What does "a few rows of red leaf trees and countless sunset mountains." mean

"A few rows of red leaf trees, countless sunset mountains" means: the setting sun is setting in the west, and behind a few rows of red leaf trees are the rolling Yongmyeon Mountains. In front of you are a few rows of trees covered with red leaves, and in the distance are many mountain peaks shrouded in the sunset.

This poem is a description of the scenery. The redness of the red leaves is similar to the redness of the sunset. The red leaves contrast with the mountains dyed red by the sunset. Through the perspective of distance and color, it describes a picture of sunset. A red scene.

This poem comes from Wang Shizhen's "Approaching Tongcheng". The original poem is:

The stream road is about to end, and it is the first time to pass Beixia Pass.

A few rows of red-leaf trees, countless sunset mountains.

The hometown trust is based on yellow ears, and the white pheasant is released when returning home.

In Long Mian’s painting, An Deyi chases after him.

Extended information:

The path along the river seemed to be coming to an end, and I just passed the Beixia Pass at the junction of Tongcheng and Shucheng. As the sun sets, behind a few rows of red-leaf trees is the rolling Yongmyeon Mountain. He entrusted his family letters to the yellow-eared spirit dog, and his homesickness was brought back to his hometown by the white pheasant. In front of me is the Longmian landscape described by the Longmian layman Li Gonglin. Can I imitate the predecessors and retire here to live in seclusion and live in my hometown forever?

Poets of the Qing Dynasty. The courtesy name is Yishang, the name is Ruan Ting, and the name is Yuyang Shanren. Xincheng people. In the 15th year of Shunzhi, he became a Jinshi. He served as a promotion official in Yangzhou. Later, he was promoted to the head of the Ministry of Rites and became the Minister of the Ministry of Punishments. In the forty-third year of Kangxi's reign, he resigned from office and returned home. When Wang Shizhen discusses poetry, he takes "spiritual charm" as his main theme, requiring his writing style to be quiet and elegant, full of interest, charm and implicitness.

Wang Shizhen’s five- and seven-character modern poems best represent his style and characteristics. He did not pay attention to the reflection of reality in literature. Most of his poems were about describing landscapes and expressing personal feelings. He preferred to pursue artistic skills and artistic conception, which is a concrete embodiment of his creative theory. Wang Shizhen has a collection of poems called "Yanbo Ci", in which Xiaoling is the best, but its achievements are inferior to poetry. His works include "Collection of Daijingtang", selected poems include "Yuyang Essence Record", poetry talks include "Yuyang Poetry Talk", and notes include "Chibei Occasionally Talk", "Gufu Yuting Miscellaneous Records", "Xiangzu Notes", etc. .

His theoretical works include "Rhythms and Poems", in which he made a preliminary summary of the tones and rhythms of ancient poetry, and he actually made a contribution to "introducing good ideas" to later generations.

Reference link: Baidu Encyclopedia - Coming to Tongcheng