Wei-Jin period was an era of dramatic changes in China's ideology and culture. At that time, the literati were eager to survive and galloped in Hyunri, indifferent to their own specialties. This tendency is manifested in literature as vague and * * * serious. However, in such an era of poor literature, there is a poet, like a wonderful flower, who washed away the dirt of the past with his bright colors and novel style and injected new blood into the literary world. This poet is Tao Yuanming. Tao Yuanming lived in a beautiful mountain village in Chaisang, Xunyang since childhood, and was diligent in reading poems, which laid the foundation for his later literary creation. Tao Yuanming began to enter the official career at the age of 30, but he hated the phenomenon of intrigue and power struggle in officialdom. He returned to the official position several times, and finally, when he served as Peng, he was not willing to collapse for Wu. Began a secluded life of "not ashamed of farming" Living in seclusion completely liberated Tao Yuanming's spirit. He plays the piano every day, reads books to relieve his worries, writes poems to show his ambition, and often gets together with his village neighbors to learn from each other. This kind of life gave Tao Yuanming a real experience of landscapes, customs and customs. He recited fresh and beautiful pastoral poems. Created an important school of China's classical poetry. Zhong Rong in the Southern Dynasty called Tao Yuanming "the school of hermit poetry in ancient and modern times". Tao Yuanming's poems can be roughly divided into three categories in subject matter and content: pastoral poems, homesick poems and philosophical poems. Although there are about 30 pastoral poems, they are the cornerstone of China's pastoral poems. The poet skillfully combines scenery, emotion and reason. It depicts beautiful and fresh field scenery and simple interpersonal relationships. Most people think that the boring life of farming and reading is full and beautiful in his works. Poetry of Peach Blossom Garden (preface) is Tao Yuanming's masterpiece. Liang Qichao once said: "Tao Yuanming's Preface to the Peach Blossom Garden is the originator of romantic novels. That poem is naturally the rhyme of romanticism. " (Emotion expressed by the rhyme of China) Peach Blossom Garden poems describe an ideal world without monarch, exploitation, self-cultivation, freedom and equality, and are the crystallization of Tao Yuanming's exploration of a better future for mankind. The ideological and artistic achievements of Preface to Peach Blossom Garden surpass the text, and it is a treasure in ancient Chinese prose. Tao Yuanming's official and seclusion, hope and disappointment, pain and joy are all truly reflected in his poems. His pastoral poems let people see a kind of plain and peaceful hermit style, while his poems let people see Tao Yuanming's "King Kong glaring" side. When Tao Yuanming was young, he had a passionate personality and a great ambition to "pour out his chest". Zhang Ye went to Youzhou. "This poem jumps with the figure of a young scholar. Although he experienced the pain of returning from official career to official career, Tao Yuanming in his later years still could not extinguish his passion for real life. He wrote more than 30 poems full of "Qi", such as Ode to Jing Ke and Reading Shan Hai Jing (thirteen poems). The poet tossed the universe up and down. I think he is very proud, but he is bold and not creative. His true nature is an article in Jing Ke Fu. How can ordinary people say such a thing? Tao Yuanming also made a bold attempt in philosophical poetry. During the Wei and Jin Dynasties, "unreasonable and tasteless" metaphysical poems monopolized the poetry world. But few have been handed down. Tao Yuanming's philosophical poems are full of interest and profound philosophy. The philosophy of Tao's poems is often realized from reality, as if he were having a spiritual dialogue with readers. The police inspired people. Tao Yuanming's ci and prose are also second to none in Wei and Jin Dynasties. "Return to Xi Ci" and "Peach Blossom Garden" are still the last songs of the ages. Tao Yuanming inherited the advantages of the magnificent structure of ci and fu in Han Dynasty and the short and pithy ci and fu in Wei and Jin Dynasties, and embarked on a fresh, natural and unpretentious road. Determined the beginning of the word Xi. The purpose of farming in the west is never to return to the official position, just right. Ouyang Xiu, a master of prose in the Song Dynasty, said that there was no article in Wei and Jin Dynasties, only this one. Tao Yuanming's prose, regardless of narrative lyricism, is meaningful, fleeting and concise, which has a far-reaching impact on later prose, such as the luck of a great craftsman, and the axe chisel is seamless. The lyrical prose Biography of Mr. Wu Liu, which entrusted the author's personal ideal, is also a chapter that people have been chanting for a long time. Wei-Jin literature is famous for its gorgeous parallel prose, but Tao Yuanming's plain and natural poems were not regarded as masterpieces at that time. It was not until Xiao Tong in the Southern Dynasties collected Tao Yuanming's poems, ci and prose, and made a preface for them that Tao Yuanming's poetic title gradually rose. In the Tang and Song Dynasties, his reputation was greatly improved, and many scholars admired him. Li Bai, Du Fu and Bai Juyi all appreciate Tao Yuanming's talent. Scholars in the Song Dynasty praised Tao Yuanming even more. Su Shi said, "I am a poet and good at profound poetry." (Poems with Su Zhe) Lu You, a patriotic poet, once read Tao poems at night and was so happy that he forgot to eat and sleep. Zhu regarded Tao Yuanming as a first-class scholar in ancient and modern times. You could say that. It has influenced writers from generation to generation, and even today, Tao Yuanming's works are widely circulated abroad. Korean writers Xu Yun and Park Houxiang were deeply influenced by Tao Yuanming's pastoral poems, and wrote many poems that were quite close to Tao Yuanming's poetic style (the traditional friendship between Chinese and Korean literature was published in Literary Newspaper). Around the 8th century AD, Tao Yuanming's works spread to Japan. Some works in Ye Wan Collection, a famous Japanese poetry collection, are deeply influenced by Tao Yuanming's poems. As Obuchi Bunjiro said: "For a long time, Tao Yuanming's works have always had a great influence in Japan. Artists in various periods in Japan highly admire Tao Yuanming's noble personality, love his works very much, and are also influenced by Tao Yuanming in art, from which they draw rich nutrients. As a typical oriental poet, Tao Yuanming's works are well-known in Japan.