all one's life
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Li Shangyin was a scholar in Tang Wenzong in the second year (AD 847). He was a judge of Hongnongwei, Sasuke shogunate and Dongchuan Festival. In the early days, Li Shangyin won the appreciation of Ling Huchu, an important member of the Cattle Party, because of his literary talent, and Wang Maoyuan of the Li Party married his daughter because he loved him, so he was rejected by the Cattle Party. Since then, Li Shangyin struggled for survival in the struggle between Niu and Li factions, worked as an aide in various provinces, and was frustrated and down and out for life. In the light of predecessors, the poetry circle in the late Tang Dynasty has reached the end of its tether, and Li Shangyin pushed it to another peak. He is the most famous poet in the late Tang Dynasty, along with Du Mu. They are also called "Little Du Li"
The social status of the family
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Li Shangyin once claimed to belong to the same clan as the royal family in the Tang Dynasty. Zhang Caitian's textual research confirmed that he was a distant imperial clan in the Tang Dynasty. But there is no official document to prove this, so it can be considered that this blood relationship between Li Shangyin and the royal family in the Tang Dynasty is quite distant. Li Shangyin affirmed his imperial clan status many times in his poems. However, this did not bring him any real benefits.
Li Shangyin's family can be traced back to his great-grandfather Li She. The highest administrative post that Li She once held was Meiyuan county magistrate; Great-great-grandfather Li Shuheng (uncle) is an Anyang county commandant. Grandfather Li Biao, a former Xingzhou document, joined the army; His father, Reese, was once an imperial adviser in the temple. When Li Shangyin was born, Li Siren was ordered by jia county (now jia county, Henan).
Few people talk about Li Shangyin's writing achievements other than poetry. In fact, he was one of the most important parallel prose writers in the late Tang Dynasty. This style pays attention to the antithesis of words and uses a lot of allusions, which is widely used in official documents of the Tang Dynasty. Under the training of Ling Huchu, Li Shangyin became an expert in parallel prose, drafting memorials, letters and other documents for many officials. "Biography of Wen Yuan in Old Tang Dynasty" said that Li Shangyin was "particularly easy to handle funerals". At that time, the parallel prose used in the performance of the text required gorgeous words and accurate expression, so it had high requirements for allusion. Li Shangyin, who is good at writing parallel prose, has developed the habit of using allusions, so this is considered to be the reason why he likes to use allusions in poems [3].
Li Shangyin once compiled his parallel prose works into 20 volumes of Fan Nanjia Collection and 20 volumes of Fan Nanyi Collection, with a total of 832 articles. According to the records in the Book of the New Tang Dynasty and Records of the History and Arts of the Song Dynasty, Li Shangyin's collected works are not only two episodes, but also some others. However, none of these collections have been handed down. At present, there are Zhu, Xu Jiong, Qian Zhenlun, Qian Zhenchang, Zhang Caitian, Cen, Liu and Yu Shucheng who can see Li Shangyin's articles. It has been compiled and verified by books such as Quan, Wen Yuan and Tang. The newly compiled Notes on Li Shangyin's Chronology (Liu Xueyan and Yu Shucheng, Zhonghua Book Company, 2002) contains 352 articles, most of which are parallel prose, and a few of them are called "ancient prose".
Fan Wenlan spoke highly of Li Shangyin's parallel prose in A Brief History of China, thinking that it would be a pity if all the parallel prose in the Tang Dynasty were lost as long as the Collected Works of Fan Nan was still there.
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