Try to figure out the artistic image of the work and grasp the language art of the work. Reading aloud is another way to test whether a person understands a work. Whether an article is read correctly or not can often reflect a person's level, especially classical Chinese.
Reading classical Chinese emphasizes "cadence". The so-called "suppression" refers to lightness and quickness. Generally speaking, reading ancient Chinese is slower than reading modern Chinese.
Reading poetry is slower than reading prose. The specific chapters should be based on the content and feelings. Such as: Li Bai's "Looking at Lushan Waterfall": "Rizhao incense burner produces purple smoke, and the waterfall hangs far in front of Sichuan.
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth. The first two sentences can be read smoothly at medium speed; The last two sentences can convey the momentum of the waterfall rushing down at a faster speed. At the same time, Flying, Straight, Three Thousand, Galaxy,
Words like "nine days" should be read more prominently. Another example is Zhang Ji's "a night-mooring near maple bridge": "When the moon sets, it is frosty, and Jiang Feng makes a fire and sleeps.
In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship. "The whole poem should be read carefully to convey the mood of a wanderer who doesn't sleep late at night; The last two sentences should be especially light, as if people could hear the bell in the still night.