To express the prosperous scene, bright and beautiful scene, generous feelings and so on. Poets often make their interest flourish by describing the scene of extreme decline. Or in order to show the state of decline and sadness, make the decline more serious with extremely prosperous scenery. Such as Su Shi's "To Liu Jingwen":
The lotus flower withered, so did the lotus leaf holding the rain, and only the branches of chrysanthemum stood proudly against the frost.
You must remember the best scenery in a year, which is in the late autumn and early winter of orange and green.
Set static (dynamic) to dynamic (static)
Dynamic and static contrast is a common technique in ancient poetry. Static scenes contrast with dynamic scenes to create a quieter environment. For example, Wang Wei's Birding Creek:
People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, the sound of spring comes, and the things are moistened silently.
Write sadness (music) with joy (sadness)
In the creation of ancient poems, lamentations are often written in musical scenes, and expressed in musical scenes. "Writing lamentations in musical scenes can multiply their sorrows" (Wang Fuzhi). Use beautiful images and positive artistic conception to express a kind of loneliness, compassion and negative emotion. For example, Xie Hun's Farewell to Xie Ting:
Brother misinterpreted the boat, and the red leaves and green hills flowed rapidly.
When dusk fell, I woke up, only to know that everyone had left. At this time, it began to rain again, and I was the only one who left the west wing.
"Red leaves and green hills are in a hurry", which is in late autumn. The green hills and frost forests on both sides of the river are dyed, and maple trees with red leaves are everywhere, reflecting a green autumn water, which is particularly bright. The beautiful scenery contrasts with the "wine wakes people up at dusk". The more beautiful the scenery, the harder it is to leave and the deeper the sadness. On the contrary, the great Qiu Guang has become a factor to add sadness and hatred, which is a typical technique of "writing sadness with joy".
Nourishing reality with deficiency
It is the virtual scene and the real scene in poetry that complement each other, and the virtual and the real set each other off, thus highlighting the theme. For example, Su Shi's youth travel? Runzhou, send it from generation to generation ":
It snowed outside Yuhang Gate last year. At the end of spring this year, flowers are blooming like snow, and my home is still not seen. Invite the bright moon to the wine curtain, and the wind will penetrate the screen window. Like what? I cherish my face, clearly showing it, and drawing a beam obliquely.
The poet conceived the realm of nothingness to reflect reality. Will " "Moth" and the author's wife analogy, with virtual reality, with virtual proof, foil his wife's loneliness; By describing the picture of Shuang Yan company, it reflects the loneliness in the sky? Io and his lonely wife are lonely and desolate. This superb artistic technique, coupled with the metaphor of Fei Xue and Yang Shuhua in the last film, has a strong artistic appeal.