subtle psychology. There is always a "joy of discovery" when reading Lu Xun's novels. The picture is an ordinary picture and the characters are ordinary people, but in such an ordinary picture and ordinary people, we can always notice the characteristics that we don't usually notice and perceive the psychological activities of people who don't usually notice. It is precisely because of this meticulous description and incisive psychological portrayal that the artistic charm of Lu Xun's novels has become more mellow as time goes by. When we were young, we were inexperienced. Primary and middle school students in the north are not familiar with the local customs described in the story, such as Luzhen, Santan and Yinyue, and have no more personal experience of life. Lu Xun's novels enter our sensory world as a whole, but we can't feel how rich the connotations are hidden in the characters and pictures. With the increase of our social experience and the deepening of our life experience, the connotations of these characters and pictures will continue to sprout from them. In order to reveal the different meanings of different life scenes and the fate of different characters, the structure of Lu Xun's novels is changeable, with almost one style and one writing style. Diary of a Madman is different from The True Story of Ah Q, Kong Yiji is different from White Light, hometown is different from Blessing, and lonely people are different from Mourning for the Past. Not only the structural style is different, but also the pitch rhythm is different. Kong Yiji is so simple and cold, while Mourning for the Past is so tortuous and profound. Lu Xun's novels are novels and poems, with deep artistic conception, cold outside and hot inside, and the use of national language skills to achieve perfection.
While creating Scream and Wandering, Lu Xun also created a collection of essays, Flowers in the Morning and Flowers in the Evening, and a collection of prose poems, Weeds. The former was published in 1928 and the latter in 1927. If the novels in Scream and Hesitation are Lu Xun's grim portrayal of real social life and are intended to alert the sleeping people, then the prose in Morning Flowers is Lu Xun's warm memories and deep memory of the people and things that nourished his life. When I was a child, Mr. Fujino, the nanny's mother, gave him sincere care in a discriminated environment. Fan Ainong, an old friend with a rough and arrogant life, gave him a "Herbal Garden" full of infinite fun, as well as folk dramas and folk entertainment activities that attracted his curiosity ... All these revealed bright colors and warmth in this sinister world background, which nourished Lu Xun's life. These essays are lyrical, narrative and argumentative, sometimes like a calm harbor, sometimes like a rolling sea, sometimes like a rushing river, and sometimes like a winding stream, which embodies the artistic achievements of Lu Xun's prose creation. Different from the clear and meticulous prose in Morning Flowers and Evening Picks, the prose poetry in Weeds presents an ethereal and fantastic artistic conception. They are like clouds of emotion, spinning and floating in the air, changing into various unexpected shapes. Lu Xun's inner anguish turned into a dream and a transcendental imagination, which made Wild Grass a wonderful flower in China's modernist literature. Lu Xun once said to others, "My philosophy is all in Weeds." Lu Xun's deepest emotional experience and the most mysterious philosophical sentiment are conveyed through this peculiar artistic means. Lu Xun's artistic creativity is amazing.
Lu Xun's essays should first fully reflect his creative spirit and creativity. "Essays" have existed since ancient times, and similar examples can be found in foreign essays. However, only in the modern cultural history of China and in the hands of Lu Xun did "essays" show its unique artistic charm and great ideological potential. Lu Xun's essays can be said to be an "epic" of China's modern culture, which not only recorded Lu Xun's fighting achievements in his life, but also recorded the ideological and cultural history of China at that time. When modern intellectuals in China want to create a new culture and new ideas suitable for the modern development of China, they are slandered and attacked by different classes, different figures, different angles and different ways. Lu Xun's essays are naturally formed in this ideological and cultural struggle with no fixed front and no fixed enemies. From the May 4th Movement, Lu Xun began to struggle against various arguments against the new culture in the form of essays, but he was not conscious at that time. Later, some people began to laugh at him as an "essayist", and he became more aware of the power of "essays" and began to consciously engage in essay creation. Lu Xun said that essays are "nerves of induction" and can "react or fight against harmful things immediately", thus opening up a tortuous road for the development of new culture and new ideas in the thorns of old culture and old ideas, so that they can exist, develop and grow. Lu Xun wrote Grave, Hot Wind, Canopy Collection, Canopy Collection Continuation, Three Idle Collections, Two Hearts Collection, Southern Dialect and Northern Tune, Pseudo-Free Book, Quasi-romantic Talk, Lace Literature, Seven Pavilion Essays and Seven Pavilion Essays all his life. In this 15 collection of essays, Lu Xun extended his brush strokes to various cultural phenomena and different people of different classes, with ruthless exposure, angry accusations, sharp criticism, bitter satire, witty humor, meticulous analysis, decisive judgment, passionate expression, painful cries, cordial encouragement and enthusiastic praise. It freely and boldly expresses the feelings and emotional experiences of modern people, and opens up a broader road for the development of China's prose. The status of Lu Xun's essays in the history of modern literature in China is undeniable.
In his later years, Lu Xun also completed a novel collection, New Stories (published by 1936). This collection of novels is based on China's ancient myths and legends and historical facts, but it does not stick to the original story, but adds Lu Xun's own understanding and imagination, and some of them also adopt the writing technique of blending ancient and modern, so that ancient people and modern people can have a direct dialogue. The purpose of Lu Xun's doing this is to let us feel and understand the true face of some real people through the feelings and understanding of real people and the ancients. Through the novels in New Stories, Lu Xun actually reconstructed the cultural history of China, revealed the foundation of the existence and development of the Chinese nation, and reshaped the image of historical figures sanctified by feudal literati in China. Mending the sky can be regarded as a "genesis" of the Chinese nation. In Lu Xun's view, it is not the ancient sages and emperors who truly embody the fundamental spirit of the Chinese nation, but the Nu Wa who created the Chinese nation. She is the source and symbol of Chinese national vitality. Running to the Moon is about the tragedy of an ancient hero, which saved mankind in nine days, but those selfish and narrow-minded people don't want to inherit and carry forward his heroic spirit, just want to use him to achieve their selfish and narrow-minded goals. He was assassinated by his own students and abandoned by his wife. Casting Sword shows the theme of revenge of the oppressed on their oppressors. "Water Control" and "Non-attack" praised the politicians and thinkers who practiced in ancient China. Yu He is the backbone of the Chinese nation. Confucius, Laozi, Zhuangzi, Boyi and Shu Qi, historical figures, have really become funny but still lovely living figures in Lu Xun's works. Lu Xun's New Stories expresses serious themes in an absurd way, and creates a brand-new way of writing historical novels.
Lu Xun has his own brand-new creations in short stories, essays, prose poems, historical novels and essays. His life is a life of struggle for the survival and development of the Chinese nation. He used his pen to maintain social justice, resist power, protect youth and cultivate new forces. In the early stage, he enthusiastically supported the just struggle of young students, exposed the criminal acts of the Duan government in suppressing the student movement and creating the "March 18th" tragedy, and wrote a series of shocking articles such as "In Memory of the King". Later, he opposed the Kuomintang government's bloody suppression of * * * producers and progressive youth, joined the League of Chinese Left-wing Writers and the League of Civil Rights Protection, and wrote a series of articles full of righteousness and justice, such as Commemorating Forgetting. "Lu Xun's bones are the hardest. He's not servile. This is the most precious character of the colonial and semi-colonial people. " (Mao Zedong: On New Democracy)
1936 65438+ 10/9, Lu Xun died in Shanghai. Thousands of ordinary people came to see him off, and his coffin was covered with a banner with the words "soul of china".
Before he died, he made his last words: "First, you can't charge any money for the funeral, except for friends. Second, quickly converge, bury and pull down. Third, don't do commemorative things. Fourth, forget me and mind your own life. If not, it is really a fool. When a child grows up, if he has no talent, he can find something small to live on, and never be a short writer or an artist. 6. Don't take others' promises to you seriously. 7. Never approach a person who hurts others' teeth but opposes revenge and advocates tolerance. " Shakespeare said: "A person's last words, like deep music, have a natural power to attract attention. "
Lu Xun wrote and translated nearly 6.5438+million words in his life, including * * * 654.38+06 essays.
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Mr. Lu Xun's information
Lu Xun (188 1 September 25th-19361October19), formerly known as Zhou Zhangshou, later renamed Yushan, later changed to Yucai, "Lu Xun" is his1. A famous writer and thinker, an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation." Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century". Lu Xun is the soul of china of modern China, and his spirit has a far-reaching influence on his readers, researchers and even generations of modern writers and intellectuals in China. Lu Xun is also one of the world cultural giants in the 20th century. With his unique personal style, he created the literature that "China people should now participate in the cause of the world", and "both internal and external cultivation, which merged with the trend of the world, did not stifle China's nationality". Like the outstanding thinkers and writers in the world at the same time, he paid attention to the problems faced by mankind and made his own unique contribution. Extended data:
Main works: 1 Morning Flowers Picking Up in the Evening, formerly known as "Reminiscence of Time Past", is a collection of essays by modern writer Lu Xun, including 10 reminiscence essays written by Lu Xun in 1926, published by Beijing Unnamed Society in 1928, and now incorporated into the second volume of Complete Works of Lu Xun. As a "memoir of memories", this anthology reflects the author Lu Xun's teenage life in many ways and vividly reflects the formation of his character and interest. The first seven articles reflect his childhood life in Shaoxing's private school, and the last three articles describe his experiences from his hometown to Nanjing, then to study in Japan, and then to return to China to teach. It exposes all kinds of ugly and unreasonable phenomena in semi-feudal and semi-colonial society, reflects the difficult course of young intellectuals with aspirations in the darkness of old China, and expresses the author's nostalgia for his former relatives, friends and teachers. The anthology is mainly based on notes, full of strong lyrical atmosphere, often accompanied by discussion, which makes lyric, narrative and discussion integrated, beautiful and harmonious, simple and touching. The works are poetic, punctuated by humor and fables; Vivid image, distinctive style and strong appeal. 2. Weeds collected 23 prose poems from 1924 to 1926. The book, with the inscription 1, was published by Beijing Beixin Bookstore in early July, 1927, and was listed as one of the "five-in-one series" compiled by the author. It is now included in the Complete Works of Lu Xun. In the early 1920s, the writer Lu Xun lived in Beijing under the rule of the Northern Warlords. Lu Xun, who was extremely depressed, was depressed at that time, but his pursuit of ideals was still disillusioned. This collection of poems truly records the author's thoughts and feelings of continuing to fight after the split of the new culture United front, but feeling lonely and exploring progress in hesitation. Poems are diverse in form, rich in imagination, unique in conception, vivid in language, lyrical and musical, and have a strong artistic appeal by successfully using symbolic techniques; The Collection of Poems, in the form of monologue lyric prose, deepens the artistic and ideological artistic conception of China's prose poems with poetic imagination and sublimation. 3. Scream contains 19 18 to 1922 written by Luxun. It was first published by Beijing Xinchao Society in 1923, and is now included in the Complete Works of Lu Xun (Volume 1). This collection of novels truly depicts the social life from the Revolution of 1911 to the May 4th Movement. Starting from revolutionary democracy, with the aim of enlightenment and the spirit of humanitarianism, it reveals all kinds of deep-seated social contradictions, deeply analyzes and completely denies the old China system and some outdated traditional concepts, and shows a strong sense of national survival and a strong hope for social change. Scream is a symbol of the beginning and maturity of China's modern novels, which initiated modern realistic literature. Works through realism, symbolism, romanticism and other means. With vivid brushwork and artistic skills of "painting eyes" and "writing souls", he vividly created a number of immortal artistic images such as Madman, Kong Yiji and Ah Q, which profoundly reflected the current situation of China's social life from the end of 19 to the 1920s, effectively exposed and lashed the old feudal evil forces, and expressed the author's desire for change, shouting for the times and hoping to awaken the people. It established Lu Xun's position in China's modern literature and cultural history. 1985, 50 volumes of the world's highest masterpieces were published in Japan, and China only included Scream and The Analects. 1June, 1999, Scream was selected as one of the top 100 China novels in the 20th century by Asia Weekly. Baidu Encyclopedia-Lu Xun Baidu Encyclopedia-Pick up Baidu Encyclopedia sooner or later-Shout
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Brief introduction of Mr. Lu Xun.
1. Lu Xun (188 1 September 25th-1936 June 5438+00 October 19), formerly known as Zhou Zhangshou, later renamed Zhou Shuren, later changed to Yucai, and studied at Sendai Medical College (now Northeastern University). Secondly, "Lu Xun" was the pseudonym he used when he published Diary of a Madman on 19 18, and it was also his most influential pseudonym, a native of Shaoxing, Zhejiang. A famous writer, thinker and democratic fighter, he was an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Thirdly, Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, artistic theory introduction, basic science introduction and ancient books collation research. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century". Extended data:
Mr. Lu Xun was born in Xintaimen, Dongchangfang, Shaoxing City, Zhejiang Province on September 25th in the 7th year of Guangxu (188 1) (the third day of August 4th). Young name Zhang, long root, Chang Geng, scientific name Zhou Zhangshou. In the 18th year of Guangxu (1892), he went to San Tan to reflect the moon, studied in Shou Jason Wu and painted after school. Establish friendship with Zhang. In the 23rd year of Guangxu (1897), the family held a meeting to divide the house and gave it to Lu Xun. Lu Xun refused to sign, was reprimanded by his uncles, and his heart was cold. Brother discord in Lu Xun's personal life, two things hit him hard. One is his married life, and the other is the disharmony with his younger brother Zhou Zuoren. Lu Xun and Zhou Zuoren have been reluctant to talk about this matter to others, which makes it even more confusing and becomes the most puzzling event in the history of modern literature in China. Over the years, the research community has formed three views on this: economic theory, disrespect theory and family dispute theory. Marriage and love Lu Xun once had a marriage or love relationship with two women in his life. First, at the age of 26, he returned to Shaoxing from Japan and married Ms. Yin Shan Zhu An under the auspices of his mother Lu Rui. After Lu Xun married Zhu An until his death, he didn't dissolve the marriage relationship with her (Lu Xun knew that once he divorced his wife, Zhu An would suffer death or inhuman experience, so he didn't divorce). During Lu Xun's absence, Zhu An always took care of Lu Xun's mother's life and never complained. Second, when he was 47 years old, he moved from Guangzhou to Shanghai, that is, he lived with Xu Guangping, Panyu, who followed him for a long time. After the death of Mr. Lu Xun, Ms. Zhu An, like Comrade Xu Guangping, as a survivor of Mr. Lu Xun, has maintained normal contact with the society for more than ten years. Mr. Lu Xun, who likes smoking rather than drinking, is a heavy smoker. He smoked one cigarette after another, even during his serious illness. He wrote a letter to Xu: "The doctor asked me not to drink alcohol, but it was nothing. . . . . . Smoking is forbidden. It's very bitter. I think so, but it's better to be sick. " Xiang Yue wrote in "In Memory of Mr. Lu Xun" that Mr. Lu Xun was dismissed from office in August 14. Therefore, Mr. Lu Xun stopped smoking inferior cigarettes and switched to expensive navy cigarettes. His statement is that the official will be lost anyway, and smoking more cigarettes after losing the official is also a good way to concentrate on fighting. Yu Dafu is also remembering Lu.