"Sameness and Ever-Changing" Teaching Design
Sameness - Repetition in Creation
Ever-Changing - Changes in Creation
Sameness and ever-changing - the repetition and change of artistic creation in the duration of time, the duration of space, or the comprehensive duration of time and space.
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Teaching design ideas
This teaching design is based on students consulting Mr. Liang Sicheng's relevant information before class, retrieving and understanding some knowledge of architecture and architectural history. premised. Only after students have grasped the background of writing can they have a deeper understanding and grasp of the connotation of the article.
This article is a self-reading text. Teachers should give students sufficient time for self-reading and only provide a little guidance. Students should be guided to clarify the structure of the article and summarize the key points of each paragraph. In addition, students should be organized to discuss and let them list specific examples of repetition and change in artistic creation, and understand the rules of artistic creation.
Teaching Objectives
(1) Knowledge Objectives
1. Understand the artistic rules of repetition and change in artistic creation.
2． Understand the rigorous and dialectical analysis method of this article.
(2) Capability goals
1. Train students to master the reading method of summaries and hooks.
2． Train students' ability to summarize and analyze article content.
(3) Emotional goals
1. Appreciate the author's love for human civilization, traditional culture and architectural civilization, and guide students to evaluate the cityscape around them, care about their hometown, and pay attention to society.
2． Savor the implicit beauty of music, painting, and architecture in traditional Chinese culture, and understand the artistic rules revealed by the author.
Teaching key points, difficulties and solutions
Key points and difficulties
1. The meaning of the text title
"Sameness" refers to repetition in artistic creation, and "ever-changing" refers to changes in artistic creation. "Sameness and ever-changing" refers to the repetition and change of artistic creation in the duration of time, the duration of space, or the comprehensive duration of time and space. Architecture is an art of time and space, and a successful architectural creation is a dialectical unity of repetition and change. "Synesthesia between music, painting, and architecture" means that music, painting, and architectural creations all pursue repetition and change in the duration of time or the comprehensive duration of time and space, that is, the artistic rules that are connected between different art categories.
2． The dialectical unified relationship between repetition and change in artistic creation
Any sustainable artistic creation requires both repetition and change. If there is only repetition without variation, the work will be monotonous and boring; if there is only variation without repetition, it will easily become disorganized and messy.
Solution
1. Combined with the text content, let students find some examples from songs (music) or buildings that they are familiar with, and talk about their understanding of repetition and change in detail.
2． Sort out the structure of the article, find out the main purpose of the full text, summarize the key points of each paragraph, and analyze and discuss how the text embodies the artistic principles of uniformity and ever-changing.
Class schedule
One lesson
Teaching method
Self-reading method, discussion method
Teaching tools< /p>
Blackboard, chalk
Teaching process
1. Clear goals
Clear the structure of the article, grasp the main idea of ??the article, and understand the key points in artistic creation The dialectical law of repetition and change.
2. Overall perception
1. Introducing a new lesson
Judging from the title, it seems difficult to understand the two contradictory words "uniformity" and "ever-changing" put together. What should I write in the article? But just look at the subtitle and you will know that the article is about "the synaesthesia between music, painting, and architecture." So, what does "synesthesia between music, painting, and architecture" refer to? Is this synaesthesia the synaesthesia in a figure of speech? Read the article carefully, the answer will be found in it.
2． Introduction to the author and related background
Liang Sicheng, the eldest son of Liang Qichao, was born in Xinhui, Guangdong, in 1901 in Tokyo, Japan. After the founding of the People's Republic of China, he successively served as deputy director of the Beijing Urban Planning Commission, vice chairman of the Architectural Society of China, member of the Chinese Academy of Sciences, deputy to the first, second and third National People's Congress, member of the Standing Committee of the third National People's Congress, and standing committee member of the National Committee of the Chinese People's Political Consultative Conference. committee members and other positions. He died of illness in Beijing in January 1972. He is a master of contemporary Chinese architecture, an architectural theorist and educator. He is the main designer of the National Emblem of the People's Republic of China and the Monument to the People's Heroes. He founded the architecture departments of Tsinghua University and Northeastern University. Liang Sicheng also made outstanding achievements in architectural theory. In recent years, his proposals and calls for urban reconstruction and cultural relic protection in Beijing in the 1950s have attracted much attention, which is impressive and thought-provoking.
3. Key and difficult learning and goal achievement processes
1. Read the opening paragraph to understand the meaning of "uniformity" and "thousands of variations" in the title.
[Clearly] "Sameness" refers to repetition, and "kaleidoscopic" refers to change. The meaning of this paragraph is that any sustained artistic creation requires both repetition and change.
If there is only repetition without variation, the work will be monotonous and boring; if there is only variation without repetition, the work will easily fall into disarray. "Synesthesia between music, painting, and architecture" refers to the repetition and changes in these artistic creations. This paragraph is the outline of the full text.
2． Read 2 to 7 paragraphs to yourself and summarize the main points of the content.
[Clearly] These paragraphs mean that as continuous artistic creations, music, dance and painting are the unity of repetition and change. Paragraphs 2 and 3 talk about music, paragraph 4 talks about dance, and paragraphs 5, 6 and 7 talk about painting. Music is an art that lasts in time. The repetition of music refers to its theme and the change refers to its rhythm. The author gives Schubert's "Trout" Quintet as an example to illustrate. Dance is mostly an art that combines time and space. Almost all dances have repetitions in their changes. This repetition refers to the repetition of movements. "Handscrolls" in paintings are mostly art that is comprehensive and continuous in time and space, with the unity of repetition and change. The author uses Zhang Zeduan's "Along the River During the Qingming Festival" and Li Gonglin's "Herding Picture" as examples to illustrate.
3. Read paragraphs 8 to 15 and summarize the main points of these paragraphs.
[Clearly] The meaning of these paragraphs is that as an art of spatial continuity, most buildings are an organic unity of uniformity and ever-changing. The author lists buildings such as the Great Hall of the People, the Forbidden City, the Garden of Harmony and the Corridor of the Summer Palace to strongly prove this point. The author explains in detail the corridors of the Forbidden City and the Summer Palace. From the China Gate to Tiananmen Gate in the Forbidden City, there is a thousand-step corridor arranged in one breath. From Tiananmen Gate to the Meridian Gate, there are repeated court rooms. After entering the Meridian Gate, there are many similar halls. Every group of buildings in the entire Forbidden City is built with the same specifications and form, and even the paintings and sculptures are the same. The sameness of repetition expresses the atmosphere of royal weather. But there are changes in the unity. From the court room to the main hall, there is a change. The main body of the main hall and the corridors, verandas, towers and doors on both sides are also changes. The changes do not make people feel single. The promenade of the Summer Palace is the same, with endless repetition, but the flower windows on the lakeside corridor in front of the promenade are a change. The change of the flower windows is the prelude to the promenade. Repetition and change are harmonious and unified.
4. Read the last paragraph to yourself and clarify the purpose of writing.
[Clear] The concluding paragraph criticizes the shortcomings of some of our residential designs, which are either so dazzlingly varied or so repetitive that children cannot find a home, that is, a single sameness or ever-changing, without combining the two, reminding Architects take note.
5. When talking about repetition and change in artistic creation, why does the author emphasize "continuity"?
[Clear] Without continuity, there is no repetition and change.
6． The article came up with a bold idea when talking about the promenade of the Summer Palace, and tried to analyze the repetition and change of language in it.
[Clear] Twenty “one” words give people a sense of boredom in language and are unacceptable. The so-called "ever-changing" mess and "absurdity" of "square", "circle", "eight", "hexagonal"... are reinforced in a repetitive manner. In other words, the columns of the corridor do not need so many different shapes at all. The same columns can give people a special feeling. What the corridor needs is repetition, not change.
7. Let students find examples from familiar songs or buildings and talk about the dialectical laws of repetition and change in artistic creation.
4. Summary and expansion
There are differences, connections, repetitions, or changes between the various parts of the artistic work. They are organically combined into one according to certain rules. overall. Transforming many messy things into unity, and then seeking certain changes in the unity, this is the law of organic unity. It is of great significance to use this law to guide our artistic creation.
5. Homework
1. Complete "Thinking Exercise" 2 after class.
2． Chinese culture pays attention to the beauty of implicitness. Write a short article with the subtitle "Synesthesia among Chinese Poetry, Drama, and Architecture".
Blackboard design
Sameness and ever-changing
Sameness - repetition in creation
Always changing - change in creation
Sameness and ever-changing - the repetition and change of artistic creation in the duration of time, the duration of space, or the comprehensive duration of time and space.
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