The words "change" and "fan" are used well.
The beautiful mountain peaks are undulating, and walking on the quiet path is like walking into a maze. The word "confused" illustrates the poet's elegant mood when he was confused by the path. When you go to one place, you can see a kind of good peak, and when you go to another place, you can see another kind of wonderful mountain, so it is said to "change everywhere". The word "change" in "change everywhere" is a good idea. If you sit still in the mountains and always look at the mountain from one angle, the good peaks will not "change". Because of the "line", the good peaks will be changed everywhere. One screen is replaced by another. The word "gai" is used to represent "travel", which is in line with the meaning of the poem's title "Mountain Travel". A person is walking on a mountain path, twisting and turning, and even he does not know where he is going, and sometimes he loses his way. "Walking alone on a secluded path leads to confusion." The reason for "being confused" is exactly what is mentioned in the poem. First, the winding path is deep and deep, and it is easy to go astray. Second, walking alone, with no one to guide you, makes it easy to go astray. So, "Bewitched". The experience of traveling alone in the mountains is vividly expressed here.
Attachment: "Mountain Trip to Lushan" by Mei Yaochen of the Northern Song Dynasty
Suitable and wild, the mountains are high and low again.
The peaks change everywhere, and the secluded paths are lonely and confusing.
The frost falls, the bear rises up the tree, and the deer drinks from the stream in the empty forest.
Where are they? There was a sound of chicken outside the clouds.
Translation:
It coincides with my love of mountain scenery. Thousands of mountain roads are rugged, sometimes high and sometimes low.
The peaks I climbed along the way changed with the viewing angle. The deep paths made me lonely and lost.
In the evening, when the frosty leaves fall, bears climb the trees (the Ursa Major constellation rises above the treetops), the woods become quiet, and deer drink leisurely by the stream.
Where are everyone? A rooster crows from outside the clouds, suggesting that someone is home, as if answering (but far, far away).
Appreciation:
This poem uses rich intentions and combines movement and stillness to depict a colorful mountain landscape: In late autumn, frost falls in the sky, and the poet is in Mount Lu travel. There was no one else on the mountain road, and the poet was in high spirits, admiring the various peaks and various scenes in the mountains as he hurried on. A cockcrow seemed to come from outside the clouds, telling the poet that the place where his family was still far away. [1]
This poem is a process of the author Mei Yaochen’s mountain climbing. First of all, it expresses the joy of mountain climbing. Seeing the wonderful scenery, the author felt extremely surprised and relaxed. But in the end, the author Only then did I realize that the place where people live is still far, far away.
About the author:
Mei Yaochen (1002-1060), courtesy name Shengyu, known as Mr. Wanling in the world, was a poet of the Northern Song Dynasty. Du Guan". A native of Xuancheng, Xuanzhou (now part of Anhui). In the third year of Huangyou's reign (1051), he was granted the title of Jinshi. From official to minister, all officials are wailang. In his early years, his poetry was influenced by the Western style. Later, the style of poetry changed and he put forward ideas that were diametrically opposed to the Western style. Emphasize the tradition of "The Book of Songs" and "Li Sao" and abandon the flashy and empty poetic style. In terms of art, we pay attention to the characteristics of poetry such as image quality and implicit artistic conception, advocate a "bland" artistic realm, and require poems to depict scenes and images with meaning beyond words. His "Tian Jia Four Seasons", "Tian Jia Yu", "Poor Girl in Rufen", "Snow in Xiangcheng", "Mountain Trip to Lushan", "Watching Cock Fighting at Night", "Dongxi", "Dream Message" Poems such as "Ouyang Yongshu" all embody this idea of ??making poems in plain language and with implicit meaning. In the poetry innovation movement of the Northern Song Dynasty, he was as famous as Ouyang Xiu and Su Shunqin, and was also called "Mei Ou" and "Su Mei". Liu Kezhuang called him the "founder" of Song poetry in "Houcun Poetry Talk". He is the author of 60 volumes of "Mr. Wanling's Collection" and "Four Series".