Author: Li He
Original text:
It's very sad, the old rabbit and the old toad are moaning in a low voice, the moonlight is off, and the cloud floor and cloud house are pale.
The jade wheel rolled with dew and wet the surrounding light and shadow. Mo Yan in Guihua Lane once met the fairy of Lu 'an-E.
Looking at the three sacred mountains under the vast sea, things are changing like horses.
Looking at China's nine points and nine points, the water in Na Pianhai is as shallow as pouring out of a cup.
Precautions:
1, Dream Day: Sleepwalking in the sky.
2, the old rabbit cold toad: animals living in the moon palace in myths and legends. Qu Yuan mentioned that Tian Wen had rabbits on the moon. There is a story in Huai Nan Zi Zi Lan Ming Xun that Hou Yi's wife Heng E stole the magic medicine and flew into the Moon Palace to become a toad. In Dong Escape from Han Yuefu, the white rabbit kneels frog pills, which is about the white rabbit and toad in the middle of the month. On a cold moonlit night, dark clouds are gathering, and cold rain falls in the air, just like rabbits and toads crying.
3. Cloud-making sentence: Suddenly, the clouds change, and the bright white light of the moon obliquely passes through the clouds, reflecting the clouds like a mirage.
4. Jade wheel sentence: The moon has a halo, which seems to be wet by dew.
5. Luan Pei: Yu Pei is engraved with husband and wife, and this generation refers to immortals. Gui Xiang Mo: "Youyang Miscellany" Volume 1: As the old saying goes, there is a laurel tree and a toad in the moon, so different books say that the laurel tree is 500 feet high, and one person often fetters it. This sentence means that the poet imagined that he met a fairy on his way to the Moon Palace with osmanthus fragrance.
6. Three Mountains: Three sacred mountains on the sea: Penglai, Abbot and Yingzhou. This refers to the three mountains in the East China Sea.
7. horseback riding: horse racing.
Qi zhou: Zhongzhou, that is, China. Yu Gong in Shangshu said that China has Kyushu. In the Moon Palace overlooking China, Kyushu is as small as nine fuzzy dots, and the sea is as small as a glass of water.
9. Hong: Quantifier refers to a piece of clear water.
Translation:
It is a blue sky again, and the old rabbit cold toad is sobbing in a low voice.
The moonlight shines obliquely, and the half-opened cloud floor powder wall is pale.
The jade wheel was exposed, and the light and shadow around Tuantuan were wet.
Guihua Lane and Luan Pei specialize in fairy moths.
Overlooking the vast sea and fields under the three sacred mountains,
A thousand years of uncertainty in the world is like a galloping horse.
Look at Kyushu, China, and nine cigarettes float.
Na Pianhai, the water is as shallow as pouring out of a cup.
Appreciate:
The outstanding feature of romantic poetry is peculiar imagination. In this poem, the poet dreams of going to heaven and overlooking the world. Maybe he had this dream, or it was just a romantic idea.
The first four sentences describe the dream of heaven. The first sentence of the old rabbit crying for the land was that in the ancient legend, there lived a jade rabbit and a toad on the moon. The old rabbit and the cold toad in the sentence refer to the moon. On a cold moonlit night, with dark clouds, there was a freezing rain floating in the air, as if the Jade Rabbit and the Cold Toad were crying in the middle of the month. In the second sentence, the half-open wall of the cloud tower is inclined to white, which means that the rain has gone with the wind for a while and stopped, and the cloud has split and become a towering pavilion; The moon came out from the cracks in the clouds, and the light shone on the clouds, showing a white outline, just like the wall of a house leaning against the moonlight. In the third sentence, the dew on the jade wheel only shows that the water vapor has not dispersed after the rain, and the sky is full of small water droplets. The moon like a jade wheel ran over the water vapor, and the light it gave out was all wet. The above three sentences are all the scenery that the poet saw when he wandered in the sky in his dream. In the fourth sentence, the poet himself entered the moon palace. Luan Pei is a couple carved by Yu Pei, which means fairy here. The poet met a group of fairies on the path of the Moon Palace where sweet-scented osmanthus was in full bloom. These four sentences begin with seeing the moon; In a blink of an eye, the clouds are four in one, and the drizzle is fluttering; Then I saw the clouds clear and the moonlight was bright; Then the poet drifted into the moon palace; Hierarchical and step by step.
The following four sentences can be divided into two paragraphs. Looking at the three sacred mountains under the vast sea, things are changing like horses. This is a dialogue between a poet and a fairy. These two sentences may come from the mouth of the fairy. Yellow dust and clear water, in other words, is the saying: Three Mountains have their own allusions. Ge Hong's Biography of Immortals records that the immortal Magu once said to the king, "Take it from me, and I will see Sansangtian in the East China Sea;": To Penglai, the water is slightly shallower than in the past. Will it return to land? In other words, the world is changing rapidly. Seven days in the mountains, the world has been a thousand years, and the ancients often thought that the realm of immortals was like this, so the poet thought that when people went to the moon palace to look back at the world, they would see great changes in the Millennium.
The last two sentences are the scenery that the poet sees when he looks back at the world. Qi zhou refers to China. China was divided into Kyushu in ancient times, so the poet felt that Kyushu on the earth was like smoke at nine o'clock. One Hong equals one Wang of water, which means that the East China Sea is so small that a glass of water is knocked over. In these four sentences, the poet indulged in fantasy, as if he really flew into the moon palace and saw the passage of time and the insignificance of human scenery. Romantic color is very strong.
In this poem, Li He describes the celestial fairyland by sleepwalking in the Moon Palace, so as to relieve his personal pain. Many fairies in the sky are in a quiet environment. You come and go and live a quiet life. Looking down on the world, the time is so short and the space is so narrow, which reflects the poet's deep feelings about the vicissitudes of the world and shows a cold attitude towards reality. Rich in imagination, fantastic in conception and relatively novel, which embodies the artistic characteristics of Li He's poems.
Li He went into the wine.
Invite for a drink
Author: Li He
Original text:
Glass clock, amber thick, small groove wine drops are really pearl red.
Cooking dragons, cannons, phoenixes, jade, fat and tears, Luoping embroidered curtains surround the fragrant wind.
Playing dragon flute and catfish drum. White tooth song, waist dance.
The situation is that youth will be dusk and peach blossoms will fall in red rain.
I suggest you get drunk all day, and the wine won't reach Liu Ling's grave.
Precautions:
1, glass clock: describes the preciousness of wine glasses.
2. Amber: Amber is a kind of resin fossil, which was buried underground tens of millions of years ago and formed after certain chemical changes. It is an organic mineral. Amber has a variety of shapes, the surface often retains the lines produced when the resin flows, and bubbles and ancient insect or plant debris are often seen inside. The color is generally yellow-red, transparent to translucent. The metaphor here is that wine is transparent and mellow.
3, Zhenzhu Red: Zhenzhu is a pearl, which is a metaphor for wine color.
4, cooking dragon cannon: refers to kitchen dishes.
Translation:
The wine glass is made of glass clock, the wine is amber and the wine is scarlet. Cooked and roasted horse meat (dragon) and pheasant (phoenix) are eaten in the mouth, and you can still hear the sound of oil explosion when the oil is roasted, as if crying. The curtains made of silk brocade are full of fragrance. In addition to the smell of food and wine, there are white-toothed geisha singing, thin-waisted dancers playing dragon flute and drumming. The time of the feast was a spring night, and they were happy all day. They drank their youth and had a good time. Peach blossoms are scattered by drums, disturbed by dancing sleeves, and fall like red rain. They wasted their flowery youth in vain. I advise you to drink as drunk as a fiddler all day, because you have drunk all the wine, and there is no wine to spill on Liu Ling's grave!
Appreciate:
This poem uses a lot of space to set off the scene of eat, drink and be merry, and the author seems to spare no effort to move out gorgeous words and beautiful things. This is an allegorical poem, which not only vividly reflects the luxury of the ruler, but also opens the reader's association from the jumping montage lens, and writes the depressed psychology that his life is both sad and boring.
Poems by Li Hema
Mashi
Author: Li He
Original text:
The desert sand is like snow, and the Yanshan moon is like a hook.
Don't be a golden brain, go and step on the clear autumn.
Precautions:
1, Yanshan: the name of the mountain, in the north of Hebei Province.
2, hook: machete, is an ancient weapon, shaped like a crescent moon.
3. Jin Luo nao: A halter inlaid with gold shows the luxury of the harness.
Translation:
Wan Li in Pingsha looks like a layer of white frost and snow in the moonlight.
On the continuous Yanshan Mountains, a bright moon is in the sky, like a hook.
When will it be appreciated by the emperor,
Put a golden halter on my good horse,
Let me gallop on the battlefield in autumn and make contributions?
Appreciate:
The first sentence and the second sentence show the unique frontier battlefield scenery. At first glance, it is the application of fu method: on the continuous Yanshan mountains, a bright moon is in the sky; Wan Li in Pingsha looks like a layer of white frost and snow in the moonlight. This ordinary person may only feel sad and cold battlefield scene, which has unusual attraction for those who are determined to serve the country. The moon hook in Yanshan Mountain is exactly the same as the jade bow hung by Xiao Yue (the sixth in Nanyuan). The hook is a machete, both of which belong to weapons. It is associated with the weapon image from the bright crescent moon, which means thinking about fighting. Zhenyuan and Yuanhe periods, where the author lived, were the periods when the buffer region was extremely domineering, while Jimen area in Youzhou implied by Yanshan Mountains was the zone where the buffer region ravaged for the longest time and caused the most disasters, so the poems were still realistic. Thinking about war is also targeted. Sha Xue's flat battlefield is chilly, but it is a place where heroes can play. So these two sentences are lyrical and tangible.
When can I put on a mighty saddle and gallop on the battlefield in the crisp autumn? One of the clouds in "Ma Shi": the dragon has iron money on its back and white silver hoofs. No tapestry, who is the golden whip? The lament of "nobody weaves brocade" is the same as that expressed by He Dangluo, that is, I hope to treat a good horse as a good horse, so that it can be effective and useful. Golden gongs, brocade and golden whip are precious saddles, which symbolize the importance of horses. Obviously, this is a cry that the author is eager to make achievements but is not appreciated.
This poem and "South Garden (Why Men Don't Take Wu Gou)" are the same desire to join the army, pacify the provinces and make contributions to the country. But South Garden is a direct expression of the soul, and this poem belongs to allegorical or figurative style. It is more exciting to express one's mind directly; And with contrast, you will feel elegant and intriguing. In one or two sentences of the poem, it is also a comparison to use snow as a metaphor for sand and hook as a metaphor for the moon; It is also fun to write from a characteristic scenery and lead to lyricism. In a short span of twenty crosses, we can see the interest in comparison, and there is a ratio in interest, which greatly enriches the expressive force of poetry. Syntactically, the last two sentences are completed in one go, and when to start, there are strong expectations and sighs; The word "Clear Autumn" is forceful and novel in collocation. It is covered with clear autumn grass and yellow horse fat, which is the word "go quickly" The image implies the graceful charm of a fine horse, which is exactly what it wants, and it is really a matter of life and death. Xiao Teng is so reckless (Cao Huma described by Du Fu). Therefore, the practice of choosing words and making sentences is also a successful factor that cannot be ignored in the artistic expression of this poem.
Tian Lihe takes medicine.
Songs in the sky
Author: Li He
Original text:
Tianhe night drifts back to the stars, and Pu Yin clouds learn the sound of water.
The osmanthus in the jade palace has not fallen, and the fairy concubine picks incense and hangs tassels.
Qin Fei rolled up the north window and planted a little green phoenix in front of it.
Prince blowing sheng, in charge of goose management, called on dragons to plant tobacco and Yao grass.
Pink rose red ribbon lotus root silk skirt, green island step pick up Lan Hengchun.
East means xi can take a horse, and the dust of the sea gives birth to a stone mountain.
Precautions:
1, returning to the star: running the star.
2. Pu Yin: Tianhe.
3. Learn the sound of water: the poet thinks of Tianhe and says that it sounds like flowing clouds.
4. Fairy concubine: Fairy.
5. Fringe: This is Yu Pei's ribbon.
6. Qin Fei: refers to Nong Yu, the daughter of Qin Mugong, and also refers to the fairy. Legend of the Immortal made a woman marry the immortal Shaw History and ascend to heaven with the phoenix.
7. Planting: Tilting.
8. Breeze Xiao: Feng Xiaoqing, falling down because of rhyme.
9. Prince: Wang Ziqiao. The prince, named Jin, is said to be good at blowing sheng. Sheng here refers to the fairy.
10. Goose tube: Sheng tube shaped like goose feather.
1 1. Farming: Farming in the cloud.
12, Yao grass: fairy grass such as Ganoderma lucidum.
13, Pink Man: Pink Clothes.
14, ribbon.
15, lotus root silk skirt: pure white skirt.
16, lotus root silk: pure white.
17, Qingzhou: Qingqiu, a lush fairy island in the South China Sea.
18, step by step: collect as you go.
19, orchid: the stem of bluegrass. It refers to vanilla.
20. He: the mythical god who drives the sun.
2 1, sea dust: dust raised by Haiti.
Translation:
The milky way in the night sky is still gurgling, the twinkling stars are floating, and the clouds on both sides of the milky way playfully imitate the sound of water. The osmanthus tree in the Moon Palace is always fragrant, and the fairy picks osmanthus lightly and sings skillfully. Nong Yu in the Heavenly Palace rolled up the curtains and opened the jade window. It was another bright dawn. The buttonwood tree in front of the window has been flourishing, and the Xiaoqing Phoenix flying with their husband and wife was still so petite when she didn't grow up. Of course, the fairy couple are always young and beautiful. In the sky, Wang Ziqiao plays the Yusheng again like Feng Ming. The sheng pipe is very long and really beautiful. He smiled leisurely in the clouds, calling for dragons to reclaim land and plant thousands of hectares of fairy grass. Cut a pink ribbon and make it into a red ribbon to decorate the fairy lotus root fairy skirt. They flew to Qingzhou in the South China Sea to pick fairy grass and enjoy early spring. Look at the east, xi. He is driving a Tianma, and the sun is setting in the car. Fireworks rolled in, and the sea water under the Rocky Mountain receded again and became land, with dust flying. One day in the sky, a hundred years on earth, how can you not be heartbroken?
Appreciate:
On a clear night, the poet traveled in space and was attracted by the bright starry sky, so he spread his imagination wings and flew to a beautiful paradise.
Poetry * * * twelve sentences, divided into three parts. The first two sentences are written in Tianhe. Tianhe, gorgeous and charming, led him from the real world to the fantasy world. Tianhe is turning, and the echoing meteors are shining silver. Nebula, like water, flows along the river bed, listening attentively, as if flowing in a murmur. These are what the poet saw and felt when he stood on the ground and looked up at the starry sky. There are some fictional elements in realism, which show the process of imagination.
The eight sentences in the middle describe the scene of heaven in detail and show four independent pictures one after another. One of the pictures is: osmanthus trees in the Moon Palace are in full bloom and fragrant. The fairies are picking sweet-scented osmanthus, putting them in sachets and hanging them on their belts. Flowers don't fall until they fall Immortal trees do not wither, and immortal flowers do not fall. In sharp contrast with the fragrance of the world, the fragrance of the world is easy to wither, and the prosperity will wither. The second photo is: Qin Fei regards dawn as a window. Qin Fei of Nong Yu is said to be the daughter of Qin Mugong. She married Shaw History and learned to play the flute. One day, the husband and wife flew with the phoenix and became immortals. At this point, the morning light, Nong Yu is rolled up the curtain, looking at the morning scene outside the window. There is a little green phoenix standing on the buttonwood in front of the window. It was this bird that brought the couple to heaven. Nong Yu has ascended to heaven for more than 1000 years, but the beauty is not old. That green phoenix is as petite as ever. The passage of time has left no trace on her (it), which is the magic of heaven. However, the days in the Heavenly Palace are not without change. It is divided into morning and evening, and immortals also have the habit of staying up late, which seems to be no different from the world. The third picture is the magical farming and grazing map. The fairy prince Jin blew the slender sheng tube to drive the dragon to sow the Yao grass, which was very leisurely. The fourth picture is: the fairy is dressed in gorgeous costumes and strolls through Qingzhou, looking for fragrance and picking up greenery. Green Island is a legendary fairy island, with beautiful mountains and rivers and dense forests, which always maintains the scenery of spring. The fairy who came here for an outing picked orchids and talked very comfortably. The above pictures are not connected with each other, but they are harmonious and unified. They are all based on fairy activities, with houses, flowers and dragons and phoenixes as the foil, highlighting the leisurely life and beautiful environment in the sky, so as to compare with the world. This is the meaning of poetry.
The last two sentences touch the world with bold pen and ink. The fairy looking for fragrance and green leaves in Qingzhou occasionally bowed her head and pointed out that he was driving a Japanese car and time passed quickly. The seawater around Sanshen Mountain in the East China Sea has recently dried up, turned into land, and raised dust. This is what people often say. With the help of concrete images, the poet showed the great and rapid changes in the world. In contrast, what is particularly commendable is that the spring in the sky is always there, and the beauty is not old.
If you die, you will lose your daughter. The yearning for a better life is a tortuous expression of dissatisfaction with the social reality and personal situation at that time.
This poem is imaginative and romantic. Poets use myths and legends to create all kinds of novel and magnificent dreamland. The characters mentioned in the poem and some plots described are the contents of myths and legends. But with the help of imagination, the poet transformed them, making them more concrete, vivid, novel and beautiful. For example, blowing the goose pipe head sheng, summoning the dragon to plant tobacco and planting Yao grass not only makes the sheng played by the prince visible, but also vividly shows the wonderful realm of the dragon species. This is the product of the poet's fantasy, but it is also a reflection of some entity. Poets write illusory dreamland, in fact, it is to paint magical colors on human feelings and things in the world. For example, there is no difference between the fragrance of osmanthus and that of people; Osmanthus does not fall, orchids often bloom, but it is a unique scenery in the sky; Fairy concubines pick incense, Qin Fei blinds. Its manners are no different from those of ordinary people, but the fairy princess picks osmanthus flowers that don't fall in the moon palace. Qin Fei is accompanied by a petite green phoenix. She (it) never grows old and is full of myth. By using this technique, the poet skillfully combines God with man, ideal with reality, making the abstract ideal an observable object, which is profound, meaningful and full of vitality. This poem, the whole poem 12 sentences, each sentence has objects and images. The poet connected some objects and images with carefully selected verbs to form a plot, which was combined into six different pictures respectively. Although they have no obvious signs of linking, they are in harmony with each other and have the same charm. This structure is extremely wonderful.
Poetry has great ups and downs. The first two sentences are the poet's impression of looking up at the starry sky, and the last two sentences are the scenes seen by the gods looking down at the world. The former enters the fantasy world from the real world, and the latter returns to the real world from the fantasy world, falling together, end to end, and merging into one.
The title of the poem is "Songs in the Sky", which is full of songs and sounds. It means that the rhyme is free, the voice is varied, and it is light and beautiful to recite. The rhyme of this poem has been changed three times, even and sometimes clear. The flat arrangement of each sentence is very different from the neat and uneven arrangement. This rhythmic arrangement is solemn and sonorous.