There are few metrical poems in Li Bai's poems and songs. There are only more than 80 poems in May 7th, most of which are Yuefu and Gexing. These two styles, with flexible words and loose rules, can freely express the poet's profound thoughts, unrestrained emotions and rich imagination.
2. Rich in imagination, fantastic in conception, good at using metaphor and exaggeration to create novel and distinctive artistic images. Li Bai is an imaginative poet. He has extensive knowledge and experience. In his works, things on the ground, stars in the sky, myths and legends, historical treasures, natural landscapes, dreamland ... all become the media of his imagination.
3. Fresh and natural, easy to understand, this is the artistic feature of Li Bai's poetic language. The formation of this feature is inseparable from Li Bai's hard work and good study in creation. Li Bai attached great importance to the strengths of the previous generation and contemporary poets, especially praised Yuefu folk songs since the Han, Wei and Six Dynasties, from which he learned nutrition and exercised his own unique artistic language. Many of his poems have been read for a long time because of the brilliance of language.
Li Bai's poems and songs are brilliant and natural, and are not bound by rules and regulations. But with his genius and creative enthusiasm, even his handy works can reach the standard, with clear and fluent language and harmonious and natural phonology. Li Bai is good at singing Yuefu and writing quatrains, but there are not many metrical poems. Li Bai's poems and songs are full of positive and enterprising spirit and the desire to make contributions, showing patriotic enthusiasm. For example, in the poem Fu Liangyin, he expressed his attitude of actively participating in politics by praising Jiang Ziya: "Didn't you see that you were singing and cursing Tianjin dialect? You came to get Weibin eighty years ago. I would rather be ashamed of my white hair and think about the economy every time. 3,600 hooks are wide, and the wind is dark and close to King Wen. " There are many poems expressing political ambitions in Li Bai's poetry collection, such as those of Guan Zhong, Sean, Zhuge Liang and Xie An, all of which are magnificent and enthusiastic.
Li Bai loves the rivers and mountains of the motherland. He painted the beautiful scenery of China with rafters. For example, write the majestic momentum of the Yellow River: "You see how the water of the Yellow River moves out of the sky and into the ocean, never to return"; "The Yellow River comes to Kunlun in the west, roaring Wan Li and touching Longmen"; "The Yellow River Wan Li touches the mountain, and the vortex hub turns to Qin Mine". Li Bai roamed the whole country all his life, leaving a lot of landscape poems. Looking at his poems, almost all of them are articles and words, which make people see things in a blur, but they are all enthusiastic praises from the positive side, and few are negative and pessimistic.
For example, "Early Release in Bai Di City": a thousand miles away in Jiangling, one day. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills. This little poem was written by Li Bai in his later years, and it was written by him on the ship returning from exile. This poem depicts the beautiful and charming scenery on both sides of the Three Gorges and expresses the poet's infinite joy with confidence in life and future. The whole poem is sincere and unrestrained, showing the beautiful artistic conception of scene blending and scene blending