Foreign poetry
I'd rather be Rapunzel petofi.
I'd rather be the rapids,
A river in the mountains,
On the rugged road,
Pass over the rocks ...
As long as my lover
This is a small fish,
In my waves
Swim around happily.
I'd rather be a barren forest,
On both sides of the river,
For a gust of wind,
fight bravely ...
As long as my lover
It's a bird,
In my dense
Make a nest and sing among the branches.
I would like to be a ruin,
On the steep rocks,
This silent destruction
Doesn't make me depressed. ...
As long as my lover
It's green ivy,
Along my desolate forehead,
Climb up intimately.
I'd rather make a cabin,
At the bottom of the ravine,
On the top of the hut
Be struck by wind and rain ...
As long as my lover
Is a lovely flame,
In my stove.
Blink slowly and happily.
I want to be a cloud,
This is a broken gray flag.
In the vast sky,
Lounging around,
As long as my lover,
A coral sunset,
Beside my pale face,
Show a bright luster.
Make an appreciative comment
The poet is willing to be a torrent, along the narrow waterway in the mountains, through the rugged path and through the towering rocks. The poet is so willing, provided that his lover is a small fish. The poet is willing to make a small wave for her and let her lover play in it.
However, the torrent is still not enough to show the poet's single-mindedness for love. The poet is willing to imagine his lover as more images-birds, ivy, stoves, coral-like sunset, growing freely in his arms or chest and roaming freely. Because the poet is willing to be a barren forest, even if the wind is raging; Will is vain, even if it is destroyed in steep rocks; Willing to be a cabin, even if it is stormy; Will is a cloud, a broken flag, even if it can only set off the beauty and glory of your lover.
These superimposed images in the poem are desolate and tragic everywhere. Behind the desolation and tragic is a kind of loftiness and persistence. Lofty soul and persistent love. On the one hand, the image of lovers is the image of lovers in the eyes of poets: beautiful, cheerful, enthusiastic and bright; On the other hand, it also represents the ideal pursued by the poet.
Poetry uses parallel paragraphs and continuous short sentences to properly express rich content, full of passion and great momentum. This poem is also the poet's declaration of love: perseverance, perseverance. As another famous poet said in his poem; "Life is precious, love is more expensive; If you are free, you can throw both. " That's what poets do. They are determined and have no regrets about what they pursue. What a great dedication! What a great idea!
It is this persistent and loyal view of love that makes the poet fearless of all difficulties and obstacles and stay with his lover. It is this lofty pursuit of ideals and tenacious pursuit of freedom that makes the poet and his poems deeply touched people and engraved in the hearts of people who yearn for freedom and ideals from generation to generation.
Modern poetry
Miss Shu ting
A color wall chart without lines.
A pure but unsolvable algebra
A dulcimer, plucking the rain beads on the eaves.
A pair of oars that can't reach the other shore
Bud usually waits in silence.
Sunset is usually far away.
Maybe there is an ocean hidden.
But all I shed was two tears.
Ah, in the vision of the heart
in one's soul of souls
Make an appreciative comment
"Missing" is an extremely beautiful word. Throughout the ages, countless poets and writers have written beautiful sentences that will last forever. "My pocket is getting wider and wider, and I will never regret it, which will make people haggard" (Liu Yong), "After parting, I will remember meeting you and dreaming with you several times" (Yan), and "If I keep cutting, I will leave my sorrow, but I will be confused. Especially "A Taste in My Heart" (Li Yu), "When wine worries, it turns into lovesick tears" (Fan Zhongyan), "Spring is three points, dust is two points, and water is one point. In detail, it seems that it is not, but tears that keep people "(Su Shi) is like mourning. The sad and touching poems have crossed the limitation of time and space and have caused songs among countless readers for thousands of years.
In the works of contemporary female poets, Missing still makes many people cry because of its purity and truth.
The first section of this poem shows the uniqueness of this poem with unique ideas and forms. "A colorful wall chart without lines"-you can feel its beauty, but you can't touch its shape; "A pure but unsolvable algebra"-I can understand its feelings but can't find its fruit. Isn't this helplessness and sadness exactly where I miss you like a dream? The strings are lonely, the sound of the piano is broken, and hope and disappointment are flashing in the "rain beads under the eaves". Not like the pain of "swimming from it, swimming in the middle of the water" and "between water and water, the pulse can't be said", the lingering acacia sadness overflows between the lines of the poem, which makes people unbearable to touch.
"Bud generally waits silently", and the word "silently" makes the image of "Bud" more prominent, and the eagerness of waiting and the deep feeling of hope overflow on the paper; "The sunset is as far away as the sun", and "far" highlights the sadness of waiting and the pain of missing.
In this warm picture, the two images freeze the hearts that people miss. Deep in the heart is the ocean. Tears like the sea, thoughts like the sea, expectations like the sea. Finally, the restless sea language overflowed two deep lakes, and two crystal tears reflected all the true feelings in the world. The truth of missing, from the inside out, from the shallow to the deep, has been vividly reflected.
Acacia is not a simple matter, and the poet's performance also starts from many angles and aspects, using images to help him think and speak. Although the four images are logically unrelated, the essence of each image can remind people of acacia with similar meanings. At this time, the poetic thinking is abstract and can't find obvious logical traces, but the emotional feeling is three-dimensional and has a profound aftertaste.
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