"If One Day"
If One Day
You see me bowing my head and being speechless
Sitting under the autumn branches and counting my fingers
Or the texture of a feather
Please don’t disturb me
And don’t mention the white clouds in the sky or the falcon to me
Better stay away from me
The further away the better
Stay away from the riverbed like water
Stay away from summer like cicadas
Me Just practice repeatedly under a tree
How to rely on smell and memory
In the clues of a leaf
Become a native again
————Excerpted from "An Aboriginal Afternoon" by the modern poet Yiwu
? "An Aboriginal Afternoon" is the second series of books by the modern prose writer Yiwu. This book records all the They are stories about people and things. Although the words are simple and interesting, they also promote humanistic feelings. This is the value of this book.
? Like most Yi poets, he did not forcefully write the Yi experience and Yi language habits into his Chinese poems. His poems took a different path. There is a kind of ridicule like a line drawing. It is not difficult to read the liveliness and erotic joy of the flash of inspiration in the poem, and you will also be aware of the relaxed and unpretentious tension with modern life in the text. color. The poems written by a poet from a minority ethnic group do not have the problems of being either restrained to the point of being pretentious, nor do they have the compassion that can spread to the world if they are not careful.
? Yiwu's poetry realistically describes the people coming and going between "city" and "village". Place names, people's names, food, clothing, housing, transportation, etc. can all become the themes of his poems accidentally. It is different from most of the deliberate piling up of "Bimo", "Suni", black and so on, which are defined as regional characteristics. or writers of ethnic idiosyncratic rhetoric. The Yi people in the Chinese poems written by the poets do not have so many "blatant" ethnic labels, and they can quietly integrate the Yi experience and Yi language logic into the Chinese language. The original warmth and sincerity of childhood hometown memories also fascinate readers. Such as "Suntie Ci Cigarette Pack", "Marrying a Tree", "Remembering the Yi Li New Year in Waluo Village", "Kou Xian", "Southern South", "Yi Li Year", "Primitive Thinking", "Just Talk about Potatoes", "Big Pants Legs" "You can taste it in poems such as "Firewood".
"Nian"
It's a network
Spread inside the installation
Just put it away when it's good
The sown grains
The grains return to the warehouse
The visible year
Here it comes
——Yi calendar year (Excerpt)
? His poems do not have more gorgeous rhetoric, but more simple and unpretentious language, just like Yiwu’s self-commentary: "I am not a person who writes poetry. In fact, is a person who writes sentences.” He has successfully bypassed the emptiness that is easily drawn out of grand narratives, and instead walked into the delicacy of "fireworks". His poems have something to say, and the erotic writing in the sentences is subtle, tactful and not greasy, making it more real. It conveys the poet's unique insight into the human psychology and life details. This is seen in "Big Trousers", "Stockings", "I'm Waiting for the Moon", "Japanese", "Cheongsam", "Lipstick", "Tattoo", "Morning Exercise", "Cold", "A Cat's Tail", "The Tit And The Moon" and "Walnuts" 》 and other poems are particularly prominent.
"Cold"
It's not a matter of clicks
Even migratory birds don't trust their own feathers
So cold is cold
Not fire
Not cotton jackets and feathers
If you want not to be cold
it is best to go to the south
Go It’s useless in the south
It’s better to find someone to keep warm
The prerequisite is that you both have love
Otherwise
It will be cold
< p> Not bit by bitBit by bit
Cold to death
?——"Cold"