1. Ci in the Northern Song Dynasty changed from Liu Yong to Liu Yong. Liu Yong was the first writer who devoted himself to the creation of Ci in the Northern Song Dynasty, and he was also an important poet who really opened the world of Ci in the Song Dynasty. He is a lonely literati, wandering around, adopting the new voice of the market, injecting fresh blood into literati ci, consciously replacing aristocratic feelings with market feelings, and changing "elegance" into "vulgarity", thus changing the aesthetic connotation and taste of ci and opening up another realm in ci. From the content point of view, although Liu Ci is still dominated by red, shallow and low-pitched works, it also embodies many new trends and expands the scope of the theme of the ci: First, when describing the traditional theme of the relationship between men and women, Liu Ci has turned from the stage of dignitaries to ordinary people, with a strong civic atmosphere. Some of these poems show the bold and provocative love consciousness of secular women, some show the painful feelings of abandoned civilian women, and some express the unfortunate experiences and good wishes of musicians and musicians in the lower classes of society, all of which reveal a new atmosphere of the times. Secondly, he is a skilled worker. He moved these lyrical contents originally contained in his poems to his own poems to describe the loneliness of wandering rivers and lakes and express his feelings of parting and lovesickness. Such a work has reached a relatively perfect artistic realm. Thirdly, some of his ci poems also show the prosperous and rich urban life and colorful street customs in the Northern Song Dynasty, which were not found in Liu Yong's previous ci poems. In addition, those works that describe the author's life experience and express his dislike of his talent and his boredom with his official career are also worthy of attention. He is the author of the Collection of Movements.
2. Liu Yong's Ci marks a turning point in the development of Ci in the Northern Song Dynasty. His creative contribution to Ci is mainly reflected in tone and art. Firstly, he developed the long tone system of Ci. Liu Yong mastered the melody, or used the original folk tunes, or expanded the poem into slow words, or turned over old songs, or invented new tunes, which greatly enriched the tunes of slow words, and the style of words is quite complete so far, thus increasing the expressive capacity and expanding the expressive ability of words. Long tune has become a generation of ethos, and the contribution advocated can not but be attributed to Liu Yong. Secondly, it enriches the expression of words. Liu Yong transplanted the practice of Xiao Fu in the Six Dynasties into Ci, creating an artistic technique of reciting, spreading and rendering at will. He wrote many landscapes and vividly expressed his feelings. In line with the description, he is also good at sketching, vivid and vivid; In addition, meticulous conception, complete layout, euphemistic composition and distinct levels are also important artistic features of Liu Ci. Thirdly, the language expression of words has been innovated. Liu Yong can also write traditional elegant words in beautiful language, but his greatest contribution is vulgar words written in extremely vivid and simple language. He swept away the habit of carving five pronouns in the late Tang Dynasty, fully absorbed the common sayings and spoken words in daily life, and replaced elegant and beautiful rhetoric with popular and fluent language, thus reaching the realm of "difficult scenery, difficult feelings and natural feelings" (Sixty-one Selected Poems of Feng Xu Song Dynasty). Slang words are qualified to compete with traditional elegant words, which is in the hands of Liu Yong. As the first poet who made a comprehensive reform of Song Ci, Liu Yong was deeply influenced by later poets and many people benefited from it. Liu Ci not only promoted the development of popular literature in Song Dynasty, but also set a precedent in Jin and Yuan Dynasties, so that some people called him "Qu Zu". Representative works include Yulin Ridge (bleak), Klang Ganzhou (rainy night) and Wang Haichao (winning in the southeast).
Su Shi 1. Su Shi's previous poems are all songs that should be sung, and they are more about the lovesickness between men and women and the sadness between flowers and wine. Su Shi's ci shows an open and bold mind, gets rid of the smoothness of Huajian ci, and fully shows the author's bold personality and personality. Such as "Red Cliff Nostalgia" and "No Return of One River, Romantic Figures through the Ages".
2. Su Shi returned the theme orientation of Ci from responding to songs to expressing himself, and refined the theme of creation from real life. Therefore, Su Shi's poems are mostly sentimental, and some of them also determine the expression content in order to explain the creative motivation. For example, "When will there be a bright moon?" There is also "Dingfeng". By recording the facts, I write my own life feelings, which makes the lyricism of Ci close to real life, and the lyrical characters and creative themes in Ci also move from separation to unified correspondence. It makes the creation of ci-poetry face reality, society and real life, and greatly broadens the scope of ci-poetry.
3. Su Shi expressed his political ambition, life sentiment, life interest, feelings and mountains and rivers in his ci, and integrated the poet's "emotion" with the poet's "expression", which made the quality and character of his ci highly unified and integrated.