Appreciation of kapok song works

Song of Kapok is a Yuefu poem written by Chen Gongyin imitating the old topic of Yuefu. Kapok, also known as Panzhihua and Hero Flower. It is a deciduous tree in the south, which is thirty or forty meters high. In early spring, the leaves open first, and the flowers are solitary, big and red. In the early years of Qing dynasty, ethnic contradictions were very sharp. As adherents of Ming Dynasty, Chen Gongyin and his father Chen Bangyan had special feelings for Nanming because of their resistance to Qing Dynasty. The poem "Song of Kapok" symbolizes the poet's deep nostalgia for Nanming through the poet's enthusiastic praise of Kapok.

The first twelve sentences of the poem are described, praised and praised from different angles with strong ink and heavy colors. In the four sentences of "crossing the river in February and March", the poet seems to be standing on a mountain top, looking around, there is an ocean of flowers everywhere. In early spring, tall kapok trees are the first to shed leaves, which makes "thousands of trees blossom" form a red world reflecting the sky. Ten Days Like the Sea Shoots, which appeared on the sea at ten o'clock, wrote a magnificent and dazzling scene in the unimaginable magical world. "It's more like a high platform surrounded by thousands of torches in the Wei Palace." Wei Wendi married the beauty Xue Lingzhi, but it didn't reach the capital for dozens of miles. The light of high candles came one after another along the way, which was a metaphor for the ocean of kapok flowers, giving people a sense of glory, confusion and wealth. These four sentences are written very high and magnificent. The next four sentences are "bells are like bells, but also like poets standing under kapok trees, staring at it and pondering kapok carefully." One by one, the corolla cover is like a bell, like a wine baron, thick and gorgeous; Crimson petals are like twinkling stars, and generate shines brightly, making the flowers move and live. " "Beard, wide face" and "spirit, high crown" are the general's demeanor. Here, the anthropomorphic method is used to show the vigorous heroism of kapok. Kapok is also called "hero flower", which is probably the reason. Only by describing and rendering, the poet is afraid that he will not be able to give full play to it, and directly expresses his appreciation and admiration for Kapok with such marvels as "My Hero" and "He Luoluo". These four sentences choose a specific kapok for detailed description and vivid image. Finally, in the four sentences of "Liu Tang's hollow reputation of later generations", compared with kapok, Liu Tang's peach blossom and apricot blossom have been hollow and ashamed of being light, which shows that kapok is aboveboard. "Judy Sinatra, the owner of this flower is Bo, Zhu Rong is the legendary Vulcan, but also the king of fire. Through their owners, the burning kapok grows in the southern soil belonging to fire in the five elements, so it is naturally labeled as a square group and stands proudly. In this way, the first twelve sentences of the poem from far and near, from here to there, from different angles, through metaphor, elaboration, comparison, personification and other means, deliberately portrayed kapok, with careful heart and profound beauty in spirit. It is full of the poet's appreciation of kapok, skillfully linking the unique bright red color of kapok with the "Zhu" of Nanming, using kapok as a metaphor for Nanming, and praising kapok is actually a respect for Nanming. It is written that kapok was naturally crowned with glory under the leadership of Emperor Yan of Zhu Rong, and the implication is that Nanming is where justice lies. The phrase "this flower is the owner of the group" contains the poet's respect, nostalgia and regret for the Nanming Dynasty in the speculative rhetorical question.

The next six sentences, "A nesting bird must have given birth to Chu", express the poet's nostalgia and hope for Nanming. Here, the most precious "coral" in the "red" is related to "Zhu", and the poet hopes that the Zhu family will have successors to revitalize the ruined Nanming Dynasty. "Every year, northerners can't expect Zhu Yan." After two sentences, you can't live in seclusion, and you can't go back. Here we don't talk about the downfall of Nanming, but write "There is no way to look at Zhu Yan", which shows the poet's childlike heart and nostalgia for Nanming. "I want to fly in the world, but I don't know what to do." The poet's memory of Nanming is sincere, and the euphemistic narrative of hidden songs can no longer express his uncontrollable feelings. The poet couldn't hold back his passion and made a final cry boldly, which reflected the poet's deep nostalgia for the Nanming Dynasty and his great indignation at the Manchu rule. "The true spirit is depressed and the passion is frustrated" ("Poetry of the Late Qing Dynasty") shouted the strongest voice of the times.